Enjoy!![]()
Enjoy!![]()
Shian7
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Kudakutemo
kudakutemo
ari mizu-no tsuki
Though it be be broken -
broken again - still it's there:
the moon on the water.
- Choshu.
Yes, it can be fun on an LP12 in the right system. Must run!I used an Ittok for many years, in it's natural habitat, and quite liked it.
Laters,
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I put an Ittok on a Voyd once, ....for about 5 minutes. It was all midrange, indeed flicking the tube told you exactly what it sounded like. I can see why, in combination with the overly warm LP12 & their fizzy cartridges it was a combination that worked albeit without much dynamic range. However, it was like a fish on a bicycle on any kind of neutral platform.
I'd have tought it would have been more like 'tits on a fish'!
Hmmm..... Smiley deleted. Smiley central seems to have some sort of inbuilt 'spam engine'. Not good!
Last edited by Mike; 15-01-2009 at 08:17. Reason: Smiley deleted.
Shian7
--------------------------------------------------------
Kudakutemo
kudakutemo
ari mizu-no tsuki
Though it be be broken -
broken again - still it's there:
the moon on the water.
- Choshu.
Conversely, the SME III had such a poor reputation yet I got good sound from it mounted on a Strathclyde STD-305M running a Dynavector 20A cartridge. Not the last word in dynamics, but smooth and very listenable.
I still have an SME III and Michell TecnoArm(A) to sell. Must get photographing.
Location: London, Canada
Posts: 189
I'm Blake.
Not a 12", but a 10.5 available here:
http://www.puremusicgroup.com/cart/i...d&productId=53
for a very reasonable $400 U.S. ballpark price. Seems like a steal.
I was about to spring for one for my Gyrodec until I discovered it will only take a 9" arm and am now seriously considering the 750D. Does anyone know anything about the bearings on the 750D. Are they upgraded over the 250S and 250 ST? I'm assuming they would be based on the price difference. Perhaps someone can shed some light on what the actual differences are with respect to the 250S and the 750D beyond the fluid damping capability of the 750?
I've tried to download the review of the 750D but for some reason can't do it and they're still selling the December issue of HFW here in Canada so it may be months before I can read it!
Also, any thoughts from anyone on using a heavier aftermarket headshell than the stock Jelco and if the standard counterweight that comes with the 750 would be capable of balancing out a heavy cartridge (an 11 gram 103R in a wood body) with a heavier headshell?
Last edited by blake; 15-01-2009 at 00:19.
Hi Blake,
Welcome to AOS! I can answer all these questions - just off to bed now so I'll come back to you tomorrow
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
From what I can gather, the III's poor reputation was largely a result of bad timing. When SME were designing it, high compliance MM cartridges were very much in vogue and it was designed for such cartridges. Unfortunately for the III , by the time it was released, MC cartridges were very much taking over with their potential customers and it's performance was not as good with low compliance cartridges.
"Always carry a large flagon of whisky, in case of snake bite and, furthermore, always carry a small snake."
Kevin