+ Reply to Thread
Page 5 of 7 FirstFirst ... 34567 LastLast
Results 41 to 50 of 68

Thread: SME V and Technics EPA-100

  1. #41
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

    Default

    Enjoy!
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  2. #42
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,448
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I used an Ittok for many years, in it's natural habitat, and quite liked it.
    Yes, it can be fun on an LP12 in the right system. Must run!

    Laters,
    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #43
    MartinT Guest

    Default

    Quote Originally Posted by Marco View Post
    I hope you're not getting terribly upset about all this because we usually get on quite well
    Not at all, disagreement makes for lively debate.

  4. #44
    Join Date: Jan 2008

    Location: South West England

    Posts: 958
    I'm Guy.

    Default

    I put an Ittok on a Voyd once, ....for about 5 minutes. It was all midrange, indeed flicking the tube told you exactly what it sounded like. I can see why, in combination with the overly warm LP12 & their fizzy cartridges it was a combination that worked albeit without much dynamic range. However, it was like a fish on a bicycle on any kind of neutral platform.

  5. #45
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

    Default

    I'd have tought it would have been more like 'tits on a fish'!




    Hmmm..... Smiley deleted. Smiley central seems to have some sort of inbuilt 'spam engine'. Not good!
    Last edited by Mike; 15-01-2009 at 08:17. Reason: Smiley deleted.
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  6. #46
    MartinT Guest

    Default

    Conversely, the SME III had such a poor reputation yet I got good sound from it mounted on a Strathclyde STD-305M running a Dynavector 20A cartridge. Not the last word in dynamics, but smooth and very listenable.

    I still have an SME III and Michell TecnoArm(A) to sell. Must get photographing.

  7. #47
    Join Date: Jan 2009

    Location: London, Canada

    Posts: 189
    I'm Blake.

    Default

    Quote Originally Posted by pure sound View Post
    Jelco have been going a long time & certainly have plenty of experience in making decent pivoted arms at a variety of price levels. If only they'd do a 12" version of the 750 I'd consider getting one.

    An SME wired as mine is would be well over £2K now maybe £2.5K I don't know. Alot anyway! If I were buying a new one now I'd probably go for either the 312S or the new 12" version of the V.

    The whole 'not 000's of pounds better' thing is something of a red herring. Different levels of performance have different degrees of relevance to different people. I could fit a £20 mm cartridge to my arm. It would doubtless play the records well enough for 99% of people. Is an SPU, a Denon, a Shelter or an Io worth hundreds or thousands of pounds more? It depends on the priorities of the end user. Personally I wouldn't pay more than £15 for a watch. All it has to do is tell me the time. Some people will pay thousands for a watch. Are they mad? No, but they have different priorities to me. Ditto cars. I'd like a Bentley but wouldn't pay £100K+ for one. If I won £20m on the lottery (I'd have to start buying tickets first!) then I might consider it. The point is that performance per pound means different things to different people and no two people's priorities and values are the same.
    Not a 12", but a 10.5 available here:

    http://www.puremusicgroup.com/cart/i...d&productId=53

    for a very reasonable $400 U.S. ballpark price. Seems like a steal.

    I was about to spring for one for my Gyrodec until I discovered it will only take a 9" arm and am now seriously considering the 750D. Does anyone know anything about the bearings on the 750D. Are they upgraded over the 250S and 250 ST? I'm assuming they would be based on the price difference. Perhaps someone can shed some light on what the actual differences are with respect to the 250S and the 750D beyond the fluid damping capability of the 750?

    I've tried to download the review of the 750D but for some reason can't do it and they're still selling the December issue of HFW here in Canada so it may be months before I can read it!

    Also, any thoughts from anyone on using a heavier aftermarket headshell than the stock Jelco and if the standard counterweight that comes with the 750 would be capable of balancing out a heavy cartridge (an 11 gram 103R in a wood body) with a heavier headshell?
    Last edited by blake; 15-01-2009 at 00:19.

  8. #48
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,448
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Blake,

    Welcome to AOS! I can answer all these questions - just off to bed now so I'll come back to you tomorrow

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #49
    Join Date: Feb 2008

    Location: Boddam Aberdeenshire

    Posts: 272

    Default

    Quote Originally Posted by MartinT View Post
    Conversely, the SME III had such a poor reputation yet I got good sound from it mounted on a Strathclyde STD-305M running a Dynavector 20A cartridge. Not the last word in dynamics, but smooth and very listenable.
    From what I can gather, the III's poor reputation was largely a result of bad timing. When SME were designing it, high compliance MM cartridges were very much in vogue and it was designed for such cartridges. Unfortunately for the III , by the time it was released, MC cartridges were very much taking over with their potential customers and it's performance was not as good with low compliance cartridges.
    "Always carry a large flagon of whisky, in case of snake bite and, furthermore, always carry a small snake."


    Kevin

  10. #50
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

    Default

    Quote Originally Posted by pure sound View Post
    I put an Ittok on a Voyd once, ....for about 5 minutes. It was all midrange, indeed flicking the tube told you exactly what it sounded like. I can see why, in combination with the overly warm LP12 & their fizzy cartridges it was a combination that worked albeit without much dynamic range. However, it was like a fish on a bicycle on any kind of neutral platform.
    Doug Dunlop used to describe the linn as tizzy bom bom,bless him.

    Guy' what do you think was the best arm match for the voyd, John still has the Helius orion with the IO ,i think this was a better combo than my SME310/Music maker.

+ Reply to Thread
Page 5 of 7 FirstFirst ... 34567 LastLast

Tags for this Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •