+ Reply to Thread
Page 3 of 7 FirstFirst 12345 ... LastLast
Results 21 to 30 of 68

Thread: SME V and Technics EPA-100

  1. #21
    Join Date: Nov 2008

    Location: Suffolk

    Posts: 119
    I'm Gerard.

    Default

    Quote Originally Posted by Sensimilia View Post
    I reckon my HS-100 can chew up both the SME and the EPA-100.

    Stan
    Would that be an Alphason HR-100s/MCS???

    If so IMHO yes. I have one and it certainly is better (IMHO) than a EPA-100 and more musical, with the same analytical abilities, as a SME IV.

    I had a Jelco 750 derivative....Sumiko MMT. It was so so (IMHO), much better than a Rega or any of those clones. But not in the league of the Alphason, Audiocraft, Fidelity Research etc.

    Problem with the Alphason is the mounting distance espcially on the SP10. 211mm is very tight, without having the arm half way down the side, or at the rear ala BBC.

    (Sorry the above is just my opinion and I don't mean to upset, or offend anyone. I know Marco feels that all this expensive stuff is over-priced by comparison to his SL & 750 etc. I'm sure his set-up is perfect/the best value for money.)

    Regards
    Gerry

  2. #22
    MartinT Guest

    Default

    Quote Originally Posted by Marco View Post
    No offence, Guy, but when there are arms around of the sheer quality of the Jelcos (and offering very near SME performance) selling for not much more than pocket money it makes you realise that you're paying an awful lot for that SME badge!
    Hang on there, that's not quite true. The Jelco is a very well made arm and performs well. It has poor adjustments, few tools, no accessories and absolutely no documentation to speak of.

    The SME has engineering of world class, and I mean that. Having owned a II, III and IV, there is nothing to touch their quality of finish, level and ease of adjustments or sheer beauty. They come with everything you need, a comprehensive manual written in proper English and superb presentation. They also have superb service - I had a major cueing problem repaired on an out-of-warranty arm for the princely sum of £1. They actually brought the whole arm up to latest spec.

    Your SPPV may well say that the Jelco offers better value for money, and I won't necessarily argue with that, but it doesn't tell the whole story and we should be grateful that a British company like SME exists and beats the world in its niche expertise.

  3. #23
    Join Date: Feb 2008

    Location: http://www.homehifi.co.uk

    Posts: 6,289

    Default

    Quote Originally Posted by Gerry View Post
    Would that be an Alphason HR-100s/MCS???
    .
    .

  4. #24
    Join Date: Jan 2008

    Location: South West England

    Posts: 958
    I'm Guy.

    Default

    Quote Originally Posted by Gerry View Post
    Problem with the Alphason is the mounting distance espcially on the SP10. 211mm is very tight, without having the arm half way down the side, or at the rear ala BBC.
    It goes on alright Gerry. Sounds good too!



    As with the SME you need to get rid of any of the godawful vdH cable (internal or external) that Alphason were spoiling their arms with.
    Last edited by pure sound; 14-01-2009 at 15:09.

  5. #25
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,458
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I agree with your last point, Martin. However:

    The SME has engineering of world class, and I mean that.
    So have Jelco "world class" engineering. You're letting your 'Britishness' get the better of you. Have you seen some of the tonearms they make other than the one you use? Also, there is a marked difference in the fit and finish of the 750D to the 250ST. You need to examine the two side by side to understand where I'm coming from.

    Having owned a II, III and IV, there is nothing to touch their quality of finish, level and ease of adjustments or sheer beauty.
    I disagree. I've owned a Series II, III, and (briefly) an M2, and used at some length, a IV and V. The Jelco SA-750D I've got is every bit as well engineered as any of those arms, and the V aside, sounds as good as or better than any of them!

    They come with everything you need, a comprehensive manual written in proper English and superb presentation. They also have superb service
    I care not a jot about comprehensive manuals in English or any other language. They're unnecessary with something like a tonearm - it's not a Blue Ray player, AV amplifier, or something of that complexity we're talking about setting up. And besides, Dave does all the initial setting-up and also supplies excellent service - it's called having a good dealer, so I don't worry about such things. I can do the rest myself without a manual

    Nice pic, Guy!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #26
    MartinT Guest

    Default

    I have a Longines watch bought for me by my (sadly departed) wife back in 1990. It is beautiful and very accurate, a thing to behold and priceless to me. It is definitely an object to cherish, something I could not do with a £15 watch.

  7. #27
    MartinT Guest

    Default

    Quote Originally Posted by Marco View Post
    I care not a jot about comprehensive manuals in English or any other language
    Fine and good, but don't say that people are buying an SME for the badge. There's a lot of cost in tooling up everything they supply in the price, including the manual. Production runs are probably smaller than Jelco too.

  8. #28
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,458
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Martin, please don't be so naïve. The sad fact is some people do buy SME for the 'badge', just as they do with Linn, Naim, Krell, and a host of other hi-end brands. You make a valid point about production runs, but at the end of the day most people (who aren't badge conscious) will simply go with whatever offers the greater SPPV, and care not about which company has the highest overheads - that's the bottom line

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #29
    MartinT Guest

    Default

    Quote Originally Posted by Marco View Post
    Martin, please don't be so naïve. The sad fact is some people do buy SME for the 'badge'
    Whoa Marco, no need for that. I really don't believe any but a tiny minority of people would buy an SME for the badge. Vinyl buyers are discerning and would listen first. Perhaps a rich banking investment manager (are there any left) would buy, say, a Michell Orbe with SME for its pose value, but there won't be many of those.

  10. #30
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,458
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Whoa Marco, no need for that.
    LOL! No need for what, Martin - realism?

    I really don't believe any but a tiny minority of people would buy an SME for the badge.
    Do you believe that people buy, say, Linn and Naim gear for the 'badge' - if so, why should SME users be any different?

    Vinyl buyers are discerning and would listen first.
    Haha... Now that definitely is naivety of the highest order!

    Perhaps a rich banking investment manager (are there any left) would buy, say, a Michell Orbe with SME for its pose value, but there won't be many of those.
    Well I can think of a reasonably well-paid physician, who used to post on forums a lot, and who bought an SME20 for its 'badge'. You may have heard of him. If not, I'm sorry, but I can't name names. I also know of someone else directly out with of forums who bought and SME20 mainly for its 'badge'.

    So who knows how many others have done the same?

    I'm afraid that 'badge snobbery' happens in SME-land the same as it does anywhere else!

    Incidentally, I hope you're not getting terribly upset about all this because we usually get on quite well. However I will always tell it as I see it, directly and to the point, so no offence!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

+ Reply to Thread
Page 3 of 7 FirstFirst 12345 ... LastLast

Tags for this Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •