+ Reply to Thread
Page 7 of 11 FirstFirst ... 56789 ... LastLast
Results 61 to 70 of 109

Thread: Which would you keep?

  1. #61
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,820
    I'm openingabottleofwine.

    Default

    Hi André,

    Thanks for your reply - I understand now. With all the time and effort you have put into restoring 'vintage' gear, especially Ferrographs, I can now understand the vested interest and attachment the gear has for you.

    What vintage deck will be going for? Something of the '70s to '80s?

    Regards
    Barry

  2. #62
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

    Default

    Thanks Barry

    It would be 60's as Id like my old Transcriptor 'Hyd Ref/10'' Fluid arm/ADC i used to own but the prices are mad on second had market. Again the turntable i fell in love with on first encounter. Being a massive Clockwork Orange fan it be only right

  3. #63
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,820
    I'm openingabottleofwine.

    Default

    Quote Originally Posted by F307 View Post
    Thanks Barry

    It would be 60's as I'd like my old Transcriptor 'Hyd Ref/10'' Fluid arm/ADC I used to own but the prices are mad on second had market. Again the turntable I fell in love with on first encounter. Being a massive Clockwork Orange fan it be only right
    I know what you mean!

    I have a soft spot for ADC cartridges, especially the 10E Mk. IV and the 25 and 26. I think the Transcriptors Fluid arm has a low enough mass to allow the 25/26 cartridges to run in it. I'm sure Dave (DSJR) will be able to advise.

    Regards

    PS I like your new 'moniker': what else could it be?
    Barry

  4. #64
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

    Default



    Was the 10E..

  5. #65
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

    Default

    Quote Originally Posted by Barry View Post
    My conviction hasn’t changed, but I would like to thank Jerry for “thinking the unthinkable”, or for “thinking outside the box” – I certainly made me think!
    Well, thanks for that. It's often what Marco sets out to do, so Marco and I perhaps have even more in common than we thought.

    Although I might be about to diverge a bit from him here ....

    I've been giving some thought to 'emotional attachment to music'. And I've come to the conclusion that I don't have any.
    I play music because I enjoy it, or find it interesting for one reason or another.
    I don't keep a recording or an album cos my dear ol' mum (maysherestinpeace) bequeathed it to me on her deathbed, or because it was playing when I had my first shag, or ... well, you get the idea.

    I am free of any such emotional attachments - I can't think of a single example that applies to me.

    I just enjoy music for its own sake, and tbh I don't think there is anything wrong with that at all. But perhaps it makes it more understandable why I came to the conclusion that I did about the original question posed here.
    .

  6. #66
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,596
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Barry,

    I still remain convinced that if it were a clear choice between my music collection and my system, it would be the music collection every time. That doesn’t mean I would set out to replace my system with the same items that I had – I would most likely buy ‘new’, modern and well-regarded items of gear.
    Why? Shouldn't the defining criteria be whatever equipment performs best, sonically, to your ears, regardless of its age?

    I would no sooner use all vintage gear, if it sounded pants, compared to the best modern kit, than I would do vice versa!

    I'm therefore completely agnostic, in terms of the age of the equipment I would choose to use. For me, sonic performance must always come first, ahead of any romantic feelings of nostalgia, or the desire to own the 'latest toy'.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #67
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,596
    I'm AudioAl'sArbiterForPISHANTO.

    Default Some questions for Jerry...

    Hi Jerry,

    I've been giving some thought to 'emotional attachment to music'. And I've come to the conclusion that I don't have any.
    I play music because I enjoy it, or find it interesting for one reason or another.

    I don't keep a recording or an album cos my dear ol' mum (maysherestinpeace) bequeathed it to me on her deathbed, or because it was playing when I had my first shag, or ... well, you get the idea.
    Interesting... Don't you own any records which you grew up with listening to as a child, and so for you they have developed a special significance? What music did you grow up with? What music did your parents play at home?

    What music did you listen to in your bedroom with your friends, as a teenager? What music did you swap with friends at school?

    What music did you choose at your wedding when your wife and you had your first dance? What music would you request be played at your funeral, and why? What would be your chosen 'desert island discs', and why?

    Surely any (or all) of what you list, from the above, qualify as being music that you have an emotional attachment to?

    As Poirot says, that should get 'the leetle grey cells' going!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #68
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

    Default

    Quote Originally Posted by Marco View Post
    Hi Jerry,

    Interesting... Don't you own any records which you grew up with listening to as a child, and so for you they have developed a special significance? No. What music did you grow up with? I have none now that I do not currently enjoy. It has no significance for me beyond that. What music did your parents play at home? Not a lot. My mother liked a bit of romantic opera, I can't stand the stuff.

    What music did you listen to in your bedroom with your friends, as a teenager? I have none now that I do not currently enjoy. It has no significance for me beyond that. What music did you swap with friends at school? Ditto.

    What music did you choose at your wedding when your wife and you had your first dance? We didn't choose much of anything, nor did we dance! What music would you request be played at your funeral, and why? I've told my wife that she can arrange whatever she sees fit for my funeral. I couldn't give a damn. What would be your chosen 'desert island discs', and why? Choices would be for enjoyment not emotional attachment.

    Surely any (or all) of what you list, from the above, qualify as being music that you have an emotional attachment to?

    Well they would if I had answered any in the affirmative! ... you really cannot catch me out, you know! As I said before, I really have given this some thought.

    As Poirot says, that should get 'the leetle grey cells' going!

    Marco.
    .

  9. #69
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,596
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Sure. But no offence, mate, I can't help but feel some of the answers are a little sad, and also somewhat inconclusive...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #70
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

    Default

    Sure, I'd expect that - we are very different people. I don't feel sad at all ... I have other things that I am emotionally attached to. We're just different, is all.

    Inconclusive?
    .

+ Reply to Thread
Page 7 of 11 FirstFirst ... 56789 ... LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •