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Thread: New Composite Platter for SL1200s from Mike New

  1. #51
    MartinT Guest

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    No, there's nothing wrong with favouring our trade members, Darren, and we do that quite a lot as you say. However, we will always say it like it is and not review or promote components biased towards any particular traders.

  2. #52
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,778
    I'm Andrew.

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    Quote Originally Posted by MartinT View Post
    That's seriously out of order, John. You're new here, but be very careful before accusing someone of favouritism. Some of us have tried many variations of bearing/platter/mat and can speak from experience. We always tell it like it is, and check with each other behind the scenes, as well as listening to each other's systems, to confirm our findings. There will always be differences of opinion, but it's not because we're partisan with the suppliers. Why do you think so many trade companies are well represented here? One reason is that they sense that we play fair.
    +1.

    John,

    Its ok to have an opinion but yours stinks. I buy from Mike because countless others have and the findings they report back in the forum are true. Mikes making a new platter, I aint buying it! I'm extremely happy with the 1st one I bought, he produced something for me that lifted my deck to new extremes I'm very very happy. His new platter my make things even better but I'm buying a Paul Hynes PSU. OOOppppssss sorry that another forum member that I'm not supposed to buy from because he hangs around the forum. John if I were you I'd apologise and keep your stupid comments to yourself, you have no idea how stupid you look at the moment.

    A
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  3. #53
    Join Date: Apr 2011

    Location: London

    Posts: 4,411
    I'm Robert.

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    Personally I think we should all move on, no ones perfect, we all make mistakes (or slip up). Marco said his bit, moved on and we got to a place where the discussion was re: reviewing platters. Leave it alone now please. I love this sight, all it has to offer re: hifi, (I've learned much) the banter and discussions are great, stuf like this though feels uncomfortable, unrelenting, a bit like witnessing a kicking when someones already down - come on guys Please lets get back on thread !! Peace and Love to one and all

  4. #54
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,778
    I'm Andrew.

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    Quote Originally Posted by RobbieGong View Post
    Personally I think we should all move on, no ones perfect, we all make mistakes (or slip up). Marco said his bit, moved on and we got to a place where the discussion was re: reviewing platters. Leave it alone now please. I love this sight, all it has to offer re: hifi, (I've learned much) the banter and discussions are great, stuf like this though feels uncomfortable, unrelenting, a bit like witnessing a kicking when someones already down - come on guys Please lets get back on thread !! Peace and Love to one and all
    Point taken.
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE / MONO
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker





  5. #55
    Join Date: Apr 2011

    Location: London

    Posts: 4,411
    I'm Robert.

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    Quote Originally Posted by REXTON View Post
    Point taken.
    Nice one Andrew, It takes a man to be a man so nuf respect to you

  6. #56
    Mike_New Guest

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    This is the all Black Platter



    This is the same platter with thin flexible mat

    Hi Folks
    Here are the pics of the all black ETP Platter.
    This no doubt will make Marco happy.
    I will use the generic title ETP (Engineering Thermo Plastic) as this more accurately describes the material. The exact type or grade is not important at the moment.

    A platter has been provided to a music aficionado in Melbourne who has said he will write up a summation of his opinions. I have no connection with him other than he recently purchased a bearing from me.

    I would be happy to work with anyone else who would like to try this new ETP version in addition to Martin.

    However there is I believe one caveat, this new platter cannot be accurately judged sonically by the use of one particular mat simply because it works well with my Copper Clad Platter and has become the standard by which others are judged (I have one). This is a totally different material from Acrylic or Copper/Alluminium. Therefore the response will be different depending on the type of mat used as before or perhaps not mat at all.
    I have used the thin flexible mat supplied by Origin Live for my tests and to my ears it performs well.

    a) The standard platter sits at 12mm above the surface of the chassis.

    b) The top of the platter as shown, is 22mm above the top surface.

    c) This provides considerable vertical room for VTA adjustment of retro fitted tone arms and also allows for the fitting of thicker much more substantial one-piece Arm Boards. However the top surface of the platter can be machined down to whatever the user requires or made even higher.

    d) You will also notice that the pics now show my bearing installed into the MK3 which provides more spindle length than the standard one (this requirement was anticipated when I designed the bearing) and allows the use of a thicker platter.

    e) I am now able to machine a curvature into the top surface of the platter to allow for better clamping of partially warped records. However this can only be taken advantage of, if using a thin flexible mat; or no mat at all!
    I personally would not recommend it, however it can be done.

    f) Also a label recess can be machined into the surface

    g) Lifting holes can be provided or a groove machined into the edge for lifting.
    Last edited by Mike_New; 08-02-2012 at 07:44.

  7. #57
    MartinT Guest

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    Broken link, Mike.

  8. #58
    Mike_New Guest

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    Thanks Martin you were a bit ahead of me

  9. #59
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,477
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Mike,

    That looks great, and very nicely finished!

    I think you'll find it beneficial being able to offer customers black and white versions of your platter, as many people, like me, will prefer the more 'sober' look of just a plain black one. And looking at the colour you've achieved, I suspect that it will look great on the blacker top plate of a MK5G. The MK2 and MK3 is more of a dark grey. I suspect too, that the black platter will even look good on a silver SL-1200. The contrast should work well.

    I think that a label recess would be mandatory, if one were using the platter without a mat, as otherwise records won't sit flat against the platter. I found that to be the case with the copper composite one, even though the surface was effectively the mat.

    Just a couple of questions, how much heavier (if any) is your platter than the stock Technics one? If you could provide details of the weights of both platters, that would be useful.

    Also, is the T/T shown in the picture fitted with your bearing base plate (as well as) your bearing?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #60
    Mike_New Guest

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    Hi Marco,
    The colour you see is the natural colour of the particular ETP that I am using, as is the off-white version. (two colours only).
    This platter as you see it, weighs in at about 3.5Kg. The Copper Bonded Solid Alluminium Platter comes in at about 6Kg both depending on the thickness.
    The stock platter weighs in at about 1.5Kg

    The MK3 shown with my bearing is not fitted with a Bearing Base Plate.
    The thickness of the platter makes it look that way.
    Note how much height can be gained when the standard VTA adjustment is wound up to maximum.

    Also I am now machining a 2mm outer skirt under the platter edge, so that anyone who decides to fit the Bearing base Plate at a later date, can do so without upsetting the aesthetics.

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