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Thread: Stands and sound quality

  1. #31
    Join Date: Aug 2011

    Location: Bacau, Romania

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    I'm Bob.

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    Quote Originally Posted by Reid Malenfant View Post
    Sand is superb stuff for damping any resonances, because each partical can't really pass it on to it's neighbour any nasties are soon damped out.

    Wharfedale (an old speaker manufacturer from the UK) used to make a sand filled baffle speaker, the same thing applies, the baffle was non resonant due to the sand filling

    Try punching a bucket of sand & see how much it resonates
    I guess it has to be white sand with lead shot to avoid colouration of the non resonance.

    Still not convinced from previous messing around that lead shot adds anything (other than mass) to the behaviour, and in a resonating cabinet, particle separation and migration would be rapid. In a tubular metallic frame, such dampening would exhibit the same migration which could possibly cause localised ringing, only to be dampened by the sand.
    Drop lead shot and sand mix onto a steel plate and listen for the sand hitting it or vibrate the mix in a glass to see the effect....
    Even the best graded quartz sand will settle out leaving a fine dust on the top layer as it is effectively a range of particle sizes of unequal mass.

    Pretty sure I came across a fairly recent design using the exact same sand technique for dual walls in a DIY speaker array, and yer another for a sub-bass. Also came across a turntable base that was so designed, which seemed a little extreme.

  2. #32
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,320
    I'm Martin.

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    Wouldn't siting a piece of kit on top of a sandbag give theoretically total isolation from structure borne vibration at a very low price - albeit with a low WAF rating also?
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  3. #33
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    I'm AudioAl'sArbiterForPISHANTO.

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    Not sure how level or stable it would be for long, though!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

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    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

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  4. #34
    Join Date: Aug 2011

    Location: Bacau, Romania

    Posts: 1,215
    I'm Bob.

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    Quote Originally Posted by Macca View Post
    Wouldn't siting a piece of kit on top of a sandbag give theoretically total isolation from structure borne vibration at a very low price - albeit with a low WAF rating also?
    Nope.....more likely to get a black eye for the leaking sand as a result of WAF.
    If the sand is not incorporated in the structure it is not dampening any chassis vibrations.
    A sandbag's contents would shift so would have no support stability.
    It would however dampen sonics travelling through it down to a certain frequency. Such is the design of the TL's stand here, a box of sand on spikes, the speakers spaced off the timber box.
    The sand however is not the support.

  5. #35
    Join Date: May 2008

    Location: U.S.A. Neo-Socialist Kalifornski

    Posts: 3,264

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    Quote Originally Posted by bobbasrah View Post
    I guess it has to be white sand with lead shot to avoid colouration of the non resonance.

    Still not convinced from previous messing around that lead shot adds anything (other than mass) to the behaviour, and in a resonating cabinet, particle separation and migration would be rapid. In a tubular metallic frame, such dampening would exhibit the same migration which could possibly cause localised ringing, only to be dampened by the sand.
    Drop lead shot and sand mix onto a steel plate and listen for the sand hitting it or vibrate the mix in a glass to see the effect....
    Even the best graded quartz sand will settle out leaving a fine dust on the top layer as it is effectively a range of particle sizes of unequal mass.

    Pretty sure I came across a fairly recent design using the exact same sand technique for dual walls in a DIY speaker array, and yer another for a sub-bass. Also came across a turntable base that was so designed, which seemed a little extreme.
    The lead sot only adds mass,and mass helps deaden vibration by it's very nature,Mass is your friend.
    Jeff :UBERTHREADKILLER

  6. #36
    Join Date: Aug 2011

    Location: Bacau, Romania

    Posts: 1,215
    I'm Bob.

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    Quote Originally Posted by goraman View Post
    The lead sot only adds mass,and mass helps deaden vibration by it's very nature,Mass is your friend.
    Unless you are in the sights of the shotgun

  7. #37
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

    Posts: 11,165
    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

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    Personally I wouldn't add lead shot to the sand.

    Speaking of migration you should have watched me make some sand filled speakers a while back, there is a way round it What you have to do is fill the panel from one corner & then with a scrap piece of wood & a hammer you proceed to beat the crap out of the scrap wood while it sits against the centre of the sand filled panel. This soon settles the sand & you then add more via the gap in between the panels in the upper corner.

    Having beaten it up enough a plug is then glued & hammered in to plug the gap

    Take it from me that it works & works rather well
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  8. #38
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,031
    I'm inthescottishmafia.

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    Quote Originally Posted by Macca View Post
    Wouldn't siting a piece of kit on top of a sandbag give theoretically total isolation from structure borne vibration at a very low price - albeit with a low WAF rating also?
    http://www.tnt-audio.com/clinica/sandblaster_e.html

  9. #39
    Join Date: Nov 2011

    Location: Detroit and Glasgow

    Posts: 168
    I'm Jack.

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    Okay, as I promised (I'm the OP) here's a picture of my equipment stand.

    It is spiked on the bottom, and the turntable base is spiked as well.



    I confess I didn't do ABX testing, and I don't know if it "sounds" any better, or indeed, if it "sounds" at all, but at the very least I removed the notion of poor eqiupment stands from the equation, and I think it looks nice as well.
    ___________________

    VPI / JMW arm, with Dynavector 20 (also Technics 1200mkII), Luxman 505u integrated, Marantz 8004 SACD/CD, TAD/Pioneer S-2EX speakers, GIK room treatments

  10. #40
    Join Date: Nov 2011

    Location: fuck off

    Posts: 2,030
    I'm fuckoff.

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    Nice rack (arf arf).

    What is it? I like the finish.

    When I went from a manky old Ikea stand with a wobbly leg to something better, I didn't listen for a difference but I couldn't help notice everything sounded more coherent, atleast to me it does.

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