Cool - it looks lovely. Nice wooden armboard, too, which shows that the route I've gone down with my ebony armboard was the right one. Trouble is, the people who own those SP10s tend to (quite rightly) keep them! Unfortunately, by far the majority of the SP10s on the used market are ex-broadcast units, which usually aren't, erm, quite so lovely....
I'm not dismissing anything, mate. I'm simply using my ears. And when these sessions take place, it's always in the company of the owners of the other turntables it was up against, who more often than not come to the same conclusions as me, so.... get it RIGHT up ye!The amount of wonga you have spent on your Tech will fool your brain into dismissing all other turntables as being inferior to yours anyway so who cares.........![]()
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Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
For the Technics platter fans:
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My hifi system:
Turntable: Technics SL-1200 MKII, Ortofon 2M Bronze cartridge, Mike New bearing, MCRU PSU (c), Oyaide HS-CF headshell, Oyaide MJ-12 TT mat, Vantage Audio Copper mat, Isonoe Isolation Feet, Isodek IF-2 isolation platform, Furutech Monza LP stabilizer, Herbie's Hal-O JR damper Phono Stage: Hagerman Cornet 3 (prototype) Amplifiers: EAR 868L Preamp, Transcription Audio 211 Heaven Power amp, Bob Carver Cherry 180 power amp CD Player: Ear Yoshino Acute Tuner: Magnum Dynalab 90T Speakers: Vandersteen 2CE SigII, Townshend Audio Super Tweeters, Transcription Audio Speakers Cables and stuff: LFD Audio interconnects and speaker cables, Mark Grant G2000HD, BlackCat Electronics, Van Den Hul Clearwater, Black Rhodium mains cables, Black Rhodium mains block, Finite Elements Resonator, Townhsend Stella Speaker stands, Pro Audio Bono hifi rack, Herbie's spike gliders, Herbie's Ultravox and Hal-O tube dampers, Super Black Hole CD mat Record Cleaning Machine: Loricraft PRC4
Location: Worthing
Posts: 75
I'm James.
Does anyone have any photos of the platter not in situ? I'm interested to see the underside as I cannot for the life of me work out how Funk can justify the RRP on this.![]()
Here's a photo of mine, although I don't see how that's going to help you. It's precision engineered acrylic with a very high precision sensor cog and made in very small production runs. The real proof is in the listening, and for me the sound quality is well worth the outlay.
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Location: Huddersfield
Posts: 3,358
I'm David.
As with anything in life, you pays your money and takes your choice, if it gives you what you were expecting keep it, if not send it back, could not be more simple really![]()
Location: Worthing
Posts: 75
I'm James.
Thanks for the photo Martin. It's great that you guys are pleased with the platter, I'd like to try one too, but can't afford Funk's asking price. I'll likely make my own at some point. This reminds me a lot of the Linn Keel.
Hi James,
I do not know what the Funk platter costs, but you must realize that the costs of labour in the UK are high compared with the relatively low cost of the acrylic material used.
From the image that Martin has posted I can see that the platter does not have the 6.5 mm of material below the magnet, which my platter has, and which lowers the centre of gravity and thus improving on the sonic qualities.
I guess the funk platter has been designed to fit all combinations of SL1200 upgrades.
Whereas my platter will only fit those SL1200 which have been upgraded with external power supplies among other things.
There's a dealer margin in the Funk too, remember...
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?