I've just looked at your profile, Russell. Your deck is begging for a platter upgrade. Have you upgraded the bearing yet? If not, that needs to come first.
Where in the SW are you?
I've just looked at your profile, Russell. Your deck is begging for a platter upgrade. Have you upgraded the bearing yet? If not, that needs to come first.
Where in the SW are you?
Location: Bristol, UK
Posts: 85
I'm Russell.
You're right I'm sure, I don't mind taking my time thoughStill got the stock internal power supply but I did upgrade to a MN bearing. I've been happily tweaking my phono stage and AD-converter this last year. Platter and PSU seem to be the obvious tweaks for the turntable when I get round to it.
I'm in Bristol btw.
Russell.
Location: Huddersfield
Posts: 3,358
I'm David.
Location: Bristol, UK
Posts: 85
I'm Russell.
I'll try and get along to that![]()
Russell.
Location: Eastern, US
Posts: 2,027
I'm afesteringvinylphile.
Ok, Martin, it's been a week. Any "lived in" observations? Have you swapped back to confirm? Is it still in situ? Are you still loving it??
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Lyrics are the ramblings of man, sometimes inspired by The Creator, most often, not.
But music (melodies, harmonies, rhythms), that's God stuff.
Always was. Always will be.
One of the biggest lies ever told was that only certain kinds of people should listen to certain kinds of music.
(silent) VINYL LP SLIDESHOWS
Yes, many of them confirming what I observed above. The thing which is so startling is that the 'sound' of each record is different and the acoustic of the space that the performance was made in (even an artificial studio recording) is pronounced. Rather like the feeling of walking into a large, quiet hall - you sense as well as hear the size of the space.
I am still convinced that the tonal slant remains slightly (and I mean a small amount) to the dark side of the Mike New platter.
Bass is most impressive - at once less boomy, more textured and detailed, and very deep and tight. I was playing Yello's Touch last night and the prodigious output was kept well under control, allowing Heidi Happy to sing beautifully above the fundamentals.
Midrange is incredibly transparent with no tonal colourations that I can detect. Like CD with far more resolution, if that doesn't sound odd. Female voice is simply gorgeous but not rich or syrupy - just natural. Never has Jewel's Barcelona from Spirit sounded better, her voice soaring seemingly without limit. Cat Steven's Tea for the Tillerman album also has some large dynamic swings in his voice, really testing the system in the way that I am only used to from massed choral music. The clarity of delivery of my Usher's beryllium midrange driver has never been more obvious where lesser drivers might be exposed by this new-found transparency.
Treble is very natural, not drawing attention to itself except where some tinkly chimes or a lightly played cymbal becomes apparent for the first time.
I can't get enough of it! Read the above in the context of my whole system, it's not just the new platter but the synergy between all the components, especially the Dynavector arm, Shelter cartridge and Choir Audio SUT.Are you still loving it??
Marco has been quiet on his findings with the Funk platter, so I'll let him offer his opinion in order to give a fuller picture to you guys![]()
Oh, trust me, I'm loving it, too - and how!! Trouble is, there just aren't enough hours in the day at the moment to do everything that's required...
Still, that's Del and I finished now for Christmas, so things should be less hectic.
There are a couple of reviews that I intend to write; the Funk Techy platter being one, and David Brook's 'Ultimate' mains leads, being another. Both, when written, should hopefully give our members something thought provoking and interesting to read!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: gone
Posts: 11,510
I'm gone.
Fair enough, I don't have an opinion on that as as far as I can recall I never tried a decent mat atop an acrylic platter, as the designers were always (?) in favour of direct contact.
What I will say is that the 'rubber band around the rim' damping rings did seem to work quite nicely in reducing / eliminating the boingngng colourations I heard.
.
Does the Funk Firm platter require that you also remove the power supply and get an external one like the Mike New platter seems to do?
My hifi system:
Turntable: Technics SL-1200 MKII, Ortofon 2M Bronze cartridge, Mike New bearing, MCRU PSU (c), Oyaide HS-CF headshell, Oyaide MJ-12 TT mat, Vantage Audio Copper mat, Isonoe Isolation Feet, Isodek IF-2 isolation platform, Furutech Monza LP stabilizer, Herbie's Hal-O JR damper Phono Stage: Hagerman Cornet 3 (prototype) Amplifiers: EAR 868L Preamp, Transcription Audio 211 Heaven Power amp, Bob Carver Cherry 180 power amp CD Player: Ear Yoshino Acute Tuner: Magnum Dynalab 90T Speakers: Vandersteen 2CE SigII, Townshend Audio Super Tweeters, Transcription Audio Speakers Cables and stuff: LFD Audio interconnects and speaker cables, Mark Grant G2000HD, BlackCat Electronics, Van Den Hul Clearwater, Black Rhodium mains cables, Black Rhodium mains block, Finite Elements Resonator, Townhsend Stella Speaker stands, Pro Audio Bono hifi rack, Herbie's spike gliders, Herbie's Ultravox and Hal-O tube dampers, Super Black Hole CD mat Record Cleaning Machine: Loricraft PRC4
It may not require an external PSU, Jostein, but more to the point why would you want to? You really need to perform the external PSU upgrade first as otherwise you won't get the best from the platter.