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Thread: Spinning Today (Classical version)

  1. #261
    Join Date: Nov 2010

    Location: London, UK.

    Posts: 74
    I'm Roy.

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    Gluck - Orphee et Eurydice. von Otter,Hendricks and Fournier conducted by John Eliot Gardiner. 1989.
    It's a long time since I heard this,a nice way to spend a dull afternoon.

  2. #262
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,490
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by MartinT View Post
    Very roughly 50% CD, 10% SACD, 40% vinyl.



    It is strange but I really do like classical from SACD or CD source, although I'm very slowly coming around to listening to classical on vinyl again. However, some of my recordings, although effectively brand new, are noisy and I find that far more distracting with classical than with rock/pop. I have many older LPs with tape hiss and bad surfaces (especially the Melodiyas I bought in Russia), which don't help.

    There's more to it; perhaps the laid-back stage for classical recordings works better with digital than my preferred up-front presentation for rock?

    Another factor: I bought all my vinyl classical earlier in life. Since the age of digital, I have studied classical composers more thoroughly, been to far more concerts and used the Penguin guides to buy the best recordings and performances I can on CD and SACD. So my digital collection more naturally has the performances I reach for when playing a piece.

    Whatever the reasons, by osmosis I seem to have fallen into playing almost all modern music on vinyl and almost all classical on digital. Needs some further analysis, I think
    Lol... S'ok, dude, I getcha. However, as a cheap and quick way of building a decent collection of classical music, IMO, you can't beat the charity shop route, where one's RCM becomes and integral and invaluable tool. Especially for someone like me who, until about 3 years ago, didn't own one classical album on vinyl!

    When I was younger, classical music just didn't get a look in (all I was interested in was rock, pop and dance music). However, now I'm older, I rather enjoy a session of listening to quality classical choons, especially whilst sipping a nice Armagnac or Rémy Martin... Oh the joys of maturity!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #263
    MartinT Guest

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    Don't worry, the local charity shops must be starting to know me (not a good thing). The British Heart Foundation shop, in particular, seems to regularly acquire whole collections dumped by their owners. A veritable treasure trove

  4. #264
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,490
    I'm AudioAl'sArbiterForPISHANTO.

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    Popped into the PDSA charity shop in Wrexham today and obtained the following, as usual all on minty vinyl:

    Symphony No.4 in E Minor, Op.98, with The Philharmonia Orchestra, conducted by Herbert Von Karajan, on Columbia records from 1954 - Brahms.

    Catulli Carmina, Rundfunkchor - und Rundfunk-Sinfonie with Orchester Leipzig, Ute Mai (Soprano) and Eberhard Buchner (Tenor), conducted by Herbert Kegel, on Phillips records from 1976 - Carl Orff.

    Symphony No.2 in D Major, Op.36/Piano Sonata No.30 in E Major, Op.109, with Ernst Von Dohnayi (pianist) and The London Symphony Orchestra, on World Record Club records from 1958 - Beethoven.

    Fauré Requiem, Victoria de los Angeles, Dietrich Fischer-Dieskau, with Elisabeth Brasseur (Choir), Henriette Puig-Roget (Organ) and The Paris Conservatoire Orchestra, conducted by Andre Cluytens, on EMI from 1963 - Fauré.

    Symphony No.29 & Symphony No.39, with The Sinfonia of London, conducted by Colin Davis, on World Record Club records from 1959 - Mozart.

    Symphony No.3 in F Major, Op.90, with The Houston Symphony Orchestra, conducted by Leopold Stokowski, on World Record Club records from 1958 - Brahms.

    Concerto for Violin and Orchestra in D Major, Op.77, with Endre Wolf and The Sinfonia of London, conducted by Anthony Collins, on World Record Club records from 1959 - Brahms.

    Symphony No.5 in E Flat Major, Karelia Suite, with The Sinfonia of London, conducted by Tauno Hannikainen, on World Record Club records, from 1957 - Sibelius.

    Piano Concerto No.1/Klavierkonzert No.1 in D Minor, Op.15. with Clifford Curzon (piano) and The London Symphony Orchestra, conducted by George Szell - Brahms.

    Images for Orchestra, Gigues-Iberia-Rondes de printemps. Prelude a L'Apres-Midi d'un Faune, with Peter Lloyd (solo flute) and The London Symphony Orchestra, conducted by Andre Previn, on EMI from 1979 - Debussy.

    Concerto No.1 in D Major, K.412/Concerto No.3 in E Flat Major, K.447/Concerto No.2 in E Flat Major, K.417/Concerto No.4 in E Flat Major, K.495, with Dennis Brain and The Philharmonia Orchestra, conducted by Herbert Von Karajan, on EMI from 1954 - Mozart.

    All for £1 each... Time for some more cleaning and then playing!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #265
    MartinT Guest

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    Quote Originally Posted by Marco View Post
    Fauré Requiem, Victoria de los Angeles, Dietrich Fischer-Dieskau, with Elisabeth Brasseur (Choir), Henriette Puig-Roget (Organ) and The Paris Conservatoire Orchestra, conducted by Andre Cluytens, on EMI from 1963 - Fauré.
    That's a superb performance and recording, Marco. A real desert island disc.

  6. #266
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,490
    I'm AudioAl'sArbiterForPISHANTO.

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    Cheers, Martin, and noted. I'll let you know what I think when I listen to it

    What's disappointing so far is that I haven't managed to find any Shostakovich, as he's my favourite composer... Perhaps he's not as popular as Beethoven, Tschaikowsky, Mozart, etc, whose compositions on vinyl are generally 'ten-a-penny' in charity shops?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #267
    MartinT Guest

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    Shossie is definitely not as popular as he is generally seen as 'difficult'. It's a shame as he wrote some wonderfully easy music for the ears, such as the Piano Concerto No. 2, The Assault on Beautiful Gorky and Music for Gadfly.

    For me, it's the darker works such as Symphony No. 8 and, especially, 13, that reward with further listening, not to mention some of the string quartets.

  8. #268
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,490
    I'm AudioAl'sArbiterForPISHANTO.

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    I'm going to start building up my Shossie collection on vinyl. This is currently the only one I have, superb as it is:





    On another note, I'm currently spinning this very album, which is absolutely superb:





    The vintage Ace of Diamonds stuff is brilliant, in terms of genuine audiophile quality recordings!

    Btw, has anyone ever come across this website: http://www.rareclassicalvinyl.com/?p...1729f28ba4f152

    Looks interesting

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #269
    Join Date: Jan 2011

    Location: Eastern, US

    Posts: 2,027
    I'm afesteringvinylphile.

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    Quote Originally Posted by Marco View Post
    The vintage Ace of Diamonds stuff is brilliant, in terms of genuine audiophile quality recordings!

    Btw, has anyone ever come across this website: http://www.rareclassicalvinyl.com/?p...1729f28ba4f152
    uggghh... You should not have posted that. I really didn't need another bookmark. My wife (and my wallet) may start sending you hate mail.
    Lyrics are the ramblings of man, sometimes inspired by The Creator, most often, not.
    But music (melodies, harmonies, rhythms), that's God stuff.
    Always was. Always will be.


    One of the biggest lies ever told was that only certain kinds of people should listen to certain kinds of music.

    (silent) VINYL LP SLIDESHOWS

  10. #270
    Join Date: Nov 2011

    Location: Detroit and Glasgow

    Posts: 168
    I'm Jack.

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    Also Sprach with Reiner, Britten Peter Grimes interludes (on fantastic Keith Johnson recording).

    Just getting into Britten, wonderful stuff.

    If someone could recommend a modern Peter Grimes (I have the composer's version) I would appreciate any advice.
    ___________________

    VPI / JMW arm, with Dynavector 20 (also Technics 1200mkII), Luxman 505u integrated, Marantz 8004 SACD/CD, TAD/Pioneer S-2EX speakers, GIK room treatments

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