http://theartofsound.net/forum/showthread.php?t=14600
What I suspect you hearing is a bit of bloom and think the Reso Matt might solve the issue but cannot grantee it just what you describing in the differences in the sound
http://theartofsound.net/forum/showthread.php?t=14600
What I suspect you hearing is a bit of bloom and think the Reso Matt might solve the issue but cannot grantee it just what you describing in the differences in the sound
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
Only problem, John, is that VTA would be wrong in Martin's set-up, with the RESO-MAT, as to work best it needs to go straight onto the platter, and so if he puts it on top of his Achromat, in order to get the VTA right, it won't sound as good.
Unfortunately, with a Techy (because of its 'low' platter, no matter which one is used), you need a 5mm mat in order to get proper flexibility with adjusting VTA.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
ahh shame did not think of that The matt raise VTA by 5mm
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
Location: Lancaster(-ish), UK
Posts: 16,936
I'm ChrisB.
Not that I'm exactly in the market for any of this stuff, but there's been no mention of cost yet - or did I miss it?
I wonder if you're interpreting my findings correctly, my deck is sounding very fast indeed and with slightly less brightness than before. I've also tried any number of mat/weight/clamp combinations and the Achromat bonded to the platter with the Bruil weight sounds best.
I actually vacillated between clear and black but clear was out of stock, so black it was. Now that it's on my deck, I'm not disappointed at all - it looks superb.
I'm looking forward to your observations and am not surprised that yours may differ from mine. That's what makes listening to music so fascinating. I'm going back to listening, now![]()
It's hard to be absolute about such subjective changes, Biff. For me, the Funk platter has given the overall sound a considerable lift - I know this because I went to bed very late last night after listening to record after record and enjoying the presentation so much. For you, it could be different. As I said in my O/P, the Mike New platter is no slouch. You're going to have to find a friendly dealer and try to borrow one to be sure.
Martin what you describes in your improvement in sound sounded very similar to my experience when using a aluminum platter and adding the reso matt so thought if that was the case then it might be a cheaper alternative than a new platter but if you have no VTA adjustment left then there is no point so sorry for the sidetrack
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
Location: gone
Posts: 11,510
I'm gone.
When I have heard tt's with an acrylic platter they have had a distinctive sound/colouration that I attributed to the material.
A kind of slight hollow 'boing' reverberation overlaid on everything.
Indeed you can buy aftermarket rubber bands to go around acrylic platters to address this issue.
Has this been addressed in the design? ... or am I talking complete pish?!![]()
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