+ Reply to Thread
Page 5 of 9 FirstFirst ... 34567 ... LastLast
Results 41 to 50 of 84

Thread: Sound Supports (tonearm plates and boards)

  1. #41
    Join Date: Jan 2009

    Location: Deleted

    Posts: 6,566
    I'm Deleted.

    Default

    Quote Originally Posted by Marco View Post
    Hi Mark,

    No worries, dude... Nice meeting you again and thanks for having a look at the tonearm for me, even though it was unsuccessful. It's now going back to Denmark. Hopefully, I'll have it back soon (along with my SPU)!
    Nice meeting you too - I hope you found your way to the motorway OK? Sorry, I couldn't do much with the tonearm , I suspect Ortofon will end up replacing it.

    Quote Originally Posted by Marco View Post
    You have a lovely home, and I enjoyed listening to your system. It does exactly what a Naim/flat earth system says it should do 'on the tin', which is a good thing, and reminds me of some happy times when I was running olive Naim equipment. Your T/T also sounds (and looks) superb, and appears to show little signs of what I dislike about the musical presentation of belt-drive turntables. Vinyl rules!
    Wait till you see the bathroom(s)

    Glad you enjoyed your listen. Actually, you heard an earlier CF armboard, but I'm changing it back to my composite aluminium one as I miss the greater structure and really overt timing that it offers.

    Quote Originally Posted by Marco View Post
    Btw, as Speedy Steve is now going ahead with the ebony wood armboard for my Ortofon, since you're such a dab hand now at fitting and removing Techy armboards (lol! ), would you mind, if I popped round again, fitting it for me when it's ready? That would be much appreciated.
    Yep, can do. Actually, I hadn't appreciated what a PITA changing the armboard on the Technics is. If only Technics had provided threaded holes it would have made the job enormously more simple! I guess we will both be waiting on the return of your arm then...

    Quote Originally Posted by Marco View Post
    I would also like you to make me an armboard from aluminium, as discussed, when you're able to do so. No rush, but at least now you have all the measurements you need. That way, I can compare the two armboards and decide if I like the effect of wood or metal best
    Well, I'm going to look into it. But I only want to design a board if I can bring something new to solving the problem. As discussed, the issue with more complex solutions is price and whether the market can support it - bespoke production of the kind of stuff I do isn't really a viable option (though prototypes will have to be constructed ). But, I'll have a go at producing the CAD drawings from the measurements I took (and the template I made).
    Account Deleted

  2. #42
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,929
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Mark,

    Nice meeting you too - I hope you found your way to the motorway OK? Sorry, I couldn't do much with the tonearm , I suspect Ortofon will end up replacing it.
    Yup, your directions were spot on! Regarding the tonearm, I don't mind if they simply fix my existing one, as long as the job is done to the required standard, as that option may be quicker than waiting for a new arm to come.

    Wait till you see the bathroom(s)
    Lol - I can imagine... I promise that I'll 'Christen' one of them next time!

    Glad you enjoyed your listen. Actually, you heard an earlier CF armboard, but I'm changing it back to my composite aluminium one as I miss the greater structure and really overt timing that it offers.
    No worries. It sounded mighty fine with the CF board. If you get round to making me an armboard, mainly for aesthetic reasons, I think I'd go for the composite aluminium

    Yep, can do. Actually, I hadn't appreciated what a PITA changing the armboard on the Technics is. If only Technics had provided threaded holes it would have made the job enormously more simple! I guess we will both be waiting on the return of your arm then...
    Indeed, and thanks for that. Anyway, it'll give us an excuse for another sesh! I'll bring some of my own records with me next time

    Well, I'm going to look into it. But I only want to design a board if I can bring something new to solving the problem. As discussed, the issue with more complex solutions is price and whether the market can support it - bespoke production of the kind of stuff I do isn't really a viable option (though prototypes will have to be constructed ). But, I'll have a go at producing the CAD drawings from the measurements I took (and the template I made).


    Excellent. Keep me posted!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #43
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,929
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Mains Cables R Us View Post
    You best give Dom some money for the extra electricity that will be used from your PSU, it looks like an 80's krell...


    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #44
    Join Date: May 2011

    Location: Preston, UK

    Posts: 851
    I'm Dominic.

    Default

    So is everything sorted now Marco?

  5. #45
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,929
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Dom,

    So is everything sorted now Marco?
    Yes, but I'll have to get there super-early (before things kick-off in earnest) in order to sort out my turntable, as a tonearm and/or armboard and cartridge (please have your Supex or OC-9 ready) will have to be fitted and set-up properly. What time to you suggest, mate?

    David, you'll need to be there early too, with the arm

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #46
    Join Date: May 2011

    Location: Preston, UK

    Posts: 851
    I'm Dominic.

    Default

    No prob mate, but the Supex is now in my arm lol, sporting a Ruby cantilever. The OC9 is available, or a Denon DL160, Goldring g800 with two differing stylus 's, Linn Karma, You could even try the Onyx, but Im not convinced about its performance at the mo.

  7. #47
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,929
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Dominic Harper View Post
    No prob mate, but the Supex is now in my arm lol, sporting a Ruby cantilever. The OC9 is available, or a Denon DL160, Goldring g800 with two differing stylus 's, Linn Karma, You could even try the Onyx, but Im not convinced about its performance at the mo.
    Ok, dude. What I'll do is bring a couple of headshells, already fitted with cartridge wires, and we can fit, say, the OC-9 and Karma onto them, then compare them with each other and see which sounds best on my T/T....

    What time should I get to yours for, to allow for all the necessary fiddling to be done?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #48
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,929
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by MartinT View Post
    What's happened to it, Marco?
    New thread started on this subject here:

    http://theartofsound.net/forum/showthread.php?t=14363

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #49
    Mike_New Guest

    Default

    Marco,
    I have copper arm board blanks which have not yet been machined for the SME (the majority of boards I make) I can machine one for you if you can give me the specs for the mounting holes and the relative location from the spindle.

  10. #50
    Join Date: May 2011

    Location: Somewhere

    Posts: 1,863
    I'm Paul.

    Default

    Surely if this arm is made by Jelco it should still have the same mounting and geometry as the Linn arms.

+ Reply to Thread
Page 5 of 9 FirstFirst ... 34567 ... LastLast

Tags for this Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •