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Thread: Super Tweeters - Fact or Flights of Fancy?

  1. #141
    Join Date: Apr 2008

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    I'm Clive.

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    Quote Originally Posted by Reid Malenfant View Post
    Sorry Mark, but Red book is capable of less than 1Hz, in fact it can go to DC or as near as damn it
    IIRC, the red book spec stops at 20Hz, it's simply that this part of the spec gets ignored. Just as well as I find CD test tones a great way to speed up the break-in for new woofers. 8Hz being one of the tones I use.
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  2. #142
    Join Date: Aug 2009

    Location: Kent

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    I'm Twisted.

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    it's a good thread this. I, like Hamish and others, wouldn't mind having a go with some supertweeters but it seems from this thread that you either have Maplins jobbies at 10 quid (got to be crap?) or Pioneer et al top notch from £400 an upwards. Is there no middle ground? Something at 150 notes would be pretty appealing...
    Simon

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  3. #143
    Join Date: May 2008

    Location: U.S.A. Neo-Socialist Kalifornski

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    Quote Originally Posted by Ashmore View Post
    it's a good thread this. I, like Hamish and others, wouldn't mind having a go with some supertweeters but it seems from this thread that you either have Maplins jobbies at 10 quid (got to be crap?) or Pioneer et al top notch from £400 an upwards. Is there no middle ground? Something at 150 notes would be pretty appealing...
    Fostex made some very nice ones here in the states for Radio Shack,they are branded Realistic, They are a real value and not over priced,watch ebay.http://www.ebay.com/itm/Realistic-Su...#ht_500wt_1361


    more Fostex super tweeters
    http://www.madisoundspeakerstore.com/super-tweeters/
    Last edited by goraman; 21-11-2011 at 12:49.
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  4. #144
    Join Date: Sep 2008

    Location: West Lancashire

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    I'm Lucky.

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    Quote Originally Posted by Clive View Post
    IIRC, the red book spec stops at 20Hz, it's simply that this part of the spec gets ignored. Just as well as I find CD test tones a great way to speed up the break-in for new woofers. 8Hz being one of the tones I use.
    Hi Clive,
    I've never experienced 8Hz. Can you actually hear that frequency? or do you sense it a vibration?
    The Man with the suit and the pace. Knee deep in the dead.

  5. #145
    Join Date: Apr 2008

    Location: Cheshire, UK

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    I'm Clive.

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    Quote Originally Posted by Darren View Post
    Hi Clive,
    I've never experienced 8Hz. Can you actually hear that frequency? or do you sense it a vibration?
    Can't hear it, can't even feel it (unless I want to destroy the drivers). I can see it though
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
    TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
    Digital Lindemann Bridge + Gustard R26 with LB external clock
    Pre and Power Amp EWA M40P + M40A
    Bass Amp & DSP Behringer iNuke NU3000DSP x 2
    Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
    Speakers 2 MarkaudioSota Viotti Tower

  6. #146
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

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    Quote Originally Posted by Darren View Post
    Good tweeter design means more than the materials used. Some well designed aluminium tweeters are known to have their first break up modes way out of the audible range. Also titanium has been similarly 'engineered' Remember JBLs pleated titanium tweeters? It's simply not true to say that aluminium tweeters begin to break up at 16kh - it's just too sweeping a generalisation.
    You are quite right Darren, I should have said that some aluminium tweeters beging breakup at 16KHz. A lot of it is down to design as you point out. How thick the material is, the shape of the dome, the youngs modulus of the alloy used etc, etc...
    Quote Originally Posted by Darren View Post
    Hi Clive,
    I've never experienced 8Hz. Can you actually hear that frequency? or do you sense it a vibration?
    I'll let you know what 120Db @ 10Hz sounds & feels like some time next year
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  7. #147
    Join Date: May 2008

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    Quote Originally Posted by Darren View Post
    Hi Clive,
    I've never experienced 8Hz. Can you actually hear that frequency? or do you sense it a vibration?
    At 120db. you just crap your pants for no apparent reason, 9HZ. is the brown note.

    It pretty much makes your bowels vibrate all your Butt Mud to the nearest exit.
    Jeff :UBERTHREADKILLER

  8. #148
    Join Date: Dec 2008

    Location: East Riding of Yorkshire these days

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    I'm Shaun.

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    I use Dali Ikon 1's which have a fabric domed tweeter and a ribbon supertweeter for extended frequencies. The supertweeter definitely creates a sound that is audible producing as it does a rather beautiful space and air to the sound and a nice 'sparkle'. I love this addition to what would otherwise be quite ordinary.

  9. #149
    Join Date: Apr 2011

    Location: UK ~ Sussex

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    I'm Simon.

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    I use floor standers in my 2nd system that have rear facing 'supertweeters'. As an experiment I did a listening session with them covered over with a piece of card. I could certainly sense a loss of space and precision in instrument placement. This was hardly a scientific test though, as expectation bias could have played a role. However, I have tried it on others and not told them whether covered or not, and all (well, OK, 2!) could tell one 'state' from the other.

    Of course, I don't know what the cross over frequency is for these, so they may be just reproducing much of the front facing tweeter information just at a lower SPL. I can certainly hear them doing something though, so at least part of their output must be within the hearing range of someone who is 50 something.
    Lindemann Network Bridge > McIntosh MHA150 > Shahinian Larc speakers

  10. #150
    Join Date: Aug 2009

    Location: West Yorkshire

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    I'm Stephen.

    Default For what its worth

    I had a pair of Townshend supertweeters very nice gloss black finish custom factory finish so I have some experience.

    I first used them atop a pair of Quad 22L's driven by a Chord power amp via an Icon Audio passive preamp there was no doubt they "made a difference". Bizarrely, when switched in (setting 3 was best) they extended the bass a tad but also improved the focus of the soundstage) I did a blind-test with a mate and we both could hear the difference with them in. Interestingly, the biggest difference was with DVD's and less so with CD/MP3 and less still with vinyl.

    When I changed to the Croft Pre/Power and the Epos M22i's there was no audible difference with them in or out and so I sold them on.

    Looking back I think they are a huge cost for a little audible benefit - certainly poor bang-for-your-buck

    Steve
    Always a little further

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