Indeed, although it will take something very special indeed to equal (or better) my Mike New one... I'm confident though that the Funk platter will be superb.
All will be revealed shortly!
Marco.
Indeed, although it will take something very special indeed to equal (or better) my Mike New one... I'm confident though that the Funk platter will be superb.
All will be revealed shortly!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: North Bucks, UK
Posts: 561
I'm Ron.
Yo Marco,
How long is shortly,?
Waiting with anticipation for your review of the Funk Art acrylic platter. I heard it at the Whittlebury Show with the Funk modded Tech arm against the stock platter with Oyiade mat and SME309 arm...... absolutely no doubt in my mind that I prefered the Oyiade + stock platter, but of course different arms and different cartridges were being used which must have had a contributory influence and, as always, there is personal preferences to take into account?
I would be interested in your comparison of bass performance for instance?
Did you know that Mike New Audio actually machined a trial acrylic plater to judge performance, I'll leave him to opinion his findings if he should read this post and is of a mind to respond?
Ermm, wheres the Mains Cable R Us platter that David periodically mentions or is this now a cancelled project?
Finally, if you prefer the acrylic platter let me buy your MN platter off you, on bended knee pretty please, thank you beforehand
Ron
Hi Ron,
I now have the Funk platter in my possession, so preliminary thoughts will be revealed after the weekend, most likely on Monday. Tomorrow, I'm going down to Martin T's with my T/T (with its new Ortofon arm) and will be doing the platter test there, amongst other things, (so you'll also have his opinion), so hang tight, amigo!
No worries about the MN platter, should I prefer the Funk one, although I doubt I'll be making that sort of decision until I've lived with the Funk one for at least a week, or so, and then swapped back, evaluated things thoroughly and come to a thorough and conclusive decision
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Huddersfield
Posts: 3,358
I'm David.
Not cancelled by any means but I have that much going on it's still on-going, I expect to have it ready before christmas. It is totally unique and does not involve copper or acrylic so not a copycat as far as I can tell.
I heard the Mike New on Marcos TT a while ago, I think the 3 options of Acylic/MN/Oyaide have to be taken on their own merits with the arms/carts used as well, there are far too many variables to say this is by far the best, I think the Oyaide is one of the best solutions ever invented for TT's period but of course I would say that wouldn't I!
Absolutely, David. And that's always going to be the key factor! All you can do is report what you hear, in the hope that anyone interested will obtain similar resultsI heard the Mike New on Marcos TT a while ago, I think the 3 options of Acylic/MN/Oyaide have to be taken on their own merits with the arms/carts used as well, there are far too many variables to say this is by far the best...
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
On a similar note - Will be great when / if someone gives their findings re: the Funk arm particularly over the stock Techie arm or otherwise for that matter. In the meantime looking forward to Marco's experience and expressions re: the Funk Platter![]()
Location: London
Posts: 262
I'm david.
Location: North Bucks, UK
Posts: 561
I'm Ron.
Location: London
Posts: 262
I'm david.
Thank you.
On the surface of it the FF platter does seem to make more sense as it keeps mass closer to that of the original
System:
SL1210 > Whest PS 3.0RDT> Audio Research LS17 pre> Lyngdorf RP1 room correction> Lyngdorf sda 2175 > Monitor Audio Platinum 300 speakers