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Thread: Phono stages: an observation

  1. #31
    Join Date: Feb 2011

    Location: Sarf Lunnon

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    I'm Dave.

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    Sorry posted a question but in hindsight I hijacked the thread, Sorry.
    In - Tweaked Lenco GL75, Linn Ittok, Ortofon Cadenza Black
    Through - Croft Micro 25 RS LS, power R monoblocks, RIAA R. Ortofon ST-80 SE SUT.
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    Dave

  2. #32
    MartinT Guest

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    I can only speak from experience; not saying that more expensive is always better, but for me I had to go a bit upmarket to get what I wanted.

    I started with a Graham Slee 2SE with the upgraded PSU. Good all-round performance, but lacking dynamics and balls to give vinyl the sound I know it is capable of.

    Then came a PS Audio GCPH. Much better sound, more delicate detail but far too much noise and hum, which became intrusive when using high gain for MC cartridges.

    Now I'm using a Whest PS.30R. Fabulous all-round sound, dynamic and with excellent grunt at the bottom end. Works well either directly for MC carts or with a step-up transformer (my preferred coupling). I'm not looking any further for a phono preamp.

  3. #33
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

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    The best I heard is RS Samuels The Nighthawk its battery operated no hum issues what so ever is really dynamic and has lots of gain on tap In relatives terms considering its performance it is a bit of a bargin too.
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  4. #34
    Join Date: Nov 2009

    Location: Dordrecht, Holland

    Posts: 45

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    I'm listening with a Lehmann Black Cube SE phono stage.

    Is it good? I hope it is as good as I think it is.
    I can say that I'm buying alot more vinyl since the purchase of the Lehmann. Not thinking of upgrading is a bonus too.


  5. #35
    Join Date: Jan 2009

    Location: Derbyshire Nr. J28 of M1

    Posts: 605
    I'm Rob.

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    My favourite phono stage is the EAR834P MM, it's super just 'as is' out of the shop.

    I also like the on board stage in the Rotel RA-04 integrated i'm using at present, very punchy and clean.

    Others i've liked are the Creek OBH-8SE (slightly transistory, but good), the evergreen Cambridge Audio 640P (a bit 'airbrushed' and samey), the Goldring PA1 worked nicely with Goldrings cartridges, very smooth.

    I little gem is the Graham Slee 'Bridge' in a metal box, not as open at the top end but nice bass and rhythm.

  6. #36
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

    Posts: 7,358
    I'm Dave.

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    The EAR 834p is a great phono stage. I've been selling them for over 20 years and it has stood the test of time.

  7. #37
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,788
    I'm Andrew.

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    Tried a budget Creek which was excellent. Tried Trichord Dino + Diablo (full blown version), very very good. Tried Lehmann, hated. So far got a Sugden masterclass, its great, I dont think it will be my last one but time will tell.
    SS
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  8. #38
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

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    I have a Ray Samuels Nighthawk amongst my 5 phono stages. I find on rock it's pretty much as good as anything. On more intimate and less processed recordings I prefer the diyhifisupply Vinyl Song LCR phono stage.

    On rock the Nighthawk and Vinyl Song are pretty close, the Nighthawk being a touch more detailed and the Vinyl Ssong LCR being less aggressive. There is a huge difference when it comes to more naturally recorded music. The VS is far more 3D with great ambiance. A number of people I know use the Nighthawk as their reference. If I only listened to rock it would be my choice but the Vinyl Song LCR has better bass, more tuneful and better shape to the notes on the right music. Bass integration with the mid is better too. The soundstage differences are very apparent in my system which is OB and valve based. A solidstate system with box speakers may well be better matched with the Nighthawk.
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
    TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
    Digital Lindemann Bridge + Gustard R26 with LB external clock
    Pre and Power Amp EWA M40P + M40A
    Bass Amp & DSP Behringer iNuke NU3000DSP x 2
    Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
    Speakers 2 MarkaudioSota Viotti Tower

  9. #39
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

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    Yes guess it the rocker in me that loves the Nighthawk
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  10. #40
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 14,032
    I'm inthescottishmafia.

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    Best I've heard is Nick's LCR phono stage. Not that I've heard many comercial ones, but it's head and shoulders above anything else I've heard.

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