Sorry posted a question but in hindsight I hijacked the thread, Sorry.
Sorry posted a question but in hindsight I hijacked the thread, Sorry.
In - Tweaked Lenco GL75, Linn Ittok, Ortofon Cadenza Black
Through - Croft Micro 25 RS LS, power R monoblocks, RIAA R. Ortofon ST-80 SE SUT.
Along - Tellurium Q Ultra Black cables
Out - Harbeth SHL5 Plus XD's
Street photography
Dave
I can only speak from experience; not saying that more expensive is always better, but for me I had to go a bit upmarket to get what I wanted.
I started with a Graham Slee 2SE with the upgraded PSU. Good all-round performance, but lacking dynamics and balls to give vinyl the sound I know it is capable of.
Then came a PS Audio GCPH. Much better sound, more delicate detail but far too much noise and hum, which became intrusive when using high gain for MC cartridges.
Now I'm using a Whest PS.30R. Fabulous all-round sound, dynamic and with excellent grunt at the bottom end. Works well either directly for MC carts or with a step-up transformer (my preferred coupling). I'm not looking any further for a phono preamp.
The best I heard is RS Samuels The Nighthawk its battery operated no hum issues what so ever is really dynamic and has lots of gain on tap In relatives terms considering its performance it is a bit of a bargin too.
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
I'm listening with a Lehmann Black Cube SE phono stage.
Is it good? I hope it is as good as I think it is.
I can say that I'm buying alot more vinyl since the purchase of the Lehmann. Not thinking of upgrading is a bonus too.
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My favourite phono stage is the EAR834P MM, it's super just 'as is' out of the shop.
I also like the on board stage in the Rotel RA-04 integrated i'm using at present, very punchy and clean.
Others i've liked are the Creek OBH-8SE (slightly transistory, but good), the evergreen Cambridge Audio 640P (a bit 'airbrushed' and samey), the Goldring PA1 worked nicely with Goldrings cartridges, very smooth.
I little gem is the Graham Slee 'Bridge' in a metal box, not as open at the top end but nice bass and rhythm.
Location: Near Saffron Walden, Essex
Posts: 7,358
I'm Dave.
The EAR 834p is a great phono stage. I've been selling them for over 20 years and it has stood the test of time.
Tried a budget Creek which was excellent. Tried Trichord Dino + Diablo (full blown version), very very good. Tried Lehmann, hated. So far got a Sugden masterclass, its great, I dont think it will be my last one but time will tell.
SS
CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10
VALVE / MONO
PRE Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker
I have a Ray Samuels Nighthawk amongst my 5 phono stages. I find on rock it's pretty much as good as anything. On more intimate and less processed recordings I prefer the diyhifisupply Vinyl Song LCR phono stage.
On rock the Nighthawk and Vinyl Song are pretty close, the Nighthawk being a touch more detailed and the Vinyl Ssong LCR being less aggressive. There is a huge difference when it comes to more naturally recorded music. The VS is far more 3D with great ambiance. A number of people I know use the Nighthawk as their reference. If I only listened to rock it would be my choice but the Vinyl Song LCR has better bass, more tuneful and better shape to the notes on the right music. Bass integration with the mid is better too. The soundstage differences are very apparent in my system which is OB and valve based. A solidstate system with box speakers may well be better matched with the Nighthawk.
TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
Digital Lindemann Bridge + Gustard R26 with LB external clock
Pre and Power Amp EWA M40P + M40A
Bass Amp & DSP Behringer iNuke NU3000DSP x 2
Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
Speakers 2 MarkaudioSota Viotti Tower
Yes guess it the rocker in me that loves the Nighthawk
Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?
Humour: One of the few things worth taking seriously
Best I've heard is Nick's LCR phono stage. Not that I've heard many comercial ones, but it's head and shoulders above anything else I've heard.