A heady collection of "stuff" there - would love to see it all![]()
A heady collection of "stuff" there - would love to see it all![]()
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Perish the thought!! The fact is, it's got bugger all to do with "sonic truth" (the concept of which, in any case, is entirely subjective), and all to do with achieving sonic synergy.
Whilst some spherical-tipped cartridges can indeed sound that way, much of the effect is ameliorated, and virtually nullified, by the use of the right tonearm, T/T and phono stage - again, it's all to do with synergy..... None of the spherical-tipped cartridges in my system sound the way you have described.
Proof of this, excluding other similar experiences, was particularly conclusive when I borrowed Barry's superb Decca London Gold, and fitted it onto my modded Techy, instead of my usual SPU Classic GM. Treble detail and extension were remarkably similar to that of my SPU, with both cartridges exhibiting plenty of 'air' and 'sparkle'.
It was the midrange and bass where the most notable differences were. The midrange of the Decca had more 'attack' and greater projection (although the SPU was no slouch in this area), consequently increasing the clarity and intelligibility of vocals and acoustic instrumentation, however losing out in the lower frequencies to the SPU, which had greater power and visceral impact, together with better rhythmic acuity.
I loved the Decca, and could have easily lived with it, but there is a certain magic and overall 'musical rightness' with the SPU, which makes it my current favourite cartridge of choice. The point being though, that the spherical-tipped SPU did not lose out to the Decca one iota in terms of treble extension, and consequently did not sound "rolled off", in the way that you have implied.
The problem is that it takes the use of a quality high-mass tonearm in order to make spherical-tipped cartridges 'behave' as intended, and these days, such things are deeply unfashionable. And so other than the Jelco SA-750 and (rather pricey) Ortofon TA-110, there are no other modern options available.
And try strapping a DL-103, or similar, onto a modern low or medium-mass tonearm (which most people do through lack of available choice), and the results will be piss-poor, or mediocre - if you're lucky!
Nope, allowing a vintage cartridge with a spherical tip to realise its full potential in a modern system, requires an understanding of the technicalities involved, plenty of experience, and a goodly dose of lateral thinking! And yes, whilst there is no doubt that elliptical or fine-line styli are technically superior, and offer less distortion, they also tend to sound rather more 'hi-fi' and somewhat 'soulless', compared to a quality spherical-tipped cartridge which has been optimally set-up and partnered correctly.
As ever in audio, there is ALWAYS some form of trade-off to be had, so never think that there exists a 'universal optimal solution', in terms of cartridges, stylus types, or indeed anything else. The key is to experiment with the various options, learn what their traits are, always retain an open mind, and above all, leave old prejudices behind and be willing to learn and reassess previously entrenched opinions accordingly!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
OK, it's just my opinion - content removed 'cos I really don't want a fight with anyone over this![]()
Last edited by DSJR; 25-09-2011 at 14:48.
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Dave, with respect, in terms of the above, I don't need you to show me anything.
When you have daily access to BOTH a top-notch digital and vinyl source, and identical recordings of music on both CD and vinyl, with which to do relevant comparisons, you need no further "proof" of what is actually happening than listening!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Here are the cartridge mugshot, strange i can't find my 103r + stabiliser mounted on ADC LMG1 but came across a box containing a 304, Pickering XV15 + SME shell and Shure V15 mk3 in AT MG10 shell, here goes.
By wiiandy at 2011-09-25
wii.
p.s.don't know how to link big photo's
Last edited by wiicrackpot; 25-09-2011 at 15:06. Reason: fix pic
Frank...made me do it.
Have a read of this thread here, it's dead easy once you suss it out![]()
Bests, Mark
"We must believe in free will. We have no choice"Isaac Bashevis Singer
Big thank you Mark, took me a while as i can't find the 'i' symbol but got there eventually.![]()
Frank...made me do it.
That's a lovely collection of 'proper' cartridges, Andy!Here are the cartridge mugshot, strange i can't find my 103r + stabiliser mounted on ADC LMG1 but came across a box containing a 304, Pickering XV15 + SME shell and Shure V15 mk3 in AT MG10 shell, here goes.
By wiiandy at 2011-09-25
wii.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Darren
KORUS CUSTOM SERVER
TECHNICS 1200 MKII_JELCO 750D_SHURE SC35C (with NOS and NEO SAS styli)
CAIMAN SEG + DORADO PSU
CROFT MEGA MICRO
PARADIGM REFERENCE ACTIVE/40'S
PARADIGM SERVO 15 SUBWOOFER X 2
''The theory of relativity is a mass of error and deceptive ideas violently opposed to the teachings of great men of science of the past and even to common sense''
Thanks Marco, i am trying to get big bang for the bucks carts now mostly due to my financial constraints now, get what you are saying about matching the cart to particular arms hence i've been stashing a low,medium and high mass arms to cover everything.
I know what you are saying about SPU's but the mere mention of the word means pricey, i was lucky to put in a bid of £200.00 for my Decca (having looked at completed listings tend to veer between £260.00 - £300.00 plus) but was cock-a-hoop when i came home to find i won it for £156.00, it's in Brill nick and perfect in every way and the treasure of my collection.
wii.
Frank...made me do it.