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Thread: Half-a-brain loonies and internet geeks

  1. #121
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,520
    I'm AudioAl'sArbiterForPISHANTO.

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    Hehehehe... The problem for me is I've never really been into The Who in any great capacity, so wouldn't even recognise Pete Townsend if he walked into my living room now, never mind from an old photograph!

    I like their music, for sure, when I hear it (I think I might have one album by them somewhere), but I wasn't even born when they formed (1964 I think?). All that stuff kind of passed me by and as I'm not a huge fan even now I don't really have the background knowledge some folks here take for granted

    I'm an 80s boy (or late 70s) - that was my main music era. I started seriously listening to music and buying it when I was about 12, so we're talking 1977 onwards. Punk (and the likes of ABBA, and some of the disco stuff out around then) kicked it off for me, along with bands like Queen and Pink Floyd. As soon as the 80s started though I was into electronic music and bands like Depeche Mode, Yazoo, Human League, etc - The Who were not even on my radar and haven't been since. Sacrilege I know, but there you are...

    I listen to all sorts now, though

    So if I didn't even recognise the photograph Tim posted I had bugger all chance of knowing what he was referring to!


    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #122
    Join Date: May 2008

    Location: Well below the Mason-Dixon line

    Posts: 370

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    It's like reading Shakespeare, Marco. Understanding the cultural and historical references is half the game. Young sprout.

    Tim

  3. #123
    Join Date: Aug 2008

    Location: Suffolk, UK

    Posts: 1,468
    I'm Paul.

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    Meanwhile back on planet Earth in December 2008 a group of Hifi worriors are discussing mains filters (which was nothing to do with the original topic anyway).

    Passive mains filters can actually cause a gain at some frequencies and their performance varies based on load. They only way a passive mains filter should be used is if it is designed especially for the item. However equipment with dynamic loads will cause a problem as well as constantly changing performance.

    The filter may reduce some noise but will effect the current and voltage angles albeit at frequencies much higher than 50Hz. However this can have an effect on the powersupply of the equipment. You may not hear this as a reduction or increase in the noise floor but it will effect the "sound" the equipment makes.

    SMPS's tend to add to the noise already on the mains. This again can't always be heard as noise floor but it will polute the equipment and can manifest as a subjective hardening of the sound. If your hifi is producing unwanted sound, even if you can't hear it its still making it along with the sound you do want. This means that its doing extra work on top of what you want it to do. Its not unresonable that it will effect the quality of the music replay.

    Its late so hopefully that makes some sense.
    ~Paul~

  4. #124
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,520
    I'm AudioAl'sArbiterForPISHANTO.

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    Indeed, Tim.

    Like lots of things in life it depends what your frames of reference are. I know lots about stuff I'm really into but am pretty ignorant about things that don't interest me, even when those things may be very popular and known well by others. If I'm not into something I'm unlikely to learn much or know much about it. I tend to live within my own 'zone' in many aspects of life and can be quite insular-minded in that repsect - that's just the way I am

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #125
    Join Date: May 2008

    Location: Well below the Mason-Dixon line

    Posts: 370

    Default

    Quote Originally Posted by Marco View Post
    Indeed, Tim.

    Like lots of things in life it depends what your frames of reference are. I know lots about stuff I'm really into but am pretty ignorant about things that don't interest me, even when those things may be very popular and known well by others. If I'm not into something I'm unlikely to learn much or know much about it. I tend to live within my own 'zone' in many aspects of life and can be quite insular-minded in that repsect - that's just the way I am

    Marco.
    Sounds pretty human, Marco. What I know about Depeche Mode could be carried in a very small pocket.

    Tim

  6. #126
    Join Date: May 2008

    Location: Bristol, UK

    Posts: 9,966
    I'm Nick.

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    Quote Originally Posted by Marco View Post
    Out of interest, in what year did this monumentally 'famous' event occur?
    http://www.rollingstone.com/artists/...pete_townshend

    April 1980, as far as that pic is concerned but it's a bit of a trademark. I think I was thinking of when the whammy bar went into his hand... some time in 1994 (is there a :yawn: smiley anywhere?!)

    Quote Originally Posted by Marco View Post
    I'm an 80s boy (or late 70s) - that was my main music era. I started seriously listening to music and buying it when I was about 12, so we're talking 1977 onwards.
    I first got into The Who as a result of the Quadrophenia movie, released in 1979. It came at the start of the second mod revival, very contemporary with bands like The Jam around at the time. The album came out in '73.

    You can't be into everything though Mr. Marco! But you should check Quadrophenia out, it is a great album and great film (interesting cast, Sting, Phil Daniels, Ray Winstone, Leslie Ash, Toyah...)
    [SIZE="1"]Nick

    Follow AOS on Twitter: @AoS_Forum

  7. #127
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,520
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Cheers, Tim. I'm just honest and upfront about things - I'm a very open, 'straight up' kind of guy; if I don't know about something, I say so, rather than bullshitting just to save face. I'm quite happy to admit my ignorance on a particular subject. At least then people know that when I'm commenting about something I do know about, my views are based on genuine experience and knowledge, and not waffle for the sake of it.

    Too many people are the other way, IMO!

    Beechy,

    April 1980, as far as that pic is concerned but it's a bit of a trademark. I think I was thinking of when the whammy bar went into his hand... some time in 1994 (is there a :yawn: smiley anywhere?!)
    Cheers for the info, but like I said I wouldn't know. In either 1980 or 1994 I wasn't into The Who, but I'll certainly remember about them now!

    I first got into The Who as a result of the Quadrophenia movie, released in 1979. It came at the start of the second mod revival, very contemporary with bands like The Jam around at the time. The album came out in '73.
    Ah, I was never into the mod thing at all. I think that I may have seen Quadrophenia once but I really can't remember it. Undoubtedly it's a classic; I should watch it again sometime. You see, I was a biker or 'rocker' (well, I got my first motorbike in 1981) and hated the mod thing with a passion; probably why I wasn't into the music! There were guys at school with their (what I thought) silly looking Parker jackets with 'targets' on the back, which we (the 'rockers') put to good use in more ways than one - let's just say a few 'bull’s-eyes' were struck with some 'interesting' missiles .

    Also, the girls at our school seemed to fancy 'rockers' more than mods maybe because of the leather jacket, tight 'drainpipe' jeans and Doc Marten boots thing (I had 18-hole Docs with green laces and a proper biker's jacket with Gong's 'Flying Teapot' on the back), so between the girly thing and not particularly liking the music there was no attraction in being a mod for me whatsoever.

    The mods at our school tended to be spotty, geeky, guys with greasy hair and were not seen as 'cool' by us in any way - at least this was our mentality at the time. They had their silly little scooters ridiculously adorned with mirrors and were to us a joke. I used to love coming into school with my Yamaha RD50 'fizzy' with its 'racing bike' exhaust and which had been tuned to do a whopping 70mph! Well, it seemed fast then as bikes in those days were restricted to 30mph... All I'll say is that I was never short of female passengers on the back and places to go during the lunch break

    Musically at that time I flitted between typical 'rocker' bands of the day such as Rush, AC/DC, Sabbath, UFO, Motorhead, etc, and 'new romantic'/electronic stuff such as I described earlier and the likes of Howard Jones, The Thomson Twins, Kajagoogoo, Blancmange, OMD, ABC - all sorts of shit. I'll even admit to liking Wham!, Michael Jackson and Duran Duran

    So you can see how The Who didn't really fit into my world at the time, and they've not really come into my 'zone' much since.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #128
    Join Date: Jan 2008

    Location: Norfolk, UK

    Posts: 6,258
    I'm BigBobJoylove.

    Default

    Quote Originally Posted by anthonyTD View Post
    its a bit far fetched though, the delorian was never that fast!!!
    A...
    Indeed, in fact one was lucky if the battery on the DeLorean could sustain a start up. Not the finest engineered cars in the world.

    Lounge:
    Samsung QE65QN80F 65" QLED TV
    Echo Link streamer
    RME Audio ADI-2 FS (AK4493) DAC
    XMOS DSD Async
    Emotiva A2+ power amplifier
    Neat Motive SX1 speakers
    Van Damme 4.00mm tour grade speaker cable
    Audiocrast Spreizbar banana plugs
    Chord Clearway XLR interconnects
    Audioquest Crimson USB interconnect
    QED Quartz Reference optical interconnect


    Studio:
    2022 MacBook Pro 14" M1 Pro 10/16/16/16
    SMSL SU-1 DAC
    Modified Fosi P4 preamp
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    Several small valve preamps

  9. #129
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,520
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Paul,

    Passive mains filters can actually cause a gain at some frequencies and their performance varies based on load. They only way a passive mains filter should be used is if it is designed especially for the item. However equipment with dynamic loads will cause a problem as well as constantly changing performance.

    The filter may reduce some noise but will effect the current and voltage angles albeit at frequencies much higher than 50Hz. However this can have an effect on the powersupply of the equipment. You may not hear this as a reduction or increase in the noise floor but it will effect the "sound" the equipment makes.

    SMPS's tend to add to the noise already on the mains. This again can't always be heard as noise floor but it will polute the equipment and can manifest as a subjective hardening of the sound. If your hifi is producing unwanted sound, even if you can't hear it its still making it along with the sound you do want. This means that its doing extra work on top of what you want it to do. Its not unresonable that it will effect the quality of the music replay.

    Its late so hopefully that makes some sense.
    Yes to me it makes sense as it's exactly what I was describing earlier to Tim, but put in more technical way. I completely agree with you.

    Tim,

    What's your opinion on what Paul has written?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #130
    Join Date: May 2008

    Location: Bristol, UK

    Posts: 9,966
    I'm Nick.

    Default

    LOL Marco, nice memories. I was 6 in '79 and my year of Musical awakening was 1987. My Bloody Valentine, House Of Love and The Sugarcubes. I was 14.

    I've never had to consider taking sides in the mods v rocker thing... I'd have been a hippy anyway. On the road and off to Stonehenge
    Last edited by Beechwoods; 12-12-2008 at 10:12.
    [SIZE="1"]Nick

    Follow AOS on Twitter: @AoS_Forum

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