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Thread: Half-a-brain loonies and internet geeks

  1. #61
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,518
    I'm AudioAl'sArbiterForPISHANTO.

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    I'll put that one in my 'special book', Tim

    Dave,

    Marco, can I take up something you said earlier? Comparing a little single ended valve amp with a mega power solid state one will definitely bring out audible differences and these differences will be measurable too.
    Indeed. Like Tim said earlier, debates like this are partly due to semantics; in this case the use of the word "monumental".

    I guess that truly "monumental" differences in hi-fi only really occur with speakers or when the same equipment is used in a different room.

    However, I've certainly heard, let's call it, 'very significant' differences between amplifiers, particularly as you say between low-powered tube amps and high-powered transistor amps when used in the same system with appropriate speakers.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #62
    Join Date: Jan 2008

    Location: Fishtoft, Lincolnshire

    Posts: 394
    I'm Dave.

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    Yes, monumental was probably overstating it a bit, maybe hugely significant would have been more appropriate
    Whatever words are used the sentiment remains the same, it's a great hobby we have and it's great to enjoy our music in our homes on the best sytsem that we can put together - whatever that might be. Long may it continue.
    Dave.

  3. #63
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,518
    I'm AudioAl'sArbiterForPISHANTO.

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    LOL! I was replying to Dave (DSJR) whom I was quoting

    But, in any case, I agree

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #64
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    We hobbyists (almost always male I suspect) do tend to obsess about things and blow small differences up out of all proportion. It's good to have a hopefully understanding partner who speaks their mind (often female) as they don't have the same pre-conceived ideas as "we" do...
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  5. #65
    Join Date: Jan 2008

    Location: Norfolk, UK

    Posts: 6,258
    I'm BigBobJoylove.

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    Quote Originally Posted by SteveTheShadow View Post
    Nobody I know who uses a Mac is a Nazi or a fashionista. We just prefer to use a proper computer with a decent operating system not the upside down and backwards third rate malware infested knock-off that is Windows!
    A fine pair of sentences Steve.

    Lounge:
    Samsung QE65QN80F 65" QLED TV
    Echo Link streamer
    RME Audio ADI-2 FS (AK4493) DAC
    XMOS DSD Async
    Emotiva A2+ power amplifier
    Neat Motive SX1 speakers
    Van Damme 4.00mm tour grade speaker cable
    Audiocrast Spreizbar banana plugs
    Chord Clearway XLR interconnects
    Audioquest Crimson USB interconnect
    QED Quartz Reference optical interconnect


    Studio:
    2022 MacBook Pro 14" M1 Pro 10/16/16/16
    SMSL SU-1 DAC
    Modified Fosi P4 preamp
    Adam Audio T5Vs
    Fenton 10" active sub
    Fosi V1.0G integrated amp
    Roxel RBS 300s
    Several small valve preamps

  6. #66
    Join Date: Aug 2008

    Location: Suffolk, UK

    Posts: 1,468
    I'm Paul.

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    Marco,

    The noises that you can hear through your hifi when its connected to a computer is caused by the SMPS. I have only ever found this to be transmitted via the earth connections. To get rid of them you have to isolate the grounds between your hifi and the computer. This can be done by balanced connections, a transformer based ground loop isolator or by optical connection.
    ~Paul~

  7. #67
    Join Date: Feb 2008

    Location: Edinburgh

    Posts: 311

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    Quote Originally Posted by Primalsea View Post
    Marco,

    The noises that you can hear through your hifi when its connected to a computer is caused by the SMPS. I have only ever found this to be transmitted via the earth connections. To get rid of them you have to isolate the grounds between your hifi and the computer. This can be done by balanced connections, a transformer based ground loop isolator or by optical connection.
    Early days reported detrimental performance before computers were even connected to audio systems, just like fridge freezers it was recommended you switch of any PC even if it was in the next room?

  8. #68
    Join Date: May 2008

    Location: Well below the Mason-Dixon line

    Posts: 370

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    I have an external hard drive, containing all my music, connected to my computer via usb. I have the computer connected to a usb audio converter via usb, which is connected to a DAC/amp via digital coax. All digital components go to one power strip, all analog to another. Each power strip is plugged into a separate circuit. Even through very sensitive Etymotic ear canal headphones, there is no noise.

    Tim

  9. #69
    Join Date: Apr 2008

    Location: Merseyside

    Posts: 12

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    Quote Originally Posted by tfarney View Post
    I have an external hard drive, containing all my music, connected to my computer via usb. I have the computer connected to a usb audio converter via usb, which is connected to a DAC/amp via digital coax. All digital components go to one power strip, all analog to another. Each power strip is plugged into a separate circuit. Even through very sensitive Etymotic ear canal headphones, there is no noise.

    Tim
    I have a similar setup to yours but plugged into a single strip. An oscilloscope may measure some minor noise but it's well below the detection threshold of my ears. The computer is equipped with quiet temperature controlled CPU and power supply fans which are barely audible with the low power requirements of audio. Like Macs, a PC running GNU/Linux has no problem with bit perfect audio but at a fraction of the cost.

    Computer audio has proved ideal for me and I would unlikey retrograde to a CD player or turntable, they have clearly had their day in my opinion.

  10. #70
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,518
    I'm AudioAl'sArbiterForPISHANTO.

    Thumbs down Computer-generated noise and hi-fi systems don't mix

    An oscilloscope may measure some minor noise but it's well below the detection threshold of my ears.
    Precisely - and Tim's, too, and everyone else's, but nevertheless the noise exists and you do hear it; just not as 'noise'.

    Early days reported detrimental performance before computers were even connected to audio systems, just like fridge freezers it was recommended you switch of any PC even if it was in the next room?
    Steve, you are absolutely correct. It's not just noise in the mains supply itself; it's airborne interference such as RFI which things like mobile phones and computers generate that interferes with hi-fi systems. Quite simply, when you expose the room your hi-fi system lives in to the outside world (by having phone connections, modems, computers, and aerials for TVs, etc) installed in its vicinity, you're in turn exposing the sensitive circuitry in your hi-fi system to the forms of interference they attract or generate.

    I have experimented quite extensively in the past with this and can clearly hear the detrimental sonic effect of having a PC (by which I mean a large stand-mounted computer, or these days my laptop) switched on in the same room where my hi-fi system is, especially when the PC or laptop are sharing the same mains supply. Separate circuits isolate things to an extent but ultimately you only have the one incoming household mains supply, so every appliance connected to it adds a detrimental effect in terms of noise, which is thus transmitted to all other items sharing the same supply, and this can be heard with sensitive audio equipment as degradation in sound quality, particularly in more revealing systems.

    All digital components go to one power strip, all analog to another. Each power strip is plugged into a separate circuit. Even through very sensitive Etymotic ear canal headphones, there is no noise.
    Tim, there *will* be (measurable) noise present in your system as a result of your digital computer gear (it's the same with my CDP and DAC), but your ears won't hear it as such: it will be translated as distortion, manifesting itself on music signals, and thus the sound reproduced by your hi-fi system (heard through headphones or whatever) even if you don't realise it - there is no getting away from this unfortunately. That's why filters are designed for the purpose and these can be shown through measurements to demonstrably remove the noise created as described above, the only thing is that most filters in doing so remove some of the music, too, hence why I, for example, don't use them and simply optimise my room and my system in such a way that any noise generated by the aforementioned items is minimised as far as possible.

    There is nothing in my listening room apart from my hi-fi system, all my music, a carpet, and a few comfy chairs! All the necessary everyday stuff which causes interference to the system is kept in the lounge downstairs

    Mains supplies worldwide have never been as 'noisy' since the advent of all the paraphernalia digital or otherwise we use nowadays - mobile phones, computers, household appliances, entertainment media, fluorescent (and especially flashing Christmas tree) lights, you name it; they all chuck noise into the mains supply to the detriment of our hi-fi systems. You can address the problem to an extent but never fully cure it. One of the best ways of reducing its effect, though, is to use analogue equipment mainly and keep computers, and other items using SMPSUs, well away from hi-fi systems!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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