Anyone ever tried something like this passive tone control between Pre & tube amp? I've always had problems without tone controls, i think there a nessisary evil to tell you the truth..
Posts: 505
Anyone ever tried something like this passive tone control between Pre & tube amp? I've always had problems without tone controls, i think there a nessisary evil to tell you the truth..
I find it difficult without a balance control as years of djing and having a headphone over one ear and a monitor next to the other have taken their toll. I heard that pardon. not the same thing as the tone control but i'm ever so pleased my set up has one
Posts: 544
Posts: 505
I'll ignore that one considering it's from you.
Posts: 544
Why?
And why from me, you and others have had nothing but constructive and accurate advice from me.
What I said was a perfectly good analogy. If you wish to *totally* pollute the interface between the power and the pre then do it. In fact with some amplifiers you may even get some pretty flames and smoke from the power amp to entertain you. I just looked for an analogy that expressed that level of pollution. If you wish to insert it earlier in the circuit with op amps either side, you will get something that doesn't totally pollute but only (IMO) unacceptably pollutes.
If you don't want accurate advice but just want people to re-inforce your predudices and ego then don't make it a general question to the forum.
Note to the mods - you see your withdrawal of that conflict you created hasn't solved it, you have left a *flavour*.
Here you go, digest this little lot!
http://www.schmarder.com/radios/tech/tone.htm
Cheers,
Mike.
Since good old "LH" most of the not so young guys around here know of that circuit. And yes I dumped it around 1971.
John
Music is an emotional experience. Without it, living would be a dull habit...
Lounge:
Samsung QE65QN80F 65" QLED TV
Echo Link streamer
RME Audio ADI-2 FS (AK4493) DAC
XMOS DSD Async
Emotiva A2+ power amplifier
Neat Motive SX1 speakers
Van Damme 4.00mm tour grade speaker cable
Nakamichi Fanlock banana plugs
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Studio:
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SMSL DAC
Modified Fosi P4 preamp
Adam Audio T5Vs
Fenton 10" active sub
Roxel RBS 300s
Several valve preamps
With some of the Chardonnay around (particularly cheap New World varieties) cat turd may be preferable!
Rob,
Richard just likes being the 'bad boy'. Let him play
Would that be a flavour of Chardonnay or something a touch more acid like Sauvignon Blanc? There is no lingering aftertaste on my palate.Note to the mods - you see your withdrawal of that conflict you created hasn't solved it, you have left a *flavour*.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Posts: 505