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Thread: Justin & Jerry's Hifi Blog

  1. #371
    Join Date: Jun 2010

    Location: Scotland

    Posts: 1,940
    I'm Tom.

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    I had the Parasound Halo P3 pre-amp around 6 years ago

    Very nice pre and one day when I switched it on there was a loud hum from it. Sent it off to the UK distributor for repair and they sent me a brand new one in return

  2. #372
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    Coo, that sounds like rather good service, Frank.

    I'll wait for the A21 to get a bit dusty then send it off for a new one.

    Lots of listening today - what a lovely, lovely amp it is. Most pleased, I am. I may even keep it longer than a fortnight.
    .

  3. #373
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

    Posts: 19,474
    I'm Neil.

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    Quote Originally Posted by Effem View Post
    I had the Parasound Halo P3 pre-amp around 6 years ago

    Very nice pre and one day when I switched it on there was a loud hum from it. Sent it off to the UK distributor for repair and they sent me a brand new one in return
    Sadly (and someone correct me if I am wrong) but I am pretty sure that CSE the distributors for Parasound closed their doors lasts year, victims of the downturn. Nice guys and I had know Ian Servers for very many years, though in fairness better in the early 90's, than more recently as when I was in the Trade awhile ago I had nothing to do with custom install which is the path CSE had mostly gone down.

    Yes I am correct http://www.companycheck.co.uk/company/03551500


    Regards D S D L

  4. #374
    Join Date: Jan 2008

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    Posts: 11,510
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    Ah, that's a shame.

    ... looks like I am going to have to get my duster out after all.

    According to the Parasound website Invision UK Limited is now the UK distributor. Ever heard of 'em? http://www.invisionuk.com/product-brands
    "Invision UK, the leading trade-only distributor of integrated AV solutions for residential, commercial and marine applications".
    Distributors for Parasound, Polk, those transparent Waterfall speakers, Furman power conditioners, Logitech. And all the other AV guff.
    .

  5. #375
    Join Date: Jan 2008

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    Posts: 11,510
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    Quote Originally Posted by jandl100 View Post
    It's very sensitive to power cables - I used Musicworks to start with ... I was very worried with the scratchy and thin treble - OMG I'd just driven 400 miles to buy a lemon ... then moved on to QED Qonduit, which sorted the treble thinness but lost the sparkle
    ... then went on to my usual fave, the £20 Audio Friendly mains cable from eBay. Yes!
    Cables; eh? I don't think I've come across a component that was so sensitive to mains cables / mains quality as the Parasound "Halo Hal" A21 power amp.

    I had been thinking of getting a valve pre-amp, just to relax the sound a bit. But I tried a Silver High Breed Accord 8AWG Plus mains cord that has been lurking in my spares bag, and a pushiness and excitability that was beginning to get a bit tiresome has been vanquished. It seems more naturally musical and 3D as well.
    Then I tried Halo Hal straight into the wall socket rather than thru the Belkin PF40 mains filter, and a forward brightness came back a bit and the 3D focussed imaging flattened out again.

    You really can tune Halo Hal to whatever sound you like just by fiddling with the mains feed. But it always retains the hi-rez, heft and control that I like so much.

    Anyway, I'll be staying with the SHB cable for a while and see how that goes. I would like to try a few pre-amps with the Parasound, though. Currently I am using the pre-amp section of my Morgan Audio s300 integrated amp. I tried my trusty Evo2 LDR passive pre, that had a tad more transparency but insufficient gain on some recordings and also a noticeabley reduced feeling of impetus in the sound.
    .

  6. #376
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 43,369
    I'm Martin.

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    Quote Originally Posted by jandl100 View Post
    I had been thinking of getting a valve pre-amp, just to relax the sound a bit.
    You really can tune Halo Hal to whatever sound you like just by fiddling with .
    have you tried a Croft Micro basic or Micro R yet Jerry? I'd be interested in your thoughts.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.

  7. #377
    Join Date: Jan 2008

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    Nope, the only Croft I've ever owned is a 4SA power amp. That was my very first venture into tubes, ooo must have been 25 years ago. It was fab!

    Must admit that I have couch potato tendencies, and would much prefer a remote controlled pre!
    .

  8. #378
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,542
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Jerry,

    I had been thinking of getting a valve pre-amp, just to relax the sound a bit.
    Not sure what to say to that.... ...other than GOOD valve preamps shouldn't produce that effect!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #379
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    Quote Originally Posted by Marco View Post
    Hi Jerry,



    Not sure what to say to that.... ...other than GOOD valve preamps shouldn't produce that effect!

    Marco.
    Yes, I know where you are coming from, of course, Marco.
    But let's face it - all equipment has its particular sonic signature - no piece of kit is perfect - you just have to strike the balance over the whole system which gives you the sound that you want. It's called synergy.

    But I am now in the situation where I have more carefully 'optmised' the cabling and support for the Parasound amp, and the overall flavour of the sound balance is more to my long-term liking. It's now more 'musical' rather than 'impressive'.
    Although having said that, a hifi friend is visiting on Sunday and he says he will bring a rather nice valve pre-amp along, so we'll what that adds to (or subtracts from) the party!
    .

  10. #380
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,542
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    We are in agreement, Jerry

    I simply find it difficult to resist the temptation to correct anyone seemingly perpetrating the myth that (quality) valve equipment softens/relaxes or [insert your stereotypically euphonic assumed trait here] the sound of a system.

    Anyway, I hope you enjoy the valve amp that your friend is bringing. Do you know what it is yet?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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