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Thread: Goodbye HiFi Wigwam

  1. #131
    Join Date: May 2011

    Location: Epping

    Posts: 716
    I'm Richard.

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    Quote Originally Posted by montesquieu View Post
    Richard, give it a rest. You are obviously taking great delight in this situation but no-one could ever call you an impartial observer.
    Nor are you or nor is anyone in this conversation. I am being picked out by you because probably my comments hit the target too much.

    Any way I will do as requested and just agree with Effem and Zanash posts. Which have been a lot more critical than mine.

  2. #132
    Join Date: May 2011

    Location: England

    Posts: 614
    I'm Mark.

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    Quote Originally Posted by Dr Bunsen Honeydew View Post
    Nor are you or nor is anyone in this conversation. I am being picked out by you because probably my comments hit the target too much.

    Any way I will do as requested and just agree with Effem and Zanash posts. Which have been a lot more critical than mine.

    Fwiw i agree with you

  3. #133
    Join Date: Mar 2010

    Location: Sheffield

    Posts: 2,899
    I'm Simon.

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    I'm sure James' reference to the 'commercial rights' pertains to the fact that Chestergroup gave them up, on paper, no more no less.

  4. #134
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,555
    I'm AudioAl'sArbiterForPISHANTO.

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    Indeed, Simon.

    But it also shows that he's keen to keep the Pie show going, regardless if Wigwam continues to exist or not, which James is quite right to do. As I've said, I'm sure that both of the above will be the case, albeit with some significant (and in my opinion long overdue) changes taking place at the latter.

    ....and how some of the 'natives' react to those changes, will I believe determine the long-term future of Wigwam.

    Marco.

    P.S How about including an avatar on your profile, which is relevant to you? We like avatars on AoS, as they help portray the personality of the person behind the posts
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #135
    Join Date: Jan 2009

    Location: Derbyshire Nr. J28 of M1

    Posts: 605
    I'm Rob.

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    Oooh ecky thump!

    Tried to log on this morning, and no Wam.

    Crikey, bit of a surprise but not totally unexpected I guess.

    It was/is an interesting place full of diverse characters, just like real life, some get on and some don't.

    I will miss it while it's not online.

    I hope some sort 'Pie show' can go ahead, as my Dad and I always look forward to showing something affordable.

    James and the mods if you are listening, thank you for the fun, let there be some more.


  6. #136
    Join Date: Jun 2010

    Location: Scotland

    Posts: 1,940
    I'm Tom.

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    Quote Originally Posted by Dr Bunsen Honeydew View Post

    Any way I will do as requested and just agree with Effem and Zanash posts. Which have been a lot more critical than mine.
    I have finished with my own tirade Richard and after I calmed down overnight I have reduced it down to a mere "disappointment" level because as you will probably agree, undoing that which has been done isn't possible - no matter how hard any of us try.

    My view now is QUE SERA, SERA, so if James has had an enforced reality check and is able to move on, then who am I to question that? By the way, if I met him today I would still be as friendly with him despite our differences.

  7. #137
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,555
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Effem View Post
    My view now is QUE SERA, SERA
    Without meaning to be pedantic, as an Italian, I consider it my duty to correct you. The saying that you're striving for, Frank, is in fact: 'Che sarą, sarą'.

    And there endeth the lesson...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #138
    Join Date: Jun 2010

    Location: Scotland

    Posts: 1,940
    I'm Tom.

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    Quote Originally Posted by Marco View Post
    Without meaning to be pedantic, as an Italian, I consider it my duty to correct you. The saying that you're striving for, Frank, is in fact: 'Che sarą, sarą'.

    And there endeth the lesson...

    Marco.
    Obliged and indebted Sir

  9. #139
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

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    Quote Originally Posted by Marco View Post
    Without meaning to be pedantic, as an Italian, I consider it my duty to correct you. The saying that you're striving for, Frank, is in fact: 'Che sarą, sarą'.

    And there endeth the lesson...

    Marco.
    Hi Marco

    When i spoke to you on the phone , you didn't sound very Italian to me lol

    Do they say "see you Jimmy" in Italy ?
    Chris

    We've gone on holiday by mistake !

  10. #140
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,555
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Lol! That's 'cos I was born in Glasgow, but then you didn't hear me speak Italian

    However, Scottish accents are abound in parts of the town where my family come from in Tuscany, as they're full of folk who own chip-shops, restaurants and cafes in Scotland, but whose roots are most definitely 100% Italian. I come under that category.

    It's rather like Indian or Pakistani people who were born in the UK - they simply take on the accent of their home town or area, when speaking English, but when speaking their mother tongue, sound very much like an Indian or Pakistani!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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