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Thread: Vantage Audio platter upgrade for Technics SL-1210

  1. #11
    Join Date: Nov 2010

    Location: Huddersfield

    Posts: 3,358
    I'm David.

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    Nice.............. I think the copper looks nearly as sexy as the oyaide mat, I was very happy with my Vantaged bearing but stopped short at doing the platter as I had my own ideas about platters and mine is away for modifications which are taking forever due to the machine shop being too busy! Nice pics BTW.

    Is that the stock Techie arm you are using, I dont have my glasses on today!

  2. #12
    Join Date: Aug 2009

    Location: West Yorkshire

    Posts: 1,799
    I'm Stephen.

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    Quote Originally Posted by Mains Cables R Us View Post
    Is that the stock Techie arm you are using, I dont have my glasses on today!
    Thank you David - no it's a Jelco 750 with one of Shuggies custom arm collars in a TimeStep arm board.

    Steve
    Always a little further

  3. #13
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,474
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Steve,

    Hi Marco - the copper plate is machined so there is a slight depression/concavity to accommodate the label (just visible in the photies as a darker ring around the spindle).
    Cool - that's good, so no worries

    Have done a quick A/B demo with and without Achromat using a few tracks from Black Swan and Raising Sand (Robert Plant) and to my ears it is best without the Achromat. The Achromat saps some of the immediacy and muddies up the midband a tad - it wasn't a blind demo but it's pretty clearly different.
    That's fine. Did you make sure first that the Achromat was bonded VERY FIRMLY to the platter, as I described? This is crucial.

    I'll try it again over the next few days but thought it worth reporting back so to speak.
    Defo! However, the best way to analyse what the Achromat is doing, is to live with it for a week, or at least for 3-4 days, using it with all different types of music and recordings, and then remove it, using the last piece of music you listened to as a reference, by playing it again.

    If when you do so, you think 'wow, that's much better', then you can pretty much categorically say that the Achromat is not benefical in your system. Or if the opposite happens, then of course you can draw a different conclusion. I still suspect that there is mileage in using some sort of mat on top of the copper surface. If an Achromat is not the solution, then perhaps the Blue Horizon mat, or something else, may be.

    Anyway, good luck and report back

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #14
    Join Date: Aug 2009

    Location: West Yorkshire

    Posts: 1,799
    I'm Stephen.

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    Quote Originally Posted by Marco View Post
    I still suspect that there is mileage in using some sort of mat on top of the copper surface. If an Achromat is not the solution, then perhaps the Blue Horizon mat, or something else, may beMarco.
    Hi Marco - I have one of these http://www.hi-fi-accessories-1.com/p...-composite.htm

    that I have used to good effect on my OL deck and will give it a try - it's much thinner than the Achromat.

    Steve
    Always a little further

  5. #15
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,474
    I'm AudioAl'sArbiterForPISHANTO.

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    Yep, some folk have had good success with the OL mat, so defo give it a go

    Do bond it firmly to your platter, though, as IME, ALL mats work best this way. You did bond the Achromat to the platter, like I suggested, before analysing its effect, didn't you?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #16
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    That new OL mat looks incredibly like the NAS Spacemat, which sells for £20 or so. I doubt I'll ever be in the position to compare them, but the Spacemat sounded ok on the SL1500, but I have to say the Herbies techie mat was better IMO. One thing i didn't try was the Herbies on top of another mat like the Spacemat or a cork type. The older pre-quartz techies had fixed height arms and the otherwise excellent AT and Supex 900E's I have set up in ADC shells (all I had to hand) cause the arm to look tail-up at the moment. I do hope to have a home made rubberised cork type mat sent me to play with soon and I think that one on the platter with another on top may be the answer.

    By the way, the techie mat that came with the SL1500 is definitely slightly thinner in the middle compared to the outer edge and it goes down in three distinct steps, relevant to the main record sizes (7", 10" and 12").
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  7. #17
    Join Date: Aug 2009

    Location: West Yorkshire

    Posts: 1,799
    I'm Stephen.

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    Quote Originally Posted by Marco View Post
    You did bond the Achromat to the platter, like I suggested, before analysing its effect, didn't you? Marco.
    Yes, I have some yellow soft paraffin. I used double sided adhesive tape previously but I think the vaseline works better.
    Steve
    Always a little further

  8. #18
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,474
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Coolio - you have my blessing then, so carry on with your good work!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #19
    Join Date: May 2011

    Location: Westchester, NY, USA

    Posts: 202
    I'm Mike.

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    Hello Stephen.

    Can you compare differences between your copper layer being bonded to the platter vs. a copper plate on top of the platter?

    Thanks.
    Anyone who thinks CDs sound better needs to listen to my system. Besides, my cables sound better than yours.

    Technics SL1200-MK2 SE-1: MN Bearing + Baseplate + AL/CU Platter, Paul Hynes SR7 Power Supply, Isonoe Feet, SME V, Audio Technica AT33EV, CableMaker 1 Tonearm Cable
    Technics SL1200-MK2 SE-2: MN Bearing + Baseplate, Copper Mat, Paul Hynes SR7 Power Supply, Isonoe Feet, SME 309, Audio Technica ATOC9/MLII, CableMaker 1 Tonearm Cable

  10. #20
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,381
    I'm Chris.

    Default

    Hi Stephen

    Your new platter mod does look lush and as you know I've taken the plunge , i do like the "return it if you don't like it" option , not that you will though lol .
    But that is a very fair way of doing things.

    Oh and i think it looks sexier than the Oyaide mat
    Chris

    We've gone on holiday by mistake !

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