Sorry, the MAT, not the platter![]()
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Ah, ok. Was the idea that the record sagged a bit under its own weight, to fit the concave surface?
I don't think that's quite the case, Dave. No-one gets "hounded away" from here unless we sense they have an agenda. And the only time the chap you're referring to contributed to discussions was to pooh-pooh (perfectly well thought-out and designed) aftermarket modifications for the SL-1200.I remember the ex-technics engineer who posted here (before being all but hounded away)...
It's almost as if he took it all personally... And when I challenged him on that, he went into a huff and left. There was definitely something strange about his presence here. Anyway, we move onwards and upwards!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Hi Dave
If the information i have is correct , the OEM rubber mat is designed to sit on the lip and you are supposed to use a weight with it (not a clamp) for best results !
Interesting that Dave Cawley has been saying for some time its a design fault ? I don't think so , I've not used the rubber mat for over 2 years now , so now i have this alchemist weight , its time for a revisit i think , probably hate it but WTF.
Chris
We've gone on holiday by mistake !
The "lip" is a tiny fraction of a mm on the SL1500, so the mat would barely register it I think. The mat moulding does seem to have a small dip towards the centre though.
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Location: Singapore
Posts: 36
I'm ERNEST.
Received the Achromat today. Compared it to the Origin Live mat. Prefer the latter; the Achromat sounded congested in comparison. Prefer the the more open sounding OL mat.
Location: Singapore
Posts: 36
I'm ERNEST.
Location: Huddersfield
Posts: 3,358
I'm David.
Hi guys
Been busy, are we on about TT mats again? You simply must try the blue horizon mat chaps, highly recommended.