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Thread: The arrival of a wee brush, and a great tweak for Techy fans...

  1. #61
    Join Date: Dec 2010

    Location: Northampton

    Posts: 1,373
    I'm Mark.

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    I have just picked up another perfectly wrapped package from the post office containing a rather pleasant Michell record clamp.
    First impressions, while everything is warming up, are 'bloody hell that sounds good'.
    If anyone is contemplating getting a clamp then I'd highly recommend it.
    I shall think up some hifi waffle to describe it later.

  2. #62
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    Quote Originally Posted by Dingdong View Post
    I have just picked up another perfectly wrapped package from the post office containing a rather pleasant Michell record clamp.
    First impressions, while everything is warming up, are 'bloody hell that sounds good'.
    If anyone is contemplating getting a clamp then I'd highly recommend it.
    I shall think up some hifi waffle to describe it later.
    Last edited by Rare Bird; 15-04-2011 at 23:14.

  3. #63
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,512
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol - hope you like it, Mark! Some waffle would be good later (and some pics in situ)

    I got the other one today, too!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #64
    Join Date: Dec 2010

    Location: Northampton

    Posts: 1,373
    I'm Mark.

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    I have just encountered a minor problem. At the end of a record the little hinges on my Shure VST V just bounce off the edge of the clamp and it skips slightly accross the lead out groove a tiny bit.
    I shall just have to be quick when the record ends.

  5. #65
    Join Date: Oct 2010

    Location: North Bucks, UK

    Posts: 561
    I'm Ron.

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    Quote Originally Posted by Marco View Post
    No reason why not, Mike... What mat are you using on your SP10? The Michell clamp works best on a mat with a totally flat surface, and no ridges, like an Achromat. But it's not a hard and fast rule

    Marco.
    Marco, just turn the Achromat upside down and viola (!) the ridge disappears

    Jazz

  6. #66
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,512
    I'm AudioAl'sArbiterForPISHANTO.

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    I have just encountered a minor problem. At the end of a record the little hinges on my Shure VST V just bounce off the edge of the clamp and it skips slightly accross the lead out groove a tiny bit.
    I shall just have to be quick when the record ends.
    Yup - it did that too with my SPU. Like you say, you just have to watch for the record ending.

    How are things sounding, and can we see some pics?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #67
    Join Date: Dec 2010

    Location: Northampton

    Posts: 1,373
    I'm Mark.

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    It's sounding pretty fucking awesome. There is a huge improvement in the way notes start and stop. The bass is very much improved. It goes a bit lower and were it wasn't quite one notey before it is possible to differentiate things a bit better. I expected to hear these improvements with the clamp as it prevents the needle dragging the record a bit. I'd say that any turntable should have a clamp. It sort of makes good sense.
    The improvement to my system since I got the DM2a's from Vinylspinner and added your old mat and clamp is fantastic.
    I shall have to look at doing something with at least the preamp and maybe power amp soon. The design of the volume control circuit on my LK1 irritates me a bit.
    Will dig out my camera in a minute and take some pics.

  8. #68
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    I wonder if this little itch your experiencing has something to do with why the clamps later became beveled edge!!

  9. #69
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,512
    I'm AudioAl'sArbiterForPISHANTO.

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    Itch? Sorry, dude, don't getcha....

    Could you explain?

    Mark,

    Nice one - for me the effect of the Michell clamp is a no-brainer, so I'm glad it's working as well on your Thorens as it is on my Techy!

    Be good to see some pics, when you get a chance

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #70
    Join Date: Dec 2010

    Location: Northampton

    Posts: 1,373
    I'm Mark.

    Default

    I think Andre meant that the later clamps had a slopy edge so as not to bounce a cartridge back. I'll stop listening to music in a minute and go and find my camera. It just sounds so nice, though.

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