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Thread: Scalford show 6th March 2011

  1. #401
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    I'm AudioAl'sArbiterForPISHANTO.

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    Glad you agree, Mark. Some other folks probably wouldn't, though. I think much depends on what you're looking for in music reproduction, and what your sensibilities and experience dictate as being the best approach.

    Personally, I would always place appropriate (I choose that word carefully ) emphasis on the quality of the source and control components, and how they're set-up, as well as ensuring that there are transducers on the end of the system capable of faithfully reproducing the musical message, derived further upstream!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #402
    Join Date: Jan 2009

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    Quote Originally Posted by Marco View Post
    Some other folks probably wouldn't.
    Ha, yes indeed - but then there are a lot of 'wrong' people in the world .

    Marco, as you know, I was once very strongly of the 'Flat Earth' fraternity and, to be honest, I still am to a large extent. What people get wrong is that they think this means Linn and Naim - but the concept is broader than that (I'm not even sure Linn still adhere to the FE philosophy). In my experience, two system maxims still ring true; 1/ Crap in, crap out and, 2/ a system is only as strong as its weakest link. The speakers are rarely the weakest link in my experience (though the positioning, and support, of those speakers often is). Although one may think that my idea of what makes a good system would be diametrically opposed to those of valve owners, in fact the opposite is true and I often find my thoughts and feelings quite closely aligned with theirs.
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  3. #403
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

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    I'm Neil.

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    Quote Originally Posted by Marco View Post
    Glad you agree, Mark. Some other folks probably wouldn't, though. I think much depends on what you're looking for in music reproduction, and what your sensibilities and experience dictate as being the best approach.

    Personally, I would always place appropriate (I choose that word carefully ) emphasis on the quality of the source and control components, and how they're set-up, as well as ensuring that there are transducers on the end of the system capable of faithfully reproducing the musical message, derived further upstream!

    Marco.
    That has always worked for me over very many years. If you don't have it further upstream the speakers can never reproduce it.

    I generally would still be a source first then pre-amplifier type of guy......


    Regards D S D L

  4. #404
    Join Date: Apr 2008

    Location: east yorkshire

    Posts: 527
    I'm steve.

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    Quote Originally Posted by Dalek Supreme D L View Post
    That has always worked for me over very many years. If you don't have it further upstream the speakers can never reproduce it.

    I generally would still be a source first then pre-amplifier type of guy......


    Regards D S D L
    from the other angle .. if the speakers are not up to it.. are they reproducing 'it' upsteam...
    without quality amps and speakers you can't hear whats missing...

    same as if you have a poor source with the best speakers in the world,

    There are no amps that i've heard that don't act as some sort of filter, or add something thats not supposed to be there

    so amplification always seems key to me...
    I know it does matter whats feeding the system, but the system is the sum of all the parts..
    collector and DIY user of old british triode valves

    Open baffles / single ended diy px4 and px25 valve amps

  5. #405
    Join Date: May 2008

    Location: Cricklewood

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    I'm ILOB.

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    Yes I would not disagree with any of that I just think what you can do on a realistic budget in the digital domain means you can easily put more of your budget on the speakers, so something like the Caiman with the mods deserves a lot better speaker these days
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  6. #406
    Join Date: Sep 2010

    Location: High Peak, Derbyshire

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    I'm Keith.

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    I thought that the 'flat earth' source-first argument always assumed that you were going to progressively upgrade the components after the source. If so, then surely concentrating on getting as much information into the reproduction chain at the start as possible make sense as each successive upgrade to the other components reveals more of the source.

    However, if you aren't going to upgrade relentlessly, I'd have thought to obtain a satisfying system you need a more balanced approach?
    Keith
    Analogue: Lenco L75 with 'PTP5' top plate in heavy birch ply plinth/re-wired Rega RB300/SAE 1000e HOMC Cartridge/Trans-Fi Reso-Mat/Moth RCM
    Files: Voyage MPD/Custom PC/Supra USB/Beresford ASYNCH-1/Beresford TOSlink cable
    CDP: Inca Katana SE
    DAC: Beresford Caiman MkII (LiPo Battery powered)
    Pre-Amp: Croft Micro 25 Power-Amp: Croft Series 7
    Speakers: DIY Frugel-Horn Mk3 ('FH3') + REL Strata subwoofer
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    Office System: HP Win8 Laptop/JRiver/MF V-Link2/Beresford Bushmaster MkII/Topping TP20 Mk2/Mission 771e
    Bedroom System: Raspberry Pi/Raspbrian + MPD/HiFiBerry DAC/Topping TP20 Mk2/Mission 760i or DIY Hybrid Valve-MOSFET Headphone amp + Sennheiser HD595


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  7. #407
    Join Date: Jan 2009

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    Quote Originally Posted by keiths View Post
    I thought that the 'flat earth' source-first argument always assumed that you were going to progressively upgrade the components after the source.
    No, not necessarily; I mean, obviously, a lot of people did upgrade in that manner, but that wasn't the idea as such.
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  8. #408
    Join Date: Sep 2010

    Location: High Peak, Derbyshire

    Posts: 2,241
    I'm Keith.

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    So when The Flat Response suggested LP12/LVX/Basik + NAD3020 + Goodmans Maxim II, some people left it at that
    Keith
    Analogue: Lenco L75 with 'PTP5' top plate in heavy birch ply plinth/re-wired Rega RB300/SAE 1000e HOMC Cartridge/Trans-Fi Reso-Mat/Moth RCM
    Files: Voyage MPD/Custom PC/Supra USB/Beresford ASYNCH-1/Beresford TOSlink cable
    CDP: Inca Katana SE
    DAC: Beresford Caiman MkII (LiPo Battery powered)
    Pre-Amp: Croft Micro 25 Power-Amp: Croft Series 7
    Speakers: DIY Frugel-Horn Mk3 ('FH3') + REL Strata subwoofer
    Headphones: Beyer Dynamics DT990 Pro (250 ohm)/Schiit Asgard Headphone Amp
    Cables - Interconnects: Mark Grant G1000HD Speaker Cables: Van Damme Blue
    Mains: Belkin PF30/Mark Grant DSP2.5 & DSP1.0 Rack: Target

    Office System: HP Win8 Laptop/JRiver/MF V-Link2/Beresford Bushmaster MkII/Topping TP20 Mk2/Mission 771e
    Bedroom System: Raspberry Pi/Raspbrian + MPD/HiFiBerry DAC/Topping TP20 Mk2/Mission 760i or DIY Hybrid Valve-MOSFET Headphone amp + Sennheiser HD595


    Gallery

  9. #409
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

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    I'm Dave.

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    As Linn dealers back in the 70's and 80's, we used to demonstrate the 'rubbish in, rubbish out' system by using the LP12/Ittok/Asak, Creek 4040 (in our case) and the Wharfedale Diamonds. Sure enough, you heard the best pair of Diamonds you ever heard in your life but then we used to show the customers our preferred system.

    Bung on a Rega Planar-3, same Creek 4040 and a sodding great pair of SD Acoustics SD2 with their 12 inch paper cones and high sensitivity. Whack on Frankie Goes to Hollywood, Relax and pump up de volume. Stand back and watch the customers faces as they started to grin.

    To my knowledge we never sold the Diamond system but we sold heaps and heaps of the 'Relax' system...

  10. #410
    Join Date: Jan 2009

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    Did it work on any music other than FGtH?
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