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Thread: Bargains on ebay?

  1. #1591
    Join Date: Nov 2010

    Location: Chorley, Lancs

    Posts: 2,747
    I'm Mike.

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    Quote Originally Posted by Marco View Post
    Interesting... Have you heard the 25s? If so, are they any good?

    Marco.
    Looks like Marco is interested in adding to his family of Dittons


    As the late Colonel Sanders once said
    "I'm too drunk to taste this chicken!!"

  2. #1592
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    Quote Originally Posted by Jac Hawk View Post
    Looks like Marco is interested in adding to his family of Dittons
    Challange comes sourcing a pair of 'UL10's

  3. #1593
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,515
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol, nah - I was just curious... The 66's will do me very nicely, thank you!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #1594
    Join Date: Sep 2009

    Location: Bournemouth

    Posts: 5,328
    I'm Dan.

    Default potential bargin

    i want i want quite an expensive reconing job required

    http://cgi.ebay.co.uk/JOB-LOT-VINTAG...item19c3b46330
    Pioneer A 616 MK2
    JPW Boxer Kit Loudspeakers
    Thorens TD 125 MK1 with SME 3009 S2 Non Improved with Shure V15 II & SME 2000 Plinth
    Technics RS D550W Cassette Deck

  5. #1595
    Join Date: Jul 2010

    Location: Cardiff, South Wales, UK

    Posts: 315
    I'm paul.

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    Those 15" golds have got HPD cones?
    Paul

    Thorens TD 124, Thorens 12" Arm refurbished by Alfred, Shure M55, Denon 103r ,whest PS30R , Auditorium A23 Sony XA20 ES, Benchmark DAC 1 HDR, Elite Townsens 600c Pre,
    DPA Enlightenment DAC, , , Radford STA 25 Series 3, Aurex ST S80 , Tannoy Monitor Golds 15" Tannoy York Enclosures, TEAC DS H01, Isotek Substation, Abbey Road Reference Speaker Cables
    and some other stuff

  6. #1596
    Join Date: Sep 2009

    Location: Bournemouth

    Posts: 5,328
    I'm Dan.

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    HMM
    Pioneer A 616 MK2
    JPW Boxer Kit Loudspeakers
    Thorens TD 125 MK1 with SME 3009 S2 Non Improved with Shure V15 II & SME 2000 Plinth
    Technics RS D550W Cassette Deck

  7. #1597
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    Quote Originally Posted by Andre View Post
    Daft question Yeh their ok.
    Ditton 25's are way inferior to 44's and I've compared both many times in the past.. The 25's had two HF1300 tweeters side by side - I believe for greater efficiency, giving an odd dispersion characteristic and the sound was heavy and lumpy, even on stands. The 44's on lowish stands can sound rich yet lovely with it...
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  8. #1598
    Join Date: Feb 2008

    Location: Middlesex, UK

    Posts: 4,481
    I'm Alex.

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    Quote Originally Posted by DSJR View Post
    Ditton 25's are way inferior to 44's and I've compared both many times in the past.. The 25's had two HF1300 tweeters side by side - I believe for greater efficiency, giving an odd dispersion characteristic and the sound was heavy and lumpy, even on stands. The 44's on lowish stands can sound rich yet lovely with it...
    The 25 had no proper midrange unit, it could also be that two 1300's were used to increase their power handling as they cross over from a 12" unit and that might be at a lower frequency than would be ideal for a 1300.

    I have never heard the 25, but have seen it written many times that the 44 is a better speaker.

    I have some 44's and they are not bad at all, very good bass. I still prefer the treble from the HF1300 / Coles 4001G combination as used in the Spendor BC1, B&W DM4 etc.
    Spendorman

  9. #1599
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

    Posts: 11,165
    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

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    Quote Originally Posted by spendorman View Post
    The 25 had no proper midrange unit, it could also be that two 1300's were used to increase their power handling as they cross over from a 12" unit and that might be at a lower frequency than would be ideal for a 1300.
    This is just about precisely what i mentioned on another thread on here. I have heard the 25s but it was years ago... You really needed to be at ear level between the two 1300's to get a good image, notice that the HF2000 was set between the two but offset to one side.

    As long as these criteria are met then they sound fine with just a tad less bass extension than the 66. The 66 makes a mess of the 25 though if you can't get the speaker at the correct level, well even if you can tbh
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  10. #1600
    Join Date: Feb 2008

    Location: Middlesex, UK

    Posts: 4,481
    I'm Alex.

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    Quote Originally Posted by Reid Malenfant View Post
    This is just about precisely what i mentioned on another thread on here. I have heard the 25s but it was years ago... You really needed to be at ear level between the two 1300's to get a good image, notice that the HF2000 was set between the two but offset to one side.

    As long as these criteria are met then they sound fine with just a tad less bass extension than the 66. The 66 makes a mess of the 25 though if you can't get the speaker at the correct level, well even if you can tbh
    Up to recently, 25's were usually very cheap on ebay.

    Funny how companies like Celestion and KEF that made some good units, did not always combine them in the best ways. People like IMF, Celef etc. often made a better job.

    Ditton 66 would be great with HF1300 and HF2000 as supertweeter.
    Spendorman

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