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Thread: Scalford show 6th March 2011

  1. #101
    Join Date: Aug 2010

    Location: Montseny National Park, Catalonia

    Posts: 3,254
    I'm John.

    Default

    I think you might rather like my speakers. Even if you didn’t I’m sure you would appreciate why I’ve persevered with them for 30 odd years
    But, as you say, no speaker is perfect. I would love to hear the 66’s.

    Fancy this instead of your Tannoy’s?
    http://www.first-av.co.uk/rvcxd3153-...is-6768-0.html
    Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.

    The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
    -Bertrand Russel

    John.

  2. #102
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Looks like an interesting design, John.

    I'd love to have the skill to build my own speakers to the highest standard because that is, as it is with electronics, the route to achieving the highest SPPV - and in turn, long-term system satisfaction.

    But I'm a listener, not a builder, so I'm afraid that judiciously selecting the best commercial vintage designs, and tweaking them if necessary with modern components, is the closest I'll ever get to DIY audio nirvana

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #103
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

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    Quote Originally Posted by flatpopely View Post
    Hi Jerry.

    Sorry to say that they wont fit in my car! (not with three blokes as well).

    Regards.
    Damn. ... but many thanks for trying. You could always leave one of the blokes behind!

    I'll have to make do with my own Usher X719 and the loaner JR150 & Tannoys.
    Should still be fab!
    .

  4. #104
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Oh, I'm sure you'll 'soldier on' somehow, Jerry!

    Hey, we could always do a Celestion/Tannoy swap sometime during the day, as I've not heard a pair of Lancasters with 12" Monitor Golds, and it would be interesting to assess what they did on the end of equipment I'm familiar with

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #105
    Join Date: Jan 2008

    Location: gone

    Posts: 11,510
    I'm gone.

    Default

    Quote Originally Posted by Marco View Post
    Hey, we could always do a Celestion/Tannoy swap sometime during the day, as I've not heard a pair of Lancasters with 12" Monitor Golds, and it would be interesting to assess what they did on the end of equipment I'm familiar with

    Marco.
    OK! - I'll clear that with the Tannoys' owner, but I'm sure there won't be a problem.
    .

  6. #106
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Nice one, dude. If he's ok with it, we can agree a time for the swap-over

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #107
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

    Default

    Quote Originally Posted by Marco View Post
    Going back to the Celests, and as good as the 33's no doubt are, there's something about the ABR-equipped models I love, though: a 'meaty and rhythmic chunkiness' (without flab) which seems to underpin music in a way you don't quite get with the non-ABR models, know what I mean?

    The '44's didnt have ABR but the '44 SII' did, it was around the back like the '66SII'..Ditton '25', 'UL6/8' around this era had ABR's & as you know the '15/15XR & older Ditton '120' too.

    I love ABR they get me all excited for some reason

  8. #108
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

    Posts: 11,165
    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

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    Quote Originally Posted by Marco View Post
    Going back to the Celests, and as good as the 33's no doubt are, there's something about the ABR-equipped models I love, though: a 'meaty and rhythmic chunkiness' (without flab) which seems to underpin music in a way you don't quite get with the non-ABR models, know what I mean?

    It's one thing which has shocked and stunned me with the 66's: just how 'big' they sound for what are, to all intents and purposes, not overly large speakers, certainly in terms of cabinet size, height aside, compared to something like my Lockwoods. There's real 'heft' and slam in the bass, and scale, which you just don't get with rather 'frigid & insipid' sounding modern floor-standers of a similar physical size and internal volume.

    Marco.
    I'm constantly surprised why ABRs aren't used on more speaker rather than reflex ports Admittedly they are marginally more difficult to design & they do tend to have a slightly steeper rolloff below the tuning frequency, but they also have big advantages. No port noise
    Quote Originally Posted by Welder View Post
    Cant beat an ABR in a sealed box design Marco
    Well implemented i'm in total agreement
    Quote Originally Posted by Marco View Post
    I'd love to have the skill to build my own speakers to the highest standard because that is, as it is with electronics, the route to achieving the highest SPPV - and in turn, long-term system satisfaction.
    I'm not sure you would Marco, take it from me that once you get the bug you are nearly forever thinking - What if? You are 100% right about the sense of satisfaction you get though, there is a greater sense of pride in ownership of a one off system as well
    Quote Originally Posted by Andre View Post
    I love ABR they get me all excited for some reason
    I'd better not show you these 4 Exodus Audio PR15s i have here that i imported from USA or you'd have kittens Ah why not




    It bugs me why i had to import from America but there just don't appear to be any decent sized ABRs available in Europe. About the largest is 10" which is really only good for an 8" driver (depending on the woofers stroke)..

    Only the US seem to cater for this market, a damn shame really
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  9. #109
    Join Date: Oct 2010

    Location: Devizes, Wiltshire.

    Posts: 1,458
    I'm Nigel.

    Default

    Hi Guys,

    Any one in the M4 Swindon/Devizes area want to share fuel cost to the show on Sunday?

    I have a medium sized van, so carrying gear would not be a problem.

    I will prob. drive up the Fosseway via Rugby etc.. there may be a better route available to suit another direction / pickup.

    pm me if interested.

    Nigel

  10. #110
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Lol - I'm wiv ya, Mark.

    Another vintage speaker I like the look of is the original KEF 104. There's an interesting article in the vintage section of last month's HFN. I suspect they'd be right up my street!

    Anyone here have any experience of them - how about you, Andre?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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