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Thread: The Celestion kid strikes again.....!

  1. #41
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

    Posts: 11,165
    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

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    Yes i'll be at Scalford, but you are taking things for granted... The Celestion Ditton 66s are nothing to do with my main system, they are in another room with totally seperate components

    Look, the only difference between my 66s & yours (forgetting the cosmetic condition) are the tweeters as the standard versions on my 66s were both blown... I doubt virtually anyone would notice a difference between mine & yours sound wise, best if they are blindfolded though

    We both have 66s chap, nothing more to say, they were good in the day & still sound superb compared to modern smaller speakers, but the enclosures are really crap... Give em a knock
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  2. #42
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

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    BOLLOCKS! Are you suggesting that just because we have the same speakers that they will sound the same? So all speakers sound the same regardless of the system being used to drive them????



    You're entitled to your opinion (even if it is ludicrous), but the fact is you cannot hear what I'm hearing now - END OF.

    So, Mark, don't try and tell me what I'm hearing and that it must be the same as you, just because we're using the same speakers. That is just plain daft. Anyway, you can judge the results for yourself at Scalford Hall.

    I suggest, however, you re-read your remarks to me tonight (shown below), when I reported that I was clearly hearing something quite special with the Celestions, and consider if what you wrote was in any way appropriate or considerate?

    It was your rather rude and dismissive tone that caused my annoyance, which prompted the subsequent reaction you got from me!

    It's a pair of reasonable speakers, nothing more to say. Enclosures are cack in all honesty but i won't spoil your enjoyment. They are lightweights due to the design, seen nearly as much mass in Leak Sandwich 600s which are much smaller...
    Dear oh dear....

    Surely you can see how badly that came across? 'Raining on my parade' in a rather unconstructive and somewhat unfriendly way would be an apt way to describe it.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #43
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

    Posts: 11,165
    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

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    Not at all, but with the same system there will be very little if any difference between mine & your 66s as only the tweeters are different, if you think otherwise then you need some better drugs
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  4. #44
    Join Date: Aug 2010

    Location: Devon, UK

    Posts: 342
    I'm Gary.

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    we need pics
    Gary.
    Technics SE-9600-Technics SU-9600--Technics Technics RS-9900-ST-9600-Technics SH-9010 EQ-Hitachi HCA7500 pre Technics 1210mk2,SL P1200 cdp.Moth mkII RCM, Revox B77mKii,Pioneer CT-F1250-Nakamichi MR-1.Technics A900 mkll,Technics 631 cassette deck,Yamaha cr-1000 & Cr-600,Celestion Ditton 44's & 15xr's,Thorens TD-150mkll,Tascam 34,Akia 4000DS,Leak 2000 and assortment of Technics cd and minidisc players and Mission/AR/Kef speakers

  5. #45
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Gary,

    Oh don't worry pics will be coming tomorrow - they look lovely, if you like vintage speakers

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #46
    Join Date: Aug 2010

    Location: Devon, UK

    Posts: 342
    I'm Gary.

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    Hi Marco
    Well I do have a pair of ditton 15xr's and a pair of 44's
    Gary.
    Technics SE-9600-Technics SU-9600--Technics Technics RS-9900-ST-9600-Technics SH-9010 EQ-Hitachi HCA7500 pre Technics 1210mk2,SL P1200 cdp.Moth mkII RCM, Revox B77mKii,Pioneer CT-F1250-Nakamichi MR-1.Technics A900 mkll,Technics 631 cassette deck,Yamaha cr-1000 & Cr-600,Celestion Ditton 44's & 15xr's,Thorens TD-150mkll,Tascam 34,Akia 4000DS,Leak 2000 and assortment of Technics cd and minidisc players and Mission/AR/Kef speakers

  7. #47
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol, well I guess that qualifies you as a vintage speaker fan

    The 66s really are a bit special. I honestly can't believe I'm listening to completely unmodified, nearly 40 year-old loudspeakers

    I had to spend a fortune on the crossovers in my Lockwoods to get them to sound this good (and admittedly a little better, but not by a huge margin other than in terms of sheer scale, due to the difference in the sizes of cabinets) - I kid you not.

    They're just so effortlessly musical with any genre of music I've put through them so far - brilliant stuff!

    I'm afraid it highlights again just how little progress we've made in terms of loudspeaker sonic performance in the last goodness knows how many years....

    Oh, and I found out how sensitive they are after reading the PDF file linking to the original brochure I posted earlier

    From the brochure:

    4.8 watts pink noise input produces 90db SPL at one metre in anechoic conditions
    The stated amplifier requirements are 10-160 watts RMS. So with that info and the above sensitivity specs, it's no wonder they have no problem being driven plenty loud by the Copper amp!

    I can't believe some of the bollocks written by people sometimes, such as Nathan referred to earlier. Whoever thought that the 66's were a difficult or demanding load, needing loads of power to perform optimally, are quite simply idiots who don't have a clue.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #48
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    Quote Originally Posted by Marco View Post
    I'm afraid it highlights again just how little progress we've made in terms of loudspeaker sonic performance in the last goodness knows how many years....
    Thank goodness i'm not alone..welcome to 1973 dude

  9. #49
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Alex,

    Bye Bye Lockwoods? Is anyone taking bets?
    Sorry I missed that.... Lol, not quite! The Lockwoods are going nowhere.

    What the Celestions have is a very similar sonic signature to the Lockwoods, using 15" Tannoy Monitor Golds, (very dynamic sounding and musically informative), albeit with less scale, as the cabinets on the 66's are about a third of the size.

    *But* they appear to need less driving to make a very big sound, and yet, on paper, the Monitor Golds are much more sensitive (95db)

    The uncanny thing, however, is that the Celestions are 3-way speakers, yet sound so seamless, coherent and well integrated that they almost give the 'point source' effect I so love of the Tannoys.....

    There is simply no sense that you are listening to a 3-way speaker with multiple drive units, which is brilliant but rather bizarre!

    From Hi-Fi Answers magazine, back in the day, commenting on Celestion Studio 66 Monitors:

    The Power available proved to be more than adequate to cope with the loudest orchestral climaxes available (or even required), and indeed this power, and the relatively high efficiency of the chosen speakers, was sufficient on one occasion when we wanted to provide concert levels in a large hall 110 x 55ft with a 25ft high ceiling.

    A most impressive performance, and on this occasion it was just possible to clip the amplifier into the speakers, which seemed perfectly willing and able to accept more power!

    Near perfect.

    We can say very little to criticise these speakers. They are large, expensive and extremely accurate!

    Mid-range was typified by an almost complete lack of resonance, distortion or beaming effects, and certainly seemed to vindicate the new 2 ¼ inch dome radiator. The treble end, from 5kHz upward, was handled by the HF2000 unit.
    I completely concur, especially with the bits in bold, as that's what I'm hearing right now with them.

    Marco.

    P.S (For those in the know) The serial number on my pair of 66's is 000260 - I presume that this indicates there are pretty early ones?
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #50
    Join Date: Mar 2009

    Location: Cork, Ireland

    Posts: 652
    I'm Nathan.

    Default

    Great to hear they are bedding in well.

    If you use any more superlatives I might be convinced to use this years bonus to relieve my Cork neighbour of his set.

    Tell us more about positioning, how you have them set up, and how they behave in the room.

    Nathan
    DIY is fine and dandy, but just try selling it on!

    Nathan.

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