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Thread: Koss PRO-4 AA vintage headpones

  1. #41
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

    Posts: 7,357
    I'm Dave.

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    When I was writing for the mags, way back when, I had a pair of these to review. Whilst they sounded good, they were very, very uncomfortable. Not only were they sweaty round the ears but the weight meant that I could only listen to them lying on the floor with a cushion under my head. Even then, 30 minutes or so was all I could endure.

    I did actually buy a pair of electrostatic phones from Micro Seiki (MX1 ?)which sounded livelier, cleaner and more open, they were also very light and comfortable for long sessions. A friend is still using them all these years later.

  2. #42
    Join Date: Feb 2010

    Location: Plymouth, UK

    Posts: 458
    I'm invisible.

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    Ouch.. I had forgotten just how heavy and uncomfortable these things are....
    Soundwise compared to my HD650.....Frequencies are all there, good lows and highs (as high as I can hear anyway) but everything sounds muddy, heavy, like wading through treacle. Little or no finesse, it sounds like the sound is being pushed down your ears by someone wielding a 10ldb sledge. Oh, how things have improved in 35 years. Again, bear in mind that this comparison is against HD650's. Anyways, they're back in the box unless someone makes me an offer.....
    If only it was that simple

    Main System :
    Quad II/40 amps, Music First passive pre, Tannoy Stirling SE speakers, Technics 1200 + RB301, V-LPS, digital streaming from Mac mini via Lifatec Toslink to Moon 300D. Meier Corda Arietta headphone amp, Sennheiser HD650 Phones. Mark Grant i/c cables. Speaker cables, Audioquest Rocket 44 BiWire.


    Ray.

  3. #43
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,496
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Ray,

    That's interesting. Thanks for that. The reason I asked is that of course I have no idea how they sound.

    Now I have a reference to judge against to ascertain if or how they've been improved since the originals were first introduced. If they sound as you describe, then I'll know that Koss have done bugger all to improve them, and they'll make a nice retro ornament in my room.

    However, if what I hear is rather different to what you describe, then I'll know they've genuinely been 're-voiced', and thus perhaps have a genuine bargain on my hands - here's hoping....

    I'll be using them on the end of top-notch equipment, and a superb all-valve bespoke headphone amp, courtesy of Nick Gorham, so they'll have every chance to shine!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #44
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,496
    I'm AudioAl'sArbiterForPISHANTO.

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    This is what i'm worried about, if i wouldnt expect the same quality
    That's what I intend to find out, Andre, so watch this space. As I said, if it doesn't work out, they'll make a nice ornament!

    Hi Barry,

    Are Koss still in business? Marco are yours original (NOS), or has someone out there started re-manufacture?
    Apparently so (see link below), although I've no idea what connection they have, if any, to the original company - or it might still be the original company, I don't know....

    http://www.koss.com/koss/kossweb.nsf/p?openform&bc

    Have a look. What do you think?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #45
    Join Date: Jun 2010

    Location: Southampton

    Posts: 1,623
    I'm drunk.

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    Koss are still in business. Its still the original company as started by John Koss in 1953. They still offer their Lifetime Warranty and will service anything you send back to them for a fee of $6.

  6. #46
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,496
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol, that's not strictly true...

    This thread, although prompted by your purchase of Ross vintage headphones, was started to discuss the Koss PRO4-AAs.

    Fair enough if you don't like them (I don't even know yet if I will!), but there's been some interesting input so far

    The weight thing has certainly been mentioned at length, so I look forward (or not) to seeing how I handle that side of things, but hopefully being a big bawheid will help!

    As an aside, Koss do an indentical version of the PRO4-AAs, with a more up-to-date appearance, called the PRO4-AAT, which are also lighter:



    So if they do sound good, that will be an option for those who want to avoid the weight of the retro versions.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #47
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,496
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Andy,

    Koss are still in business. Its still the original company as started by John Koss in 1953. They still offer their Lifetime Warranty and will service anything you send back to them for a fee of $6.
    That's interesting to know, so thanks for that. It suggests some significant pedigree, which in my book is always a good thing - and let's face it, no company is going to offer a lifetime warranty on shite

    What I'm hoping for is that the latest incarnation of the PRO4-AAs retains the good points, sonically, of the original design, but through judicious use of modern components, their previous failings will have been addressed.

    As Koss say in their blurb:

    As the first dynamic stereophone to deliver true full frequency, high-fidelity performance, the PRO4AA set the standard when it was introduced in its original form in 1970. In the late 1980s after long service, it was retired and replaced by a newer model. Customers clamored for its return, and by 1988 it was brought back by popular demand. Since then, though we've incorporated performance-enhancing technology and updated its style, the essence of the PRO4AA remains unchanged and it continues to set the standard for performance and reliability today.
    It would be interesting to know what this "performance-enhancing technology" is. Certainly, if the result is the same as I got with the similar process of 'modernising' my Tannoy Monitor Golds, then I'll be a very happy bunny.

    If it works out well, I'll have discovered another excellent product to recommend on AoS, for the benefit of everyone who likes quality, affordable headphones

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #48
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

    Posts: 7,357
    I'm Dave.

    Default

    I had a pair of Koss Pro 4AA for a while and they were much more comfortable than the electrostatic version as they were half (?) the weight. Still sweaty but I was able to sit up with them on.

  9. #49
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,496
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    If the new ones are any good, Dave, would you consider stocking them?

    I'm not sure if you bother with headphones, or if you do, which ones you sell.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #50
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,706
    I'm openingabottleofwine.

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    Good Afternoon everybody,

    Just a couple of points:

    The "heavy, sweaty and uncomfortable" phones referred to are, I believe, the Koss ESP-6 electrostatic models, not necessarily the Pro 4AA, which from memory were reasonably comfortable.

    I delighted to hear that Koss are still in business and offer a Lifetime Warantee, and will service any of their products for $6. I would like to have my ESP-6s serviced (for all their failings), however when I tried to contact the UK/European agent for Koss (based in the Channel Islands) I received no reply (after repeated attemps). Does anyone know of the address for Koss in the US, so that I can contact them directly?

    Thanks
    Barry

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