Jerry
Hifi: IPL transmission line floorstanding speakers, Squeezebox Touch, Denafrips Ares 11 DAC, DCB1 Pre-amplifier, Croft Series 7 power amp.
Custom Hifi cables HA10SE headphone amplifier and Hifiman HE-400 headphones.
AV system: LG 55B7, Denon AVR -x2300w receiver, Quad 12L (front) 11c Centre and 11L rear . Velodyne DD15 subwoofer.
Cheers Gaz, I enjoyed the visit too. Just so everyone knows, the OB's were built by Steve (Aquapihrana) for which I swapped My Fostex MLTL's.
I was particularly interested in comparing the mini t to the bantam golds, as I wanted to find out if I had wasted my money. I was glad to hear I hadn't. As Gary says, the golds are three times the price but not three times better, in fact I would agree that the mini t's are probably better SPPV, but the golds ARE better. Given I wasn't familiar with Gary's speakers, and we would have needed two amps to compare directly on the OB's, I can't give a detailed assessment, but to my ears the Golds sounded better. Not a great deal in it though.
Another interesting comparison was the linear supply on the Touch. Gary asked me before we tried it if I thought it was an improvement, and I couldn't answer as I had never tried the SMPS back in to compare. Well, all I can say is, anyone who thinks a linear supply won't make any difference to a Touch should have been there. The difference was not subtle.
It was a happy coincidence that the OB's seemed to sound even better at Gary's than they do at home, in fact I was quite taken aback at how good they were. This may have been partly due to the fact that we were listening quite near-field as we had them in front of Gary's, from say about 2 meters, whereas at home I'm about 4-5 meters away. This may be why Marco likes the sound of his Tannoys- there's something to be said for listening to large drivers in the near field!
Another possible contributing factor may be the Soundcheck mods Gary has on his Touch. I'm hoping it's this so I will get a similar improvement when I do mine!
As for cables, I wired the system up all with the Belkin cables, and very good it sounded too. We tried swapping the MG's out that fed Gary's Touch from his Beresford for the Belkin, and to my ears I preferred the Belkin. The MG had a slightly more "solid" midrange, but the Belkins were more open and airy at the top end, giving to my ears a better sense of space and acoustic.Quite a surprise I thought, given their respective prices. To be fair though, the MG were 1m and the Belkin 2m, so this may account for some of the difference.
Overall, I was really surprised with how good the system sounded at Gary's. Whether this is due to the rooms or the Souncheck mods remains to be seen, but the day really showed how good the golds and the OB's are. I think we got a superb sound all round. Indeed, Gary commented that we were getting the "You are there" thing to an extent that he's only ever heard twice before, both times at dems of very pricey kit. It just shows what can be done with a bit of DIY,modding and some great value kit. I think it also showed how good the Bantam kit is too. I'd like to hear the monoblocks now!
Just leaves saying thanks to Gary for his hospitality, and for the beer and pizza!
There will be a return match at my place where he's going to help me set up my Touch on a network and do the Soundcheck mods, once I have run the cables that is!
Interesting stuff!
Ali, what's the make up of your OB's? B200 and a couple of Eminence 15" or 18" basses? What sort of sensitivity do you reckon they are?
Cheers,
Clive
TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
Digital Lindemann Bridge + Gustard R26 with LB external clock
Pre and Power Amp EWA M40P + M40A
Bass Amp & DSP Behringer iNuke NU3000DSP x 2
Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
Speakers 2 MarkaudioSota Viotti Tower
Yes Clive, one B200 and two Eminence Alphas per side. Reckon about 95dB or so.
Oh yes, I fitted some Planet10 phase plugs to the B200's. A worthwhile improvement at the top end.
TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
Digital Lindemann Bridge + Gustard R26 with LB external clock
Pre and Power Amp EWA M40P + M40A
Bass Amp & DSP Behringer iNuke NU3000DSP x 2
Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
Speakers 2 MarkaudioSota Viotti Tower
Looks like a good session chez Gazza
You coming down to the next Owston meet Gary ?
Be good to see you there.
Are you going to be bringing the OBs Ali ?
Chris
Common sense isn't anymore!
Yes, I could bring them, though they won't stack up to Steve's!
Hahahaha... The rot's gonna set in now!
Gaz, trust me, your current system is on borrowed time and will soon feature strange glowing bottles and even stranger speakers to match!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.