Location: Huddersfield
Posts: 3,358
I'm David.
Location: Sunshine Coast,Queensland,Australia.
Posts: 87
Excuse us for having an opinion.Now where's that unsubscribe page....
Turntable: Yamaha GT 2000/Clearaudio Magix
Cartridge: Soundsmith 'The Voice' Ebony
Phono Stage: Moon LP 5.3
Preamp: Transcendent Sound Grounded Grid
Active Crossover: Accuphase F-25
Treble Amps: 2 x Kenwood L-06M
Bass Amps: Kenwood L-1000M
Speakers: DIY Activated Altec Valencia 846As
Location: Huddersfield
Posts: 3,358
I'm David.
The Applied Fidelity mat looks to me like a completely sensible bit of design, at least the version that bolts onto the Technics platter. I do believe that the benefits of the MN platter have little to do with mass, but everything to do with mechanical integrity and strength. The Applied Fidelity mat must impart a significant extra bit of strength and stiffness to the stock platter, while providing a good interface with the record. If I still had my Technics, I'd give one a whirl!
Sent by me using an appendage
SME Model 15/V tonearm, Sumiko Starling, Dynavector P75IV.
Luxman 509X amp.
PMC 25 23i speakers.
Innuos/Roon/Qobuz/I-Pad. Oppo UDP-205.
Cables by Kimber, Yannis and Audioquest.
Audioquest Niagara. Tube Distinctions Mains power filter. Project RCM. Zerostat.
Gotta dash out in a minute, guys - so just to quickly address the following:
Hi David,
That's a good idea - I'll get onto it A.S.A.PPerhaps Marco could expand the suppliers section to include TT tweaks if he has not already done so?
Hi Neil,
Absolutely, I couldn't agree more! I said as much in my 'final conclusions' earlier. It just depends on how far you want to go.All fair points but not everyone can afford to go straight to Mike's products. Better folks start somewhere than nowhere in my opinion and they now have more choices as to where to go. No doubt each option has its + and - and some will suit some set ups better than others but at least the choices are now out there.
In my view though, there are no downsides whatsoever, sonically, to using any of Mike's SL-1200/1210 modifications, whether it's his high-precision bearing or copper composite platter. Quite simply, they fundamentally address significant weaknesses (due to understandable budget constraints) in the basic design of the SL-1200/1210.
The harsh reality, whether it is unpalatable for some or not, is that Mike is currently the only one we know of doing anything genuinely innovative in terms of radically modifying (and improving) the core design of the SL-1200.
And that situation will remain until someone else has the tooling and necessary skills to re-engineer the required critical components, and crucially, provide such modifications to enthusiasts at anything resembling an affordable price!
I'm quite sure the mods other people are offering will significantly improve the performance of the Techie. However, the comment wasn't unfair - it was simply factual. The reason others aren't providing radical modifications to SL-1200/1210 is because they don't have the necessary tooling or engineering skills. It's as simple as thatUmmmm I think your last comment is a little unfair as neither you (you have heard many more than me) nor I have heard all the options. Some mentioned today may offer some very interesting takes on things...
You're absolutely right, and it does my head in. However on AoS the standard of contributions is generally much higher than that, and people will usually only comment on things they've had actual experience of using or of listening to.Dare I suggest..... though and I am being general here, but one of the problems with some forums and the replies given is that they are given by those who just like the sound of their own typed voice and the words typed are groundless..... as those words have no actual relevant experience behind them.
Hi Chris,
That may or may not be the case, but it's not something that is easy to ascertain with any certainty. As for Mike's bearing base plate, this is something that I will have fitted later in order to assess any benefit it has separately.But i must point out for me there is a question mark on what the original Technics SL1200mk2 chassis can take in terms of the extra mass , hence Mike's stiffening plate .
If you remember, I was initially quite sceptical of the likely benefits of Mike's much heavier platter, due to the effect the added mass would have on the whole turntable, chassis included.
However, as ever with these things, the proof of the pudding is in the listening - and also in the actual use of the product concerned.
The fact is the MN platter massively improves the sonic performance of the Techie, with no downsides whatsoever that I can detect. At the end of the day (for me) that's all that matters, as one can speculate and theorise until the cows come home and get nowhere.
Practical experience is ultimately what counts. Having now had that, the Mike New platter undoubtedly delivers - BIG time!!![]()
I would have no objection to that whatsoever, so if any of those chaps would be interested in testing my T/T, accordingly - bring it on!One more thing Marco ! the SL1200 with MN bearing and your new platter would benefit from a thorough testing from someone like Noel keywood or Richard Black , i know you may scoff at the idea but i think its important and the results will be there for all to see
Right, I must dash!
Laters,
Marco.
P.S Theo - chillax, dude. No-one here, as far as I can see, was criticising your perfectly valid opinion.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
To avoid thread drift I've posted a message about the Achromat + Vaseline here:
http://theartofsound.net/forum/showt...692#post169692
Location: Huddersfield
Posts: 3,358
I'm David.
Each day goes by another tweak comes along for the Technics, I have plenty of grease, maybe we should try different types as it comes in 3 or 4 different thicknesses? I have some extra tacky grease as well and even some with clay powder mixed in, that is red coloured though, I think clear would be best maybe?
Give it a go, David. I'm sitting here listening to my original EMI pressing of Dark Side of the Moon (not the rather poor Mo-Fi cut) and I've never heard it sound better.
I think the Vaseline is a good consistency in that you can spread it fairly thinly and it oozes under weight to provide a complete bond. By all means try thicker and let us know what you think. I'm really amazed at the difference I'm hearing.
Back to the music...