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Thread: Mike New platter, Oyaide MJ-12 mat & STB-MS stabiliser arrive at Marco Towers...

  1. #201
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

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    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

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    Agreed Marco Once the natural resonance modes of an alloy platter such as the Techie one have been taken under control i'd agree with you

    The thing is though is to damp out the standard platters resonant modes & two metals that are vastly different in stiffness appear to do this nicely. The soft copper prevents or should i say seriously reduces the ringing of the standard Techie platter (because it's so soft & has a decent mass) so you hear the music better with less of the TT being evident.

    Like i say, some kind or weird sandwich - but one that does what is needed
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  2. #202
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

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    I'm Neil.

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    Centre hole 7mm, total distance across is 286mm.

    The copper mat will need to be 100% flat.


    Regards D S D L

  3. #203
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,543
    I'm AudioAl'sArbiterForPISHANTO.

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    The thing is though is to damp out the standard platters resonant modes & two metals that are vastly different in stiffness appear to do this nicely. The soft copper prevents or should i say seriously reduces the ringing of the standard Techie platter (because it's so soft & has a decent mass) so you hear the music better with less of the TT being evident.

    Like i say, some kind or weird sandwich - but one that does what is needed
    Yup, Mark, that's precisely why I had Mike anneal the copper plate/mat onto my version of his platter

    The same 'sandwiching' principles also apply in the design of turntable plinths, which I suspect will be the final modification to the Techie, and something I believe Mike has been working on

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #204
    Join Date: Nov 2010

    Location: Huddersfield

    Posts: 3,358
    I'm David.

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    It won't be hard to place it under a dead weight to flatten it out. I will see what thicknesses are available tomorrow.

  5. #205
    MartinT Guest

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    Marco - did I miss something or did you try the Achromat on top of your bonded platter? What was the result?

  6. #206
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,543
    I'm AudioAl'sArbiterForPISHANTO.

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    No, mate, you didn't miss anything, as I haven't mentioned it.

    Unfortunately the Achromat wasn't a good match with the bonded copper mat on the MN platter, mainly because the Achromat is rigid and somewhat slippery, and so skids around the place like a DJ slip mat, with the resulting sonic consequences!

    Obviously though, you're not finding this a problem with the standard MN platter

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #207
    Join Date: Jan 2008

    Location: California (San Francisco Bay Area)

    Posts: 170
    I'm Mark.

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    I can't help thinking what would be the effect if you put a flexi disc on the Oyaide mat ,
    the holes underneath the record might make certain areas under the thin disc act like a drum skin,
    I would assume the effect becomes less as the record gets thicker.

  8. #208
    Mike_New Guest

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    Quote Originally Posted by Reid Malenfant View Post
    I'm just wondering how a bonded sheet of lead (Pb) would work in this situation. It'd be softer than annealed copper & damping wise it'd be far better. Or maybe just a lead mat might be pretty good, just don't go trying to eat it

    Maybe i'm a bit crazy so forgive me, but it's something i'd be willing to try on my deck. It's not a Techie though
    The thought had occured to me, but there are not any church's in my area!!!

    Mike

  9. #209
    Mike_New Guest

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    Quote Originally Posted by markf View Post
    I can't help thinking what would be the effect if you put a flexi disc on the Oyaide mat ,
    the holes underneath the record might make certain areas under the thin disc act like a drum skin,
    I would assume the effect becomes less as the record gets thicker.
    You are essentially on the right track in your thinking Mark.
    Attempting to use a thin copper sheet is going to be an exercise in trivia, to the extent that if you are going to use a copper mat then you should be prepared to do so in a sensible way and use the excellent copper mats that are now available and which measure 3 or more mm in thickness. They do the job properly as they were designed to do.
    The Standard Techi platter is somewaht dished, and a thin copper foil is just going to flutter like a diaphram if it is put ander the Oyeida.
    Secondly this thin sheet cannot be anealed easily, so what are we gaining here??

  10. #210
    Join Date: Jan 2008

    Location: California (San Francisco Bay Area)

    Posts: 170
    I'm Mark.

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    I was literally thinking of a flexi disc record, actually playing one directly on top of the Oyaide mat

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