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Thread: Justin & Jerry's Hifi Blog

  1. #321
    Join Date: Jun 2009

    Location: S-ex

    Posts: 523
    I'm Steve.

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    Hi Jerry

    Well firstly, I know my speakers (nOhr 9.0) are a difficult load and really need some power to make them sing. Bearing this in mind I wont be critical of what the Mini-T's can't do in this situation, I'll save that for when they're driving 95db, but they are showing me potential.

    Initially detailed, snappy but lacking in body; not bass but a weight to the sound. 2 days run in and that still remains, but changing the speaker polarity brought the sound back to what I expect from the rest of the system, albeit at the expense of some of that resolution. With simpler music, not acoustic but a small well recorded band like Jamie Cullum, there were many times when the detail retreival brought new insight.

    It seems to have some element that I can't put my finger on; as someone already commented, it has something in common with a Levardin sound, which is one of my favourites ever. Its kind of a classy sound, composed and refined. As you said, they are very fast, but I'm not hearing natural. Even presenting solo female voice, although I don't hear any sign of a strident treble and there are bags of detail information, the illusion of a living, breathing person on the other side of the mike is lost.

    Flying solo, connected standard, I can see the transparency and detail that you love, but then I feel like I need to work on other aspects.
    Running from a valve preamp and reversing the speaker connections gave me a better all round cohesive sound, but then not as striking.

    So at the moment I would say the Mini-T is fine as a back up on these current speakers and there is enough resolution and transparency to expect the free flowing nature of higher sensitivity horns to compliment it's strengths and limited output to deliver a real class act.

    Good call Jerry!
    Steve & Valerie

    www.electricbeachaudio.com

    If you think you know the answer already, you're not really searching

    A plastic box, some glass bottles, two metal tins and some lengths of string

  2. #322
    Join Date: Jan 2008

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    Posts: 11,510
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    That's interesting, Steve.

    I find the Mini-T delivers a natural and uber-transparent sound into my low efficiency (83dB/W) but easy load speakers (6 - 8 ohms except at high freqs).

    I guess that I'm not that surprised if the small power supply on the Mini-T runs out of puff and does strange things when given a more challenging electrical load. I suspect that would explain the lack of weight that you hear, the higher energy bass freqs are simply running out of steam.

    Do you have some easier load speakers planned or available? You mention 95dB ...
    .

  3. #323
    Join Date: Jun 2009

    Location: S-ex

    Posts: 523
    I'm Steve.

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    Quote Originally Posted by electric beach View Post
    Very useful call Jerry. My AOS/Yaqin has just thrown a hissy fit and I need a backup in order to send to Anthony for a check-up, so I ordered a Mini-T TA2020. yesterday, after reading all that you've been saying.

    It will have to drive 87db from a Mapletree tube pre for a couple of weeks - then I will have the 96db drivers arriving for a pair of Sachiko horns. Now that will be interesting

    I would like to try the Sach's with a low power SET like the Decware 2W SE84 in due course and this should be an informative comparison between highly revealing oldest and newest technologies.
    Steve & Valerie

    www.electricbeachaudio.com

    If you think you know the answer already, you're not really searching

    A plastic box, some glass bottles, two metal tins and some lengths of string

  4. #324
    Join Date: Jan 2008

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    Aha - and the motto is ... "read ALL of the post"
    .

  5. #325
    Join Date: Oct 2010

    Location: Belleville, IL

    Posts: 190
    I'm mike.

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    Quote Originally Posted by twelvebears View Post
    Yup I can definitely confirm that this sounds WAAAYYY better than you would probably expect. It's a little 'loose' and there's a slight electronic sheen to the upper frequencies which makes them stand out a little but there are none of the nasties that you might expect from a studio amp with this much grunt...
    As Clapton said, It's in the way that you use it! I have a Crown XLS-802 that does 800 wpc @ 4 ohms per, and I use the headroom to produce a smooth, controlled response that isn't harsh or growly. I compare it to a vintage Crown D-75 I own and they are very compatible, aside from the power difference, and play together quite well.
    Freedom is the right to discipline yourself.

  6. #326
    Join Date: Jan 2008

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    A forum friend has very kindly loaned me his Perreaux PMF 2150B power amp. 200wpc.



    Hugely powerful sounding, and just amazingly fast and controlled. Transients not only start very quickly, but stop just as quickly which is a rather harder trick to pull of, ime.

    The amp's owner has had it fully rebuilt and refurbished.
    He's a big techno-dance music fan - slamming bass and ultra-fast mid and treble transients at stupidly loud levels is where it's at as far as he is concerned!

    Streuth on a pogo stick - but the MBLs rose to the challenge! On one track my chair was noticeably vibrating along with the bass. He reckoned the speakers were pumping out 25Hz.
    For those folks into this sort of music the Perreaux sound is truly amazing.
    Not for the faint hearted though.

    Once Bob had left I returned to my usual genteel (by comparison) musical fare, and I have to be honest and say that the Perreaux was simply too up-front and inyerface for my delicate sensibilities and I returned to my own amp combo with a sense of musical relief and relaxation.

    Oh yeah ... to keep you up to date, I now bi-amp my Mini-T TA2020 t-amp with an Alesis RA300 90wpc jobbie. Adds a bit of welly to the Mini-T sound while allowing it free rein just driving the mids and treble. Yup, I like this sound.

    .

  7. #327
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,537
    I'm AudioAl'sArbiterForPISHANTO.

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    It's the audiophile dust that does it, Jerry!

    Another interesting update, as usual - what's your T/T situation these days?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #328
    Join Date: Jan 2008

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    Quote Originally Posted by Marco View Post
    It's the audiophile dust that does it, Jerry!

    Another interesting update, as usual - what's your T/T situation these days?

    Marco.
    Yeah - I'm afraid I will always be a slob. Dusting is for wimps and sissies!

    TT is as per signature below - still happy with the Techie SL1800 with Herbie mat and my trusty re-bodied Denon 103.
    .

  9. #329
    Join Date: Jun 2010

    Location: Southampton

    Posts: 1,623
    I'm drunk.

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    That Perreaux looks mighty fine. I do like muscle amps, especially ones that manage to exert total control over the music without killing everything.

  10. #330
    Join Date: Jan 2008

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    Latest addition at Jerry Mansions ....



    A Musical Fidelity A5 power amp.
    255wpc.

    Initial impression - Oooo! That's bright.
    After a few hours of warm up the overly bright presentation calmed down a lot. Another few hours and this amp is clearly settling down very nicely, although on some material a slight sting at the top can still be heard.
    Huge amounts of power - it sounds magnificent with my MBLs on Big Orchestral music. Not quite the start/stop abilities of the Perreaux, but (imo) much more musically rewarding in terms of delicacy and soundstaging (the Perreaux is a bit 2D), a subtler presentation all round.

    I need to settle down with this for a while ... and let it continue to warm up!
    This is one amp that gives a very misleading impression when first turned on. At least a few hours warm up is def required to start to show its true tonality.

    I'm not sure yet that the midrange detail and transparency that I hear from the Mini-T has been surpassed, but for the moment the Mini-T amps are "resting". ... in fact one is about to be posted to a forum member to try out.
    Last edited by jandl100; 25-11-2010 at 08:36.
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