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Thread: The Mike New Technics bearing

  1. #141
    Join Date: Feb 2008

    Location: http://www.homehifi.co.uk

    Posts: 6,289

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    Quote Originally Posted by markf View Post
    Would there be anything wrong with highly polishing the copper and placing the record directly
    on it and making a mat optional ?
    It may or may not be. I have the CU-180 copper mat for my Micro Seiki DDX-1000. Many owners of the CU-180 will tell you that they have had great results with that mat, but I have not been so lucky. It might be due to the combination of the system setup I have, but I don't harbour any immediate desire to swap around amps and speakers just to get the mat to sound right.

  2. #142
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,466
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Mark,

    I'm not sure, as I haven't tried it. Experience, however, suggests that hard metal surfaces don't make the best interfaces between the record and platter.

    However, when I obtain a copper mat to assess, I will revisit this and report my findings

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #143
    Join Date: Dec 2008

    Location: So Cal

    Posts: 139
    I'm Pete.

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    Quote Originally Posted by MartinT View Post
    Dammit, I'm really tempted now since you have a MN platter.
    dew eet
    Hearing is believing

    SL-1210 Mk5 w/Mike New Platter/bearing/armboard; Hynes SR5 DIY PSU;
    Zyx Airy3X; SME V; Hashimoto HM7 SUT; CJ PR15MkII Phono w/teflon caps.

    Modwright LS36.5 Dual Mono Preamp & KWA 150 amp > Paradigm Ref 100 v.4s

  4. #144
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    Quote Originally Posted by Marco View Post
    Hi Mark,

    I'm not sure, as I haven't tried it. Experience, however, suggests that hard metal surfaces don't make the best interfaces between the record and platter.

    However, when I obtain a copper mat to assess, I will revisit this and report my findings

    Marco.
    When I bought my mentor deck from Tom, I was given the choice of two top-platters to try. The first was what I remember to be a thick aluminium one (or non-magnetic steel, I can't remember) and the second, the now standard graphite type.

    The metallic platter sounded ringy and over-bright. Perfect for rejuvenating dull sounding magnetic cartridges and older mc types, but to me, being one colouration balancing out another.

    The graphite platter by comparison sounded far more neutral when compared to the copy-masters I had, the record appearing to be well terminated, but the effect on many cartridges of the time wasn't always good, as measurable treble dullness in the cartridge sounded just that. The Decca was in its element though and modern mc types are too
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  5. #145
    Join Date: Jan 2008

    Location: California (San Francisco Bay Area)

    Posts: 170
    I'm Mark.

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    So the copper doesn't really help other than look good, so perhaps a platter with a
    graphite top plate would be better. (probably look great too)

    I guess I should ask Marco, what was your reason for selecting copper for your custom platter ?
    Last edited by markf; 07-11-2010 at 18:56. Reason: added a question

  6. #146
    Join Date: Mar 2010

    Location: London

    Posts: 2,094
    I'm colin.

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    Ive read that the copper reduces eddy currents.

  7. #147
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,466
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Colin's got it in one, Mark

    Both the PSU (when the original one is used), and the motor unit under the platter, generate eddy currents detrimental to the sonic performance of the cartridge above, which the copper mat, due to its material properties, helps reduce.

    Therefore from the bottom, we have Mike's superb bespoke platter, which adds both structural rigidity and controls resonance, and above it the bonded copper mat reducing the effect of eddy currents, and topping it all, the superb Achromat, providing the ideal (impedance matching) interface for the record - all of which should combine to allow maximum information retrieval from recordings with minimum coloration....

    That's the theory (and goal). We'll soon see whether it translates into this in practice!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #148
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

    Default

    Wouldnt a series of slots in the copper have a better effect on Eddies!

  9. #149
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    Quote Originally Posted by Marco View Post
    Colin's got it in one, Mark

    Both the PSU (when the original one is used), and the motor unit under the platter, generate eddy currents detrimental to the sonic performance of the cartridge above, which the copper mat, due to its material properties, helps reduce.

    That's the theory (and goal). We'll soon see whether it translates into this in practice!

    Marco.
    A serious question, how do you know that there are eddy currents in the supplied techie platter and, if they are, do they really affect the performance of the cartridge used? Have you been given proof of this, or is it just hearsay by others?

    I've heard too many times the mantra of people inventing a problem and then marketing an expensive cure for it.

    Just to keep you questioning what you think is the obvious from what you've been told, that's all
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  10. #150
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,466
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Wouldnt a series of slots in the copper have a better effect on Eddies!
    Possibly, mate (I can see where you're coming from), but you could go on forever with these things, and it's Mike doing all the work!

    I'm pretty confident the above combo will be shweeeeeeet!



    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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