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Thread: Calling all SL-1200/1210 owners!

  1. #421
    Join Date: Feb 2008

    Posts: 116

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    Hi Marco, yes please i had to buy quite a large piece of brass plate and a bloody expensive set of taps (they get more expensive the smaller they are) and a couple more going out will get it back, if they want lower mass i can mill it down to 3 or 2mm.
    Depends on the feedback from Neil when he has it mounted and that 3rd weight on.
    Regards, John.

  2. #422
    Join Date: Jun 2008

    Location: Paris, France

    Posts: 790
    I'm Peter.

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    Had a chat with Kevin at KAB today, my bits (PSU, Cardas arm wand and odds & sods) are going to be sent out this week. Now I've got to find some steady hands for the tonearm refit.
    Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
    Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
    Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
    Powered by Custom-HiFi-Cables DC2 psus

  3. #423
    Join Date: Jan 2008

    Location: S.E. Wales

    Posts: 254

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    C'mon Marco..what of this Denon MC head-amp then?
    Nick.

  4. #424
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,494
    I'm AudioAl'sArbiterForPISHANTO.

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    Had a chat with Kevin at KAB today, my bits (PSU, Cardas arm wand and odds & sods) are going to be sent out this week. Now I've got to find some steady hands for the tonearm refit.
    Way hey, nice one Peter. Bet you can't wait

    Did you have a nice holiday, btw?

    Nick,

    It's not arrived yet, mate. I've spoken to the chap so I should have it either tomorrow or Friday. I nabbed it for £102, so not too bad considering how rare they are.

    It'll be interesting to hear how it compares to the A23. I used to use a Lentek (battery operated) active head amp with the 103 in the 80s and have fond memories of the sound it produced. I also like the variable gain on the Denon, so we'll see how it goes. Full review will appear here!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #425
    Join Date: Jun 2008

    Location: Paris, France

    Posts: 790
    I'm Peter.

    Default

    Marco,

    The stuff has been on order for about a month but it's been held up, mostly, because of administrative reasons. Yes, I do want to get the stuff ASAP. I reckon I can handle fitting the PSU lead. Kevin told me it's a question of "snipping" the output from the Transformer and substituting the PSU cable before the Bridge rectifier of standard Technics PS. It's two solder joints.

    The tonearm refit I'm more anxious about. I've ordered the 5 turret plate and the phono plate for the exterior. However, I think I'm going to visit a local cable shop that does a range very well regarded cables in France http://www.hifi-cables.fr/Accueil_Fr.htm . And see what they suggest from the tonearm base to the phono stage. They might even do the soldering for me? I'll have to see. Kevin recommends using a temperature controlled solder gun. I don't really want buy more kit to be used only once, There's no room for a workshop in our 2 bedroom flat.

    In the meantime the SL1210 is giving a lot of pleasure. I really think that I'll have to wait to get the "right" cartridge until the tonearm rewire is installed. My guess is that the Cardas wire must give a clearer more weighty top end. That's the only thing I miss from the previous set up, I can't help feeling HF extension is curtailed, and as such, robbing the system of that extra feeling of life.

    Cheers
    Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
    Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
    Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
    Powered by Custom-HiFi-Cables DC2 psus

  6. #426
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,494
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Good news, Peter, that things are imminent.

    I admire you for going the D.I.Y route with the KAB mods. I'm just too much of a lazy arse and frankly a danger to myself with a soldering iron to contemplate doing things that way! I'm also an impatient f*cker and simply want new gear to work immediately. That's why I ordered the whole lot from KAB, turntable as well, with all the mods already fitted so when it arrived I was ready to play music as soon as possible

    However undoubtedly there's more satisfaction with the way you're doing it. I think your idea to get Hi-fi Cables in France to do the soldering is a good one if you're not confident enough or have the right facilities to do it yourself. Make sure though you use Cardas cable as IME it's the best for the job. I've heard the likes of VDH, Kimber and Moth before and IMO none of it is as neutral sounding (which is what you want) as Cardas. So buy a cable loom from Kevin and get the French chaps to fit it.

    Your point about HF extension and 'life' is spot on. The stock wiring serves to muddy the top end and make things sound thick and stodgy. Rewiring with Cardas opens the whole sound up and reveals oodles more musical detail as well as tightening up the bass and increasing extension. It's quite frankly a massive difference and one of the main reasons (separate PSU aside) why people can't say that they've heard a 1210 in any way properly until they've listened to one with a rewired, fluid damped tonearm.

    Quite simply, you don't hear the benefits of the awesome motor unit properly until that's done.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #427
    Join Date: Jun 2008

    Location: Paris, France

    Posts: 790
    I'm Peter.

    Default

    Quote Originally Posted by Marco View Post
    It's quite frankly a massive difference and one of the main reasons (separate PSU aside) why people can't say that they've heard a 1210 in any way properly until they've listened to one with a rewired, fluid damped tonearm.

    Quite simply, you don't hear the benefits of the awesome motor unit properly until that's done.
    Many people can't be arsed to take a non standard route, that's why so many still have LP12s ... , only slightly kidding. Seriously tho', there's a lot to be said about having a standard unit that works perfectly out of the box.

    If I'd known how good a standard SL1210 is, then I may well have decided to go for a fully KAB'ed 1210. As it is, I'm interested to know what each mod brings. So when the bits and pieces arrive I'll get the PSU going ASAP, the tonearm is going to be a more protracted process (nice, pun, ok maybe not). However switching the tonearm means that the existing one I can get done by J7, with maybe a one piece cable all the way to the phono plugs. Then I can reswitch, If I'm crazy enough .

    I'm looking at footers, What did you say about the isanoes ?

    cheers
    Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
    Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
    Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
    Powered by Custom-HiFi-Cables DC2 psus

  8. #428
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,494
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Peter,

    Sounds good. You're going to be one happy bunny when everything's finished, trust me

    The Isonoes are great, and definitely improve the sound although in a more subtle sense than major upgrades such as adding the PSU and rewiring the arm... Mmm…let me qualify that, that's in a "subtle sense" on Phase 17 Mana! Results may be more noticeable in a set-up with less vibration/resonance control in place.

    Apart from that, in a purely aesthetic sense, they look the absolute business and give a subtle 'bouncy' suspension to the deck. All-in-all I think they finish the deck off nicely and I can't think of a similar product which looks anywhere near as good.

    Keep us posted of your shenanigans - with pictures!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #429
    Join Date: Feb 2008

    Posts: 116

    Default

    Quote Originally Posted by thrunobulaxx View Post
    Neil went for a 4mm thick plate with a mass of 12.8g
    Here it is on an Eroica i used for precise hole spacing, it will have s/s hex cap head bolts. i have some spare plate left over and can mill it down if anyone else doing the Denon 103 thing wants one, or one of lesser mass, pm me.

    Hope you dont mind me posting a pic of your plate Neil.



    As i suspected 4mm with 12g mass is a bit much, unless you have one of the 3 pieces of the C/W made heavier, but i will let yomanzi tell you about that

    Other than to say he`s going to get sorted with some serious mass as he is keeping the plate on, and reported back its a big improvement with the stripped down and plated 103 C/W loaded with blue tac untill the heavier piece comes

    I`m getting some 2mm plate for those less enthusiastic about that much mass
    Regards, John.

  10. #430
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,494
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Excellent stuff, John. Make sure Mike sees these pics by posting them on his 'Slow Birth of a Phono Stage' thread in the D.I.Y room.

    I think he should get one made for the AT-33PTG to use in his Hadcock, but one of the lower mass options.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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