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Thread: Calling all SL-1200/1210 owners!

  1. #411
    Join Date: Apr 2008

    Location: Warrington

    Posts: 3,438
    I'm Neil.

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    Quote Originally Posted by Marco View Post
    The sonic cocktail of the 103's mellifluous midrange and organic sounding bass, and toobs, is a heady one!

    No-one knows just how good this cartridge can sound until it's fitted to an appropriate (high mass) arm & headshell, on a high quality direct-drive T/T, loaded correctly including the optimum gain structure applied via a matched MC step-up tranny or head amp, and into the glowing bottles of an all-valve MM phono stage... Bliss! The sound is a million miles away from the thin sounding, sterile, overly analytical crap masquerading these days as 'hi-end' moving coil cartridges!

    What on earth has happened to the tonality of modern moving coils?

    Marco.
    Speaking of mass, John is fabricating some phat-ass 4mm thick brass plates to 'nude' and mount my DL103 on. I'll be able to fit the 3rd counterweight and maybe move it forward, creating some serious mass!

    This time next month, I'll be running a Denon step-up into a Heed Questar (with PSU). Funny how I've been building my entire setup around a cartridge! I think that the implemention is more important than 'solid state or tubes', both have their pros and cons.

    Regarding my acrylic SRM mat, I rolled some really thin blu tack around the centre so it's stuck to the platter as there was some slippage. Thought I'd forewarn anyone using acrylic on the Technics platter. Blu tack as thin as you can get it works a treat though & acrylic is a very good dampening material.

    Coming back to the DL103, a bit of reading creates some quite strong arguments for a conical stylus. Maybe the alnico magnets have a lot to say too for the DL103's "balls".
    Last edited by Yomanze; 21-07-2008 at 15:57.

  2. #412
    Join Date: Feb 2008

    Location: Boddam Aberdeenshire

    Posts: 272

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    Quote Originally Posted by Marco View Post
    The sonic cocktail of the 103's mellifluous midrange and organic sounding bass, and toobs, is a heady one!

    No-one knows just how good this cartridge can sound until it's fitted to an appropriate (high mass) arm & headshell, on a high quality direct-drive T/T, loaded correctly including the optimum gain structure applied via a matched MC step-up tranny or head amp, and into the glowing bottles of an all-valve MM phono stage... Bliss! The sound is a million miles away from the thin sounding, sterile, overly analytical crap masquerading these days as 'hi-end' moving coil cartridges!

    What on earth has happened to the tonality of modern moving coils?

    Marco.
    They sound pretty good on a unipivot arm (diy carbon) and high quality idler-drive T/T (Garrard 401) as well
    "Always carry a large flagon of whisky, in case of snake bite and, furthermore, always carry a small snake."


    Kevin

  3. #413
    Join Date: Apr 2008

    Location: Warrington

    Posts: 3,438
    I'm Neil.

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    Quote Originally Posted by Prince of Darkness View Post
    They sound pretty good on a unipivot arm (diy carbon) and high quality idler-drive T/T (Garrard 401) as well
    Nice, any photos?

  4. #414
    Join Date: Feb 2008

    Location: Boddam Aberdeenshire

    Posts: 272

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    Here's some pictures. The 401 is an early model, in great mechanical and cosmetic condition (apart from where a previous owner had a dustbug type device fitted). The plinth is a fairly basic diy job.
    The arm is made from some carbon fibre tubing I had lying around. Wiring is Satcure.





    "Always carry a large flagon of whisky, in case of snake bite and, furthermore, always carry a small snake."


    Kevin

  5. #415
    Join Date: May 2008

    Location: Bristol, UK

    Posts: 9,966
    I'm Nick.

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    Nice job. Your tonearm looks brilliant. My dad used to run a Garrard 301 with a handmade (balsa) tonearm. He still has the tonearm somewhere - he sold the deck not so long ago.

    I particularly like your choice of vinyl too
    [SIZE="1"]Nick

    Follow AOS on Twitter: @AoS_Forum

  6. #416
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,487
    I'm AudioAl'sArbiterForPISHANTO.

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    Hey Kevin,

    I like it, dude - love the improvisation!

    Have you ever compared it to a 1210?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #417
    Join Date: Apr 2008

    Location: Warrington

    Posts: 3,438
    I'm Neil.

    Default

    Yeah, very nice work & love the coinage!!!

    Carbon fibre must mate well with the DL103 & dampening it.

    Nice deck too I have been eying them up.

  8. #418
    Join Date: Feb 2008

    Location: Boddam Aberdeenshire

    Posts: 272

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    Quote Originally Posted by Marco View Post
    Hey Kevin,

    I like it, dude - love the improvisation!

    Have you ever compared it to a 1210?

    Marco.
    Never made that comparison, I suspect it would sound better than the standard 1210/1200. The modded versions, such as your KAB, might be another matter altogether. Personally, I believe that with the better idler and direct drive decks they tend to sound different to each other rather than clearly better or worse.
    I should really get my finger out and get a driving license, then I could arrange to pop down to a chester or eggfest and swap ideas.
    "Always carry a large flagon of whisky, in case of snake bite and, furthermore, always carry a small snake."


    Kevin

  9. #419
    Join Date: Feb 2008

    Posts: 116

    Default

    Quote Originally Posted by Yomanze View Post
    Found some dimensions: "The dimensions of the platelet are: thickness = 2,5 milimeter, width = 18mm, length =21.5mm"

    Maybe increase the thickness to 3 or 3.5mm??

    http://www.audiocostruzioni.com/a_d/...tina-denon.htm
    Neil went for a 4mm thick plate with a mass of 12.8g
    Here it is on an Eroica i used for precise hole spacing, it will have s/s hex cap head bolts. i have some spare plate left over and can mill it down if anyone else doing the Denon 103 thing wants one, or one of lesser mass, pm me.

    Hope you dont mind me posting a pic of your plate Neil.



    Regards, John.

  10. #420
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,487
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Looks great, John!

    There are a number of 103 users coming to the forthcoming Chester fest. I think some of them may be interested in your brass plates. I'll spread the word, mate

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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