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Thread: Bargains on ebay?

  1. #791
    Join Date: Jul 2009

    Location: Hampshire, UK

    Posts: 3,689
    I'm Adam.

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    Sorry to say I won't be at Whittlebury Hall this year - the upcoming two weeks were the only time the wife could easily take off for holiday and so we'll be in Naples. I'm sure I'll cope with the disappointment......

    I must admit that I'm not a particular Thorens fan and I have to say that I never really got on with the TD125 that I owned, but I do like the old TD150Mk2 and would like to hear a properly set up TD124, Also the TD224 autochanger has been top of my turntable wants list for longer than I can remember!

    I just thought the TD550 ticked every box I look for in a good turntable and it is beautifully built and styled, as you rightly say.
    Engineers: fixing problems you didn't know you had in ways you don't understand.

  2. #792
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,494
    I'm AudioAl'sArbiterForPISHANTO.

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    No worries, Adam - I'd settle for Naples, too!

    Hope you guys have a great time

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #793
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,494
    I'm AudioAl'sArbiterForPISHANTO.

    Smile

    More Bourdereau magic for Barry (notice the Shure SC35C cartridges being used for broadcast purposes at Radio France)....













    And a gorgeously industrial looking, tank-like, Shlumberger:





    Man, I just love stuff like that (it's serious trouser-tenting material!).....proper turntables - none of yer namby-pamby, flimsy, low-mass belt-drive shite!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #794
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    Quote Originally Posted by Beobloke View Post

    I must admit that I'm not a particular Thorens fan and I have to say that I never really got on with the TD125 that I owned, but I do like the old TD150Mk2 and would like to hear a properly set up TD124, Also the TD224 autochanger has been top of my turntable wants list for longer than I can remember!
    You know what I'm going to say - the TD125 wasn't set up right and neither did it probably have the correct mat on it.........

    The 125 is dependant on the tolerances in the main bearing, the suspension setup once the sponge is removed from the springs, the arm cable dressing (cable needs to be anchored before exit, a bit like the LP12) and the belt MUST be replaced regularly with the pukka article (they're readily available again). Do this and you'll end up with a pretty truthful sounding turntable, albeit without the meat-n-two-veg of the Garrards or possibly the stability of a decent 124, although I'm not too sure about this as the 125 bettered the 124 in every then conceivable way at the time and the 124's were selling for around £25 each on the used market... In fact, I seem to remember more being thought of the 301 back in the mid seventies.....
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  5. #795
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,705
    I'm openingabottleofwine.

    Default

    Quote Originally Posted by Marco View Post
    More Bourdereau magic for Barry (notice the Shure SC35C cartridges being used for broadcast purposes at Radio France)....













    And a gorgeously industrial looking, tank-like, Shlumberger:





    Man, I just love stuff like that (it's serious trouser-tenting material!).....proper turntables - none of yer namby-pamby, flimsy, low-mass belt-drive shite!!

    Marco.
    Whoar! Where did you find those photos Marco? I've seen the Shlumberger 212 elsewhere - I think on Stefano Pasini's own web site. The Boudereau turntables were built like a tank but had a poor reputation for rumble. What do you suppose the tube-like appendage attached to the arm rest is for?

    Man, I just love stuff like that (it's serious trouser-tenting material!).....
    Hmmm, maybe you shouldn't see my EMT 930. Not unless, that is, you bring Tabatha along to clean up afterwards!

    Regards
    Barry

  6. #796
    Join Date: May 2008

    Location: Bristol, UK

    Posts: 9,966
    I'm Nick.

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    I love them... fantastic industrial design... very Stellavox I think
    [SIZE="1"]Nick

    Follow AOS on Twitter: @AoS_Forum

  7. #797
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    isn't the tubular appendage for setting playing weight???? maybe i'm thinking of the wrong appendage

    I also love these decks where the record is definitely the servant of the player, if you know what I mean... I'm getting a bit fed up with wimpy decks where the LP itself dictates everything...........
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  8. #798
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,705
    I'm openingabottleofwine.

    Default

    Quote Originally Posted by DSJR View Post
    isn't the tubular appendage for setting playing weight???? maybe i'm thinking of the wrong appendage

    I also love these decks where the record is definitely the servant of the player, if you know what I mean... I'm getting a bit fed up with wimpy decks where the LP itself dictates everything...........
    Hi Dave,

    I'm referring to the arm rest - just to the left of the cuing light.

    Regards
    Barry

  9. #799
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,936
    I'm ChrisB.

    Default

    I thought it looked like a liquid coolant pipe.

  10. #800
    Join Date: Jan 2009

    Location: Essex

    Posts: 37,705
    I'm openingabottleofwine.

    Default

    I wonder if it is a pneumatic or hydraulic device to lock the arm safely in the arm rest?

    Come to think of it, how is the arm cued and where is the arm lift/lower mechanism?
    Barry

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