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Thread: LISTENING-what not to hear- OR THE BASE LINE

  1. #21
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,936
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Martin,

    I'm not so sure about this; to me the instant euphony of valve equipment (with a few exceptions) is an easy fix.
    Out of interest, would you say the TD copper amp that you heard in your system was one of those exceptions?

    Certainly in my system, there is none of the euphony of valves of which you speak (neither the copper amp nor my Croft preamp possess that quality), and indeed I definitely did not move from soild-state to valves to gain euphony - in fact, quite the opposite!

    I do very much agree with the rest of your post, though

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #22
    MartinT Guest

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    Quote Originally Posted by Marco View Post
    Out of interest, would you say the TD copper amp that you heard in your system was one of those exceptions?
    Yes I would and it was the Copper amp I was remembering when I said there were exceptions. That amp and my Chord were so surprisingly close in sound that it gave the lie to the technology being necessarily different. I guess it's just the implementation that mostly gives valves their euphonic nature. I'm thinking of my Leak Stereo 20 and Rogers Cadet amps as typical examples that will make any system sound good, glossing over issues that transistors might bring to the fore.

  3. #23
    Join Date: Aug 2010

    Location: Sacramento, California

    Posts: 226

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    Quote Originally Posted by MartinT View Post
    I guess it's just the implementation that mostly gives valves their euphonic nature.
    Bingo.

    se
    Q
    Keeping it simple since 1998

  4. #24
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,936
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Martin,

    Yes I would and it was the Copper amp I was remembering when I said there were exceptions. That amp and my Chord were so surprisingly close in sound that it gave the lie to the technology being necessarily different. I guess it's just the implementation that mostly gives valves their euphonic nature.
    Indeed, and also the type of valves used, and whether the amp in question is single-ended or push-pull.

    Anthony's KT88 P/P designs, with the right speakers, have all the drive and 'balls' of a solid-state 'muscle' amp (what's your Chord rated at again - 350W?), together with the texture and tonal colour of a good valve amp.

    As long as you use the right speakers, you can have the best of both worlds with a top-notch valve amp!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #25
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

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    As pointed out not all valve amps are euphonic in nature and when partnered correctly have balls, scale and speed
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  6. #26
    MartinT Guest

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    Quote Originally Posted by Marco View Post
    what's your Chord rated at again - 350W?
    Yes, 350Wpc into 8 ohms, 620Wpc into 4 ohms.

  7. #27
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,936
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol - madness... And yet strangely, the copper amp, rated at only 30W, sounded just as 'powerful'.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #28
    MartinT Guest

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    My Ushers don't really need that much power to go too loud to think. It's a trait of larger speakers to be more efficient and your Tannoys would be similar.

  9. #29
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,936
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Indeed

    Btw, on a different subject, I hooked up Paul's SR5 PSU today.... All I can say is 'Bloody Hell', this thing is awesome!

    I can't wait to hear it with your platter.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #30
    MartinT Guest

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    Agreed, I had Shuggie's SR5 running my Techie and it did sound good, unlike the SR3 where I couldn't hear a difference from the Timestep.

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