Thats better, good to hear it sounds right, i feel that cart may be a "prestige" they did them in various colours from black/blue/red/gold/silver.if it is its VTF is 1.5g so you are about right.
Thats better, good to hear it sounds right, i feel that cart may be a "prestige" they did them in various colours from black/blue/red/gold/silver.if it is its VTF is 1.5g so you are about right.
Regards, John.
John,
I don't think its a prestige, although visually it really doesn't look a lot different. The "prestige" has an all black cartridge body, my "prestige gold" on the other tt has a goldy covered "can" to it. But in general the colour, blue/green/gold etc, referes to a couple of tiny dots on the stylus assembly.
cheers
Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
Powered by Custom-HiFi-Cables DC2 psus
Lucky me I was given one for free!!!!!
Replaced the tonearm cable (damaged), sanded it (had seen better times...), painted it silver of course), and voilá!, fully working SL1200-MkII!
Vic
'I am Death, the destroyer of worlds...'
Dr. Robert Oppenheimer after the detonation of the first A-bomb
Hi Peter - I'm 99% sure the Grado you have there isn't a Prestige. They're all black (apart from the chrome/ali 'can' at the rear) for starters and have a slightly 'moulded/textured' side on the plastic front section of the cartridge body. Yours is an earlier one - I think it could be a G1 or G1+. A very good cartridge in its day - the range went from the cheap, and very lively FTE+ through the FCE+1, F3E+, F2+ F1+ to the G series. The FT & FC had grey bodies, the F3 and F1 had black.
I still have n FCE+1 and F2 sat in the drawer at home. My first ever 'proper' cartridge was an F3E+
I'll take a quick pic of the FCE to see how similar it is to yours - the later Grados have a slightly different mounting lug arrangement too which allowed very slight de-coupling from the headshell (they even come/came with a small plastic shim to allow this).
Last edited by Gromit; 17-07-2008 at 18:59.
Richard.
Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
Megabits: Bluesound Node 2i/TEAC UD-H01 dac
Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi
Finally got round to printing off the Vinyl Engine Baerwald protractor: http://www.vinylengine.com/cartridge...tractors.shtml as I noticed a bit of distortion on the inner tracks. Much better sound! Definitely a cleaner sound & the distortion has gone. Makes me feel a bit silly for not thinking about alignment sooner. On the other hand, I wouldn't get to enjoy the 'upgrade' otherwise![]()
I printed and laminated this in work the other day whilst the boss wasn't watching.
I notice a marked difference between what the Technics plastic overhang widget suggests, and what the protractor suggests...about 3mm all said. I've gone with the protractor! Can't say I notice much difference in end of side, but that may be to do with the conical stylus profile.
Nick.
I didn't have the Technics overhang widget :P My cartridge was flush at the end of the headshell, now it's 4mm forward. I notice a lot of difference during the end of the record, so must have not had it aligned correctly before. Oh, saw your advice RE the Heed Questar & will probably go for this myself with the Denon AU-300LC, so cheers, looks great & I do have to buy blind on this one!
Yes, the Heed is a cracking value for money unit, also have a butchers at this Denon head amp on ebay. Alternatively look into some valve phono amplification, I understand that the 103 loves toobs!
Nick.
The sonic cocktail of the 103's mellifluous midrange and organic sounding bass, and toobs, is a heady one!
No-one knows just how good this cartridge can sound until it's fitted to an appropriate (high mass) arm & headshell, on a high quality direct-drive T/T, loaded correctly including the optimum gain structure applied via a matched MC step-up tranny or head amp, and into the glowing bottles of an all-valve MM phono stage... Bliss! The sound is a million miles away from the thin sounding, sterile, overly analytical crap masquerading these days as 'hi-end' moving coil cartridges!
What on earth has happened to the tonality of modern moving coils?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.