I like your avatar Gary, I want one to put on the wall next to my deck![]()
I like your avatar Gary, I want one to put on the wall next to my deck![]()
I just dropped in, to see what condition my condition was in
T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
Speakers: KEF Reference 3, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables
T'other system:
Echo Dot, Arcam A75 integrated, Monitor Audio R852 MD speakers
A/V:
LG OLED65 G56LS, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL T9i sub.
KICKSTARTER: ENABLING SCAMMERS SINCE 2009
Well…. Yeah
Really enjoying CDs again,
CD transport into the May Dac is the way to go for me, don’t see another CD Player in my future.
Love what the Shanling ET3 does over i2s into the Dac, but there’s a lot of Networking/Streaming functionality on it I don’t use since I got a dedicated streamer?
I’m looking for a more focussed, upgradeable approach to playing CDs.
For example,
I’ve played around with its internal upsampling 16/44 to hires and even DSD, which is great, but it’s more “different” than better over the original disc?
With my Dac into NOS anyway…
Maximising 16/44 is the way.
Know there’s more to be heard from the silver discs so been thinking about next steps?
At this point I think I’m hitting incremental changes/diminishing returns so thinking outside the box, and not just chucking money at it.
i2s uses the transports internal clock to do the timing, unlike USB, so the best possible clock in the Transport is probably ideal?
The ET3 sounds great, but I don’t think it’s at the same level as my Dac.
So upgrading the CD Transport, to one with better linear power supply, better clocks and better, single purpose, servo/drive mechanism.
Better single tool for the job?
The ET3 has a load of networking/streaming ability built in, which I dont use now I have the Eversolo T8 streamer.
So a case of streamlining and upgrading what CD playback kit I have, a more exact tool for the job, and future proofing too.
The new CD Transport has a master clock input, so will look into that at a future date.
i2s into the Dac, remember?
Being delivered Friday,
thinking To take a day off work!
Also doing some Turntable isolation tweaks, picked up some Stack Audio isolation footers to replace TT feet and some other TT stuff too.
Got a set for under the new CD Transport too.
Update thread when it lands Friday
Last edited by Gazjam; 06-08-2026 at 05:52.
Ok with not having it on Betamax nowadays
All sound very interesting Gaz, awaiting developments.
I love Hendrix for so many reasons. He was so much more than just a blues guitarist - he played damn well any kind of guitar he wanted. In fact I'm not sure if he even played the guitar - he played music. - Stevie Ray Vaughan
Tried the Stack Audio Aura EQ footers under my Eversolo T8 streamer earlier.
They replaced a set of Isoacoustics pucks on top of a Soundamped Steel plate.
Bought 2 sets, based on different weight requirements,
Level 1 for the new CD Transport
Level 2 to replace the stock feet on the Project X8 turntable.
Read good things about them,
took a punt based on 60 day return window.
Was listening to YouTube via the Streamer’s Airplay function, so no major audiophile stuff, but it does sound blooming great.
Took a daft turn and put the Auvas under the Streamer.
Without exaggeration these are the best at what they do by a LOT.
Put my money where my mouth is and ordered sets for under all my gear, within ten minutes of hearing them.
Been many years since I’ve heard such a difference comparing gear, but they made THAT amount of improvement.
Not about making your gear sound better, but taking away the stuff that’s making it sound worse.
And these are the best I’ve heard at that by far.
Weekend job to replace the stock feet under the turntable with them, now really looking forward to that.
Hugely recommended.
Last edited by Gazjam; 07-08-2026 at 12:03.
Ok with not having it on Betamax nowadays
Hi Gaz,
Remember me?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Great to see you back Guv’nor.
Place was different without you here.
Hope all’s well mate.
Ok with not having it on Betamax nowadays
Well…
despite the image hosting site I used after Imgur being back up and running, it being down has broken the link on the forum here, so my system pics are gone.
Bit of a bummer,
this thread I used as a visual diary on my system and any changes to it.
Annoying,
but “ah well’
![]()
Ok with not having it on Betamax nowadays
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I just dropped in, to see what condition my condition was in
T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
Speakers: KEF Reference 3, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables
T'other system:
Echo Dot, Arcam A75 integrated, Monitor Audio R852 MD speakers
A/V:
LG OLED65 G56LS, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL T9i sub.
KICKSTARTER: ENABLING SCAMMERS SINCE 2009