David Bowie – Scary Monsters
Label: Parlophone – DB 77828, Parlophone – 0190295842611
Format: Vinyl, LP, Album, Reissue, Remastered, Stereo, 180 gram
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David Bowie – Scary Monsters
Label: Parlophone – DB 77828, Parlophone – 0190295842611
Format: Vinyl, LP, Album, Reissue, Remastered, Stereo, 180 gram
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Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.
Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner
Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive
Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp
Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones
Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links
I think I am nearing audio nirvana, but don’t tell anyone.
Good one Adrian - one of Bowie's better ones.
Barry
the noise is actually traffic outside the church it was recorded in, it comes and goes but most prominent at the beginning. If I recall correctly it was recorded on a 2 track tape machine using one omnidirectional mic which the band all positioned themselves around it and a mic for the vocalist, I think it took them one day to try different set ups until they felt it was as good as they would get, and the next day just laid the tracks down live.
Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.
Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner
Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive
Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp
Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones
Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links
I think I am nearing audio nirvana, but don’t tell anyone.
St Germain – Tourist
Label: Parlophone – 5099963622010
Format: 2 x Vinyl, 12", Album, Reissue, Remastered, 180gram, Gatefold
![]()
Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.
Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner
Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive
Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp
Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones
Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links
I think I am nearing audio nirvana, but don’t tell anyone.
An alternative source, and one that I subscribe to, is that the background noise is the church's air conditioning system. It is too even and constant to be traffic noise, and if you listen carefully you can hear the 'squeak' of the fan bearings.
But you are right - The Trinity Sessions was recorded using a Calrec Soundfield microphone set to the Blumlein 'crossed figure of 8' configuration.
Last edited by Barry; 14-12-2023 at 18:51. Reason: Addition
Barry
It isn't necessarily about doing things right, its also about doing the right thing !!!
ITS A LONG WAY TO THE TOP........................ WHEN YA WANNA ROCK N ROLL !!!
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I just dropped in, to see what condition my condition was in
T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
Speakers: KEF Reference 3, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables
T'other system:
Echo Dot, Arcam A75 integrated, Monitor Audio R852 MD speakers
A/V:
LG OLED65 G56LS, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL T9i sub.
KICKSTARTER: ENABLING SCAMMERS SINCE 2009