Looking good, Steve! I like what he's done with the dip switches - that makes a lot of sense, as does this:

Some will say, why not just mount the dip switches externally? but James insists that there are sonic benefits to keeping the dip switches internally on the circuit board.
Of course it does, as it keeps the signal path shorter

However, if you really want to shorten the signal path big time (and improve the sound even further) I'd be tempted to get James to optimise the phono stage for your Orpheus and hard-wire the circuit in that position, thus doing away with the dip switches altogether. Trust me, that'll be even better!

It depends on how many different cartridges you're likely to use. Do have any cartridges other than the Orpheus, and crucially, will you likely be arsed fitting them at any point instead?

If not, I'd be tempted to get James to hard-wire the circuit in the optimised position for the Orpheus. I've heard the effect of this before, Steve, and it's not subtle.

Anyway, that's something to consider for later. At the moment, enjoy yer choons!

Marco.