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Thread: Calling all SL-1200/1210 owners!

  1. #311
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

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    Hmmm... I rather like the look of those things.

    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  2. #312
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,487
    I'm AudioAl'sArbiterForPISHANTO.

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    Nice one, Rich. I hope it works out well for ya

    Have you had a chance to play around with the Sumiko and Zu yet? I'll probably need the Zu back soon to use with another cartridge I'm trying (and the leads too if you don't want them) so let me know the score

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  3. #313
    Join Date: Jan 2008

    Location: Mid Lincs

    Posts: 1,445
    I'm Buffet-blower.

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    Quote Originally Posted by Marco View Post
    Nice one, Rich. I hope it works out well for ya

    Have you had a chance to play around with the Sumiko and Zu yet? I'll probably need the Zu back soon to use with another cartridge I'm trying (and the leads too if you don't want them) so let me know the score

    Marco.
    Hi Marco - funnily enough I've spent the morning comparing the 2 headshells and also swapping the cables around. Between the headshells there's absolutely no difference that I can detect - I even weighed them on a jeweller's scale on which they weighed exactly the same (12.7g with the Cardas leads).

    The leads are very close - the Cardas is perhaps slightly more brightly lit with the Sumiko (litz) leads being a tad more forceful.

    A useful exercise and one which makes one realise the benefit of headshell/lead changing on these sorts of turntable/tonearms.

    I can't use the AT headshells unfortunately as the Dorian has its own threaded body.
    Richard.

    Round & round bits: LP12/Cirkus/Kore/Herc II/Roksan Nima/Hana EL
    Megabits: Bluesound Node 2i/TEAC UD-H01 dac
    Making it louder bits: Phonostage: Dynavector P75 Amp: Cyrus 8vs/PSX-R Speakers: Royd Sintra II
    Connecting it together bits i/c's: Flashback Premier. Speaker cables: Van Damme Hifi

  4. #314
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,487
    I'm AudioAl'sArbiterForPISHANTO.

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    I didn't think there would be much, if any, difference between the headshells. The only reason I went for the Zu was because I didn't like the fact that the fingerlift on the Sumiko (a completely detached affair) was in a different finish to the headshell itself (purely a visual thing) and I felt the metal alloy construction on the Zu appeared to be finished to a higher standard (it seemed more nicely polished). That's the way it looked anyway on the respective websites!

    Regarding cartridge leads, try going back to the standard ones on the Technics headshell and see what happens... So, yes, you're right it is a useful exercise in comparing the effect of different leads. It also gives you an idea of what to expect when the arm is fully rewired with decent cable.

    This will apply to the arm in the Pioneer as well as the one on the SL-1210. I still feel that the 1210 has the more potential, especially once the separate PSU has been added. I'd lay a bet that a fully KAB modified 1210 would outperform the Pioneer, Audioorigami rewire or not! Perhaps we could have a shoot-out of both decks when you've finished your fettling?

    If you no longer need the headshells, leads and counterweight balance pop them back to me in the post. What are you doing about mats, btw?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  5. #315
    Join Date: Jun 2008

    Posts: 16

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    My brass counterweight arrived from John this morning which I will try today. I also got a second technics headshell for fiver off the bay. It came with a freebie cartridge body attached - an ortofon OM series, anyone know if it's worth getting one of the better styii for this?

  6. #316
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,487
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Yes, if you want to become a DJ; no if you don't

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #317
    Join Date: Apr 2008

    Location: Warrington

    Posts: 3,438
    I'm Neil.

    Default

    Look what the postman brought me this morning



    John is a gent & pleasure to do business with. Plus, I am enjoying much better sound. :smoke:

  8. #318
    Join Date: Jun 2008

    Location: Paris, France

    Posts: 790
    I'm Peter.

    Default

    Quote Originally Posted by Yomanze View Post
    Look what the postman brought me this morning
    John is a gent & pleasure to do business with. Plus, I am enjoying much better sound. :smoke:
    And he only sent it out yesterday! I know, mines on the way, with a bit of luck I'll get it in less than two weeks
    Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
    Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
    Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
    Powered by Custom-HiFi-Cables DC2 psus

  9. #319
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,487
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Nice one, Yom!

    The brass counterweight balances make quite a difference, particularly when you're using a 103. What improvements have you noticed?

    Yes John is a great guy. Hasn't posted here for a while, though... Is his health ok do you know? Last time we spoke he wasn't very well.

    The Sumiko you've got looks a bit different from the ones I've seen shown here:

    http://www.needledoctor.com/Sumiko-HS12-Headshell?sc=9

    Does it still have the separate stainless steel finger lift?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #320
    Join Date: Apr 2008

    Location: Warrington

    Posts: 3,438
    I'm Neil.

    Default

    I haven't noticed a lift, but don't need it :P The logo is different on my headshell as Sumiko has re-branded, mine looks identical to the one if the pic apart from that. The most immediately noticable changes to the sound is it sounds more "solid" and tangible. Decay on instruments more pronounced & vocals sound great. Will have a proper listen though before I say more!

    John seemed fine health-wise, he has just knocked out three sets of counterweights hehe.
    Last edited by Yomanze; 04-07-2008 at 12:17.

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