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Thread: Headshell 'rolling' with the SL-1210

  1. #11
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,486
    I'm AudioAl'sArbiterForPISHANTO.

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    LOL. What are you like?

    Hopefully you're now ready for full on

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #12
    Join Date: Jun 2008

    Location: Paris, France

    Posts: 790
    I'm Peter.

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    Quote Originally Posted by Marco View Post

    Hopefully you're now ready for full on

    Marco.
    Tell you what, tho, with an SL1210, and thus vinyl as primary source, that CD is becoming a secondary source and likely to be superceeded by streaming audio of some kind. Mind you the CD player does sound good at ours, it's just that it doesn't have the same finesse. It has the bones and the scale but just falls short in the darker corners of music. Evelyne doesn't like using the TT, either.

    The Sumiko headshell is audibly clearer in the treble than the stock Technics shell. It doesn't change the fundementals and it's certainly not a night and day difference. It cost me £34 with postage.

    Value for money ? Probably.

    Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
    Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
    Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
    Powered by Custom-HiFi-Cables DC2 psus

  3. #13
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,486
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    You should definitely look into streaming audio as it has the potential (with a good DAC) to retire your CDX/XPS in the same way as the 1210 retired your Garrard

    Regarding your 1210, once you get the KAB mods done it will become a different beast and the game will be raised even further between CD and vinyl. The CDX/XPS is great (I had this combo for a while before getting a CDS2) but your 1210 and a decent music server/computer set-up will elevate your music listening pleasure into a different league.

    The Sumiko is a good headshell so it should be an upgrade from the stock Technics one, but you will get a much bigger improvement from the Cardas headshell leads, and certainly the rewiring of the arm, PSU, etc - all those are fundamental to the deck's performance.

    If you're bored sometime try stopping the platter from spinning with your finger and feel just how much torque there is present in the 1210's motor (if you've got longer fingernails you might lose one, though!) and then think how those sheer levels of torque slap speed stability into line, and how that might impact on the deck's handling of music...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #14
    Join Date: Jun 2008

    Location: Paris, France

    Posts: 790
    I'm Peter.

    Default

    Quote Originally Posted by Marco View Post
    You should definitely look into streaming audio as it has the potential (with a good DAC) to retire your CDX/XPS in the same way as the 1210 retired your Garrard
    Une chose à la fois. It would take a certain amount of negociation. I use an iPod in the car with ALAC files. In that environnement it's more than adequate. (I also installed some focal speakers, that have me itching to try the uppermarket Focals at home). We sometimes use the iPod for background on the main rig. What I would like to be able to do is get a macBook to access the iTunes library on the main computer. But, contradiction, I also want things to be simple. . . . That's why I bought Naim

    So, taking up your remarks in another thread, an integrated amp would be a big step in that direction. However, that would cause a scandal at home because I bought a new 282 in january, I know that wouldn't go down well at all.

    I guess the thing to do would be to get the audio streaming one step at a time, starting with an airport express, maybe.
    Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
    Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
    Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
    Powered by Custom-HiFi-Cables DC2 psus

  5. #15
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

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    Just think how much that new 282 (very nice that it is) is worth...

  6. #16
    Join Date: Jun 2008

    Location: Paris, France

    Posts: 790
    I'm Peter.

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    Quote Originally Posted by Steve Toy View Post
    Just think how much that new 282 (very nice that it is) is worth...
    That's true Steve it's worth north of £2k, I think. I bought mine from a dealer in Versailles which was more than UK retail, but in my eyes the guideline prices are what you can get in the UK. Selling it now would cause more trouble than it's worth. Someone I know would ! I may have been "unwise" to buy at full retail, but I wanted the demo in a controlled context, with CDM1Ses, and it was here or nowhere.

    In anycase, and this is something I feel I have to come to terms with, ultimately you have to be satisfied somewhere. I think that my system is musically satisfying, brought home to me by a subsequent demo involving CDS3/555PS & Supercap options, and also in comparison with an audiobuddy's CDS3/555PS/552/300 based system. In a Naim context I'd have to spend way too much money to get any improvement that is, arguably, musically better.

    That might be the reason people are prepared to spend silly money on Nait 1's and 2's.

    I think you'd argue that you get more enjoyment from your bottles, but apart from the curiosity I've getting new gear into the system, I'm also tired of changing it too. (I feel like I have 2 heads ) .
    Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
    Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
    Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
    Powered by Custom-HiFi-Cables DC2 psus

  7. #17
    Join Date: Sep 2008

    Location: San Diego, CA

    Posts: 251
    I'm Dave.

    Default

    I ran across this headshell a number a months back:

    http://www2.117.ne.jp/~y-s/head-shel...S-1As-eng.html

    It looks interesting but probably not the ideal amount of mass for the Denon 103.

  8. #18
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,486
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    It's a nice headshell that, Dave; I've seen it before. Like you say though, not for a 103 unless it was mass-loaded somehow

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #19
    Join Date: Jun 2008

    Location: Paris, France

    Posts: 790
    I'm Peter.

    Default

    When I'm further along with my SL1210 I might try one of these with an AT440 or AT150.
    Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
    Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
    Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
    Powered by Custom-HiFi-Cables DC2 psus

  10. #20
    Join Date: Sep 2008

    Location: San Diego, CA

    Posts: 251
    I'm Dave.

    Default

    http://www.oswaldsmillaudio.com/prod...eadshells.html

    These headshells look interesting too.

    That entire website is pretty interesting.
    Last edited by dmckean; 22-10-2008 at 03:38.

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