True.Originally Posted by Macca
Moderator & Terminator!
Location: N E Kent
Posts: 51,600
I'm Geoff.
True.
It is impossible for anything digital to sound analogue, because it isn't analogue!
Audio Engineer; Moderator
Location: South Wales
Posts: 9,148
I'm NotTakingLifeTooSeriouslyTheseDays.
Everything changed from 1989 on, up until then, there was still a lot of good music, and talented musicians around!
All IMO
"Today scientists have substituted mathematics for experiments, and they wander off through equation after equation, and eventually build a structure which has no relation to reality"
Nikola Tesla
Its now a conspiracy theory to believe that the Immune system is capable of doing the job it was designed to do.
A fish is only as healthy as the water its swimming in ! [Dr Robert Young]
www.tubedistinctions.co.uk
Matthew 5:10
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,460
I'm AudioAl'sArbiterForPISHANTO.
Lol - no, enlighten me?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Trade: Magazine Journalist
Location: Hampshire, UK
Posts: 3,687
I'm Adam.
Nooo! The eighties was the best generation for music IMHO (and no, I’m not talking about the chart rubbish).What a horrible thought!
Everything that started going wrong in the seventies, evolved and was perpetuated through the eighties. The awful clothes, crappy music, gross materialism, you name it!
Also, what’s not to love about a Lamborghini Countach or a Ferrari Testarossa, or a big fat mobile phone, or a Filofax or one of those new-fangled “Compact Disc” players?
And as far as fashion goes, the sight of a 1980s power-dressed business woman still reduces me to a dribbling, gibbering idiot.
I may possibly be over-sharing here...
Engineers: fixing problems you didn't know you had in ways you don't understand.
Senior Member
Location: HAMPSTEAD
Posts: 1,155
I'm brian.
Not to mention the sexist ad s in hi fi mags lol
Drunken Administrator
Location: Staffordshire, England
Posts: 43,320
I'm Martin.
I'll end up buying a proper tape deck.Lol - no, enlighten me?
Marco.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,460
I'm AudioAl'sArbiterForPISHANTO.
And that would be a bad thing, why?
Anyway, I collected it today, and it sounded mighty fine in the engineer's test system. Interesting too, to see his 'lab' and how he goes about his business, which was fascinating - a real perfectionist!
TBH, now that he's 'breathed on it', as it were, it's simply made it into a more desirable thing and added to the overall pride of ownership
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Drunken Administrator
Location: Staffordshire, England
Posts: 43,320
I'm Martin.
It's a temptation I've been trying to avoid for a long time, made easier as I don't have any tapes to play on one.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,460
I'm AudioAl'sArbiterForPISHANTO.
Lol - that would be easily enough sorted
Hey, if would be blast making up some mad compilations for each other - swapping tapes, just like old times
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Drunken Administrator
Location: Staffordshire, England
Posts: 43,320
I'm Martin.
lol stop it, you got me looking at tape decks now.
Always fancied a Technics RS-BX707 https://www.cassettedeck.org/technics/rs-bx707/ they seem to be a reasonable price, must be still under the radar.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
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