Yes same one.
Drunken Administrator
Location: Staffordshire, England
Posts: 43,365
I'm Martin.
Yes same one.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Fount Master & Administrator
Location: Essex
Posts: 37,760
I'm openingabottleofwine.
What do you use for a DAC?
(Sorry if I have not been paying attention - you have probably said what it was.)
Barry
Drunken Administrator
Location: Staffordshire, England
Posts: 43,365
I'm Martin.
Soncoz SGD1 https://www.audiosciencereview.com/f...-review.10295/Originally Posted by Barry
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Fount Master & Administrator
Location: Essex
Posts: 37,760
I'm openingabottleofwine.
Cheers Martin.
Barry
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,540
I'm AudioAl'sArbiterForPISHANTO.
What chips does it use, mate? Just curious... Anyway, who'd have thunk it; the Marty-boy using a dedicated CD transport and DAC, instead of a 'perfectly adequate' integrated CDP?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Senior Member
Location: Glasgowshire
Posts: 10,639
I'm Gary.
The Audiolab is very, very good Guys.
A precision tool for the job, steps up even with a far more expensive Dac.
Anyone looking for a CD transport should seriously look at one of these, even if your budget is many times higher than the £379 it costs.
Like Martins comparison, it bettered my Oppo as well, and that’s been taken very far from stock.
Solid build, some heft to it too.
not much going on inside which is interesting?
Last edited by Gazjam; 22-11-2020 at 13:30.
Letting go and relaxing
is the most ‘in control’ thing you can do
Drunken Administrator
Location: Staffordshire, England
Posts: 43,365
I'm Martin.
uses Sabre ESS9038Q2M, one per channel.What chips does it use, mate? Just curious... Anyway, who'd have thunk it; the Marty-boy using a dedicated CD transport and DAC, instead of a 'perfectly adequate' integrated CDP?
Marco.
All my perfectly adequate CD players are broken, that's what has forced me down this route. But it is giving very good results.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,540
I'm AudioAl'sArbiterForPISHANTO.
Lol... Yeah, I know. However, a) I know it would, and b) that combination is now likely to seriously compete with your 'adequate' standalone players when they're fixed!
In the meantime, enjoy!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,540
I'm AudioAl'sArbiterForPISHANTO.
Indeed... Looks like a whole load of potential modding fun there, though!The Audiolab is very, very good Guys.
A precision tool for the job, steps up even with a far more expensive Dac.
Anyone looking for a CD transport should seriously look at one of these, even if your budget is many times higher than the £379 it costs.
Like Martins comparison, it bettered my Oppo as well, and that’s been taken very far from stock.
Solid build,
not much going on inside which is interesting?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Site Owner/Administrator
Location: Wrexham, North Wales, UK
Posts: 110,540
I'm AudioAl'sArbiterForPISHANTO.
Oh, and Martin, when you get the chance I'd be curious if you can hear any difference between the optical and coaxial outputs on the Audiolab (using their respective 'leads'), so please report back on that when you've assessed it
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
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