Peter Walker is pretty well known for saying that the 303 amplifier was not listened to before being put into production. He didn't see the need to 'voice' it. Although I grant you that's an isolated example.
Peter Walker is pretty well known for saying that the 303 amplifier was not listened to before being put into production. He didn't see the need to 'voice' it. Although I grant you that's an isolated example.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.
Location: limerick
Posts: 223
I'm charles.
Hi Marco,
Thanks for taking the time to provide that very informative info on the resistors. It does not surprise me, it only encourages me.
Everything in this game matters. The best fuse is no fuse. The best connector is no connector. On the amp I recently built and am using now, I brought the speaker wires outside the amp to a large pair of binding posts. These posts serve only to act as a clamp and are not in the signal path as such. They are cheap 8mm gold plated brass which should be avoided but in this case play no part in ruining the sound as even the most expensive will do, though to a lesser extent. The difference was heard as an increase in detail and spaciousness that a lowering of the noise floor brings. I would not like to attach a % improvement to it as many do as to me its a vague and nebulous quantity but the inexpensive mod was unmistakably audible and worth the time it took.
I have read many of Jeff Day's reviews including the one you linked to. It was his effusive report on the Duelund oil impregnated cotton covered DCA16GA wire that finally convinced me to try it. I was not expecting to hear what I did. At about $8/m it's amazingly good.
A friend I helped with a Tannoy XO insisted on Jupiter caps 100V series for the 6.8 uf and Mundorf MCap silver/Oil and Mills resistors. The inductors were unchanged. This combo sounded simply gorgeous and when I rebuild my XO's (again) I am tempted to use the same but replace the Mills resistors with Duelunds.
I see that the prices of the Duelund RS Speaker Film Capacitors - 100VAC are close to the Jupiters. So Marco, how would you like to try both so we can pick a winner
The pics show the back end of an ancient GAS Son of Ampzilla from the 70's that now is home to modules from Neurochrome and connected to unterminated DCA12GA. This mod is obviously not for owners of beautiful new kit but could be considered for older units or DIY builds.
Measurements can't display what I'm hearing
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
No, but some people obsess too much over measurements and treat them as a 'be all and end all', which I believe is a big mistake. For me, it's no 'happy accident' that the best equipment (or speakers) I've ever heard has all been, not only bespoke built to the highest standard but, let's call it, 'bespoke voiced'...
Quite simply, measurements only take you so far when building a piece of audio equipment (or speakers), *if* when it's ready for sale, you want it to represent something that's more than merely 'adequate'.
The real deal, therefore, is done when it leaves the test bench and is listened to by a pair of experienced ears and fine-tuned to excel at accurately reproducing recorded music, not simply conforming to test signal parameters. The two are quite different. That's why certain equipment is considered by listeners as sounding 'more musical' to their ears than others, as it's very true and also no accident.
It's not that the equipment in question possesses some 'magical power' to achieve such, but rather that, during the listening process, the designer will have succeeded in fine-tuning the circuit (subtly altering the value of certain components, adding new ones, removing others and shortening the signal path, or whatever) to sound 'right', to his or her ears, using recorded MUSIC as the arbiter, the subsequent effect of which on what's heard from the recording, and therefore ultimately on how the equipment performs/sounds, is unlikely to be measurable.
The fact is, after those adjustments have been made, equipment can still test the same [and frequently does], using the same electrical parameters as before, on the same test equipment, but SOUND different!
And that's genuine evidence for how we can successfully hear things in audio, which currently we are unable to measure. The word "currently", however, is key. That will change when, in that respect, we know *exactly* WHAT to measure and HOW to measure it.
Who knows? Neither of us were there, but you might be surprised.I do not believe for one moment that either my ATC SCA2 and SPA2, or my friend's Benchmark amps and DAC were not listened to by the manufacturers before release. To my ears all are superb, as well as measuring very well.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Charles, that's really interesting! I'll reply later
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Location: Goa, India
Posts: 143
I'm Denzil.
Though this might be of interest to you Marco.
https://www.tannoyista.com/2020/05/m...story.html?m=1
https://www.instagram.com/elsewheregoa
Location: Seaford UK
Posts: 1,861
I'm Dennis.
"Who knows? Neither of us were there, but you might be surprised."
I'd put a lot of money on them having listened extensively, and with trained ears.
Yes, you'd like to think so
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Location: Goa, India
Posts: 143
I'm Denzil.