That looks fantastic...!!!
Location: East Riding of Yorkshire these days
Posts: 4,775
I'm Shaun.
That looks fantastic...!!!
Cheers shaun!
Hugo, it actually looks straighter in real life to ... I'm happy to stick with this one I think!
Il perhaps buy one if one comes up second hand at some point
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
I think it looks fabulous Hamish' well done and what a superb record player you have there now ! i would like to know more about what you think of the OC9 , once its run in
![]()
Chris
We've gone on holiday by mistake !
I think it looks great. Id love to do a piano black on my deck, like the mk5
this ones a oc9 iii ... i previously had the oc9 that broke... this was an insurance replacemnt... i dont have much experience of carts to comment, but i think it sounds lovely
im most pleased with it all, cant see me doing anything to it for a while now i have to say..
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
I will answer you as others on here have "selective reading" abilities.
Some earlier Technics tables have the same or similar motor and platter.
You can also get an abused table with a good motor and do the same as they do.
I saw someone taking just a motor from one and building out of layers of plywood a whole new base.
You could just start with a motor and and speed controller and build a whole new deck like you said.
I had a SL1200 Mk2 and decided not to spend a fortune upgrading it and bought a very nice and slightly used table for half price (500 pound) and a quarter of what it would have cost me on upgrades for the Technics alone.
It would be interesting if someone came up with a better motor, then it wouldn't be a Technics at all.
Phillip.
Records... the Vinyl Frontier. These are the voyages of the turntable Perspective. Its five-year mission: to explore strange new records, to seek out new artists and new sounds, to boldly go where no hyper elliptical diamond stylus has gone before!
Polk Audio SDA 1C + Yamaha C4 / M2 + Custom Made DIY Phono Stage + Pro-Ject Perspective + Pro-Ject Speed Box II + Benz Micro Ace = Magic.
Location: Suffolk, UK
Posts: 1,468
I'm Paul.
Hi Hamish,
Blue is nice but you could have gone for this (attached)! Bling!!
Really , though, it looks quite good and colourful TT's always look more interesting. I think that people can be a little boring with there hifi me included. I used to have a bright red Pro-ject deck which looked much more interesting than what I have now.
~Paul~
{Cough}... What's that supposed to mean, Phillip?I will answer you as others on here have "selective reading" abilities.
Hi Hamish,
I've actually analysed the effect of this separately when I had the plate you're using swapped for one of the ones Dave has specially made in Germany, and trust me it makes a difference, sonically.What else advantages are there of the newer plate?
I think the custom-made plates provide a more rigid fixing of the arm-base to the chassis, and this reduces resonance (and also I've found) acoustic feedback, the positive effects of which can easily be heard when playing music.
It's not a massive improvement, but certainly easily noticeable in a revealing system, and well worth having. I'm sure you could get a new plate fitted sometime later on - at the moment I would just enjoy what you have, which you seem to be doing rather well
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Hamish,
Nice job, I suspect that the pictures don't do it justice. I'd like a top like that in metallic black!
BTW, What's the PSU that you are using, and was it easy to fit the bearing ?
Thanks
Intel NUC/Chevron Audio NDF16 dac/Amptastic Mini-1/Audium Comp 5
Mains Block: Custom-HiFi-Cables PowerBlack Distribution Block (with super conditioner).
Connected with Reference Fidelity Components Super Neptunes and Speaker Cables.
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