Totally agree, Tony. Jerry, no worries, let us know what you think
Marco.
Totally agree, Tony. Jerry, no worries, let us know what you think
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Richard Strauss, Michel Schwalbé, Berliner Philharmoniker · Herbert von Karajan – Also Sprach Zarathustra
Label: Deutsche Grammophon – 2530 402
Format: Vinyl, LP, Stereo
Country: Germany
Released: 1974
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Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.
Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner
Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive
Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp
Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones
Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links
I think I am nearing audio nirvana, but don’t tell anyone.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: gone
Posts: 11,510
I'm gone.
too much music, too little time
I'll get onto it.
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Not at all a bad lineup of players ...
... Martha Argerich, Kissin, Levine, Pletnev play Bach Concerto For 4 Pianos Bwv 1065 Verbier, July 22 2002
with the Birthday Festival Orchestra
Violin: Renaud Capouçon Sarah Chang, Ilya Gringolts, Gidon Kremer, Vadim Repin, Dimitry Sihcovetsky, Christian Tetzlaff, Nikolaj Znaider
Viola: Yuri Bashmet, Noboko Imai
Cello: Mischa Maisky, Boris Pergamenschikow,
Contrabass: Patrick de los Santos
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Location: gone
Posts: 11,510
I'm gone.
https://open.spotify.com/album/2NAmV...QPi0JAUeCvzk7g
Yup, nice one. Accessible but modern, a good listen.
Interesting that a Lancashire Lad has been taken on by BIS, a Scandinavian recording label.
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Location: gone
Posts: 11,510
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Following a tour of Australia recently I've been following Kazakhstan pianist Oxana Shevchenko, quality player, and does hilarious online travel documentaries of the centres she's playing on tour. Just viewing her latest posted performances online now.
Without music, powerboat racing, photography and a whole stack of other stuff that floats my boat, life is just a non stop procession of deadlines and bills.
Location: gone
Posts: 11,510
I'm gone.
Thanks for the tip, I shall have a listen.
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This is fun and enjoyable
https://open.spotify.com/album/1GPUM...QAWuO1BOCggJ1A
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Posts: 11,510
I'm gone.
Oxana Shevchenko
This is good, fine pianism.
There are quite a few full works on YouTube as well.
https://open.spotify.com/album/6bYwN...SlSVEd7BAi-uJw
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Location: gone
Posts: 11,510
I'm gone.
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