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Thread: VTAF for Jelco SA-750D on SL-1210

  1. #11
    Join Date: Jan 2009

    Location: Norwich

    Posts: 2,810
    I'm Hugo.

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    Quote Originally Posted by Dave Cawley View Post

    .......... Shuggie has never been overly happy with his 750, but he seems to be the only one using a 2M black?

    Regards

    Dave
    Please don't make statements like that on my behalf. The 2M Black does work very nicely with the 750, thank you; however I have found that the correct vertical alignment of the arm pillar and the tightness of the grub screw are critical to getting good results.

  2. #12
    Join Date: Nov 2008

    Location: Dartmouth in beautiful Devon UK

    Posts: 1,243

    Lightbulb

    Hi Shuggie, it was only an observation based on what you have said over the last few months. No offence meant at all!

    Dave

  3. #13
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Dave,

    Yup, however having heard Shuggie's Ortofon 2M Black on his deck in my system, I can say quite categorically that it works perfectly well on the SA-750.

    I don't like it as much as I do my DL-103SA (as of course you'd expect) but it certainly plays music rather nicely indeed

    However, the jury is still out for me on the efficacy of the Riggle VTAF, primarily due to what Blake wrote earlier:

    The Riggle also "decouples" the arm from the rest of the table and this is an area in which some disagreement surfaces on what it, in fact, does to the sound.
    I'm not sure if that's going to be a good thing, however no doubt Shuggs will inform us whether or not it is in due course, and if he likes it, I'm sure that I'll get a listen myself in due course

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #14
    Join Date: Jan 2009

    Location: Norwich

    Posts: 2,810
    I'm Hugo.

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    Quote Originally Posted by Dave Cawley View Post
    Hi Shuggie, it was only an observation based on what you have said over the last few months. No offence meant at all!

    Dave
    Thanks - perhaps I pounced onto the keyboard rather too readily, and I apologise for that!

    Quote Originally Posted by Marco
    However, the jury is still out for me on the efficacy of the Riggle VTAF, primarily due to what Blake wrote earlier:

    The Riggle also "decouples" the arm from the rest of the table and this is an area in which some disagreement surfaces on what it, in fact, does to the sound.
    I'm not sure if that's going to be a good thing, however no doubt Shuggs will inform us whether or not it is in due course, and if he likes it, I'm sure that I'll get a listen myself in due course

    Marco.
    I do hope that it is a Good Thing! But, we shall see (or rather, hear). One key feature with the VTAF is that it will be very easy to swap arms between the Technics and the old Kenwood, which I must get up and running again as Marco did express an interest in hearing it.

  5. #15
    Join Date: Nov 2008

    Location: Dartmouth in beautiful Devon UK

    Posts: 1,243

    Wink

    I share the views of Avid, SME, Clearaudio and others. And that is why I stick my neck out and modified the Gyrodec to be perfectly hard without a trace of decoupling!

    Regards

    Dave

  6. #16
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    One key feature with the VTAF is that it will be very easy to swap arms between the Technics and the old Kenwood, which I must get up and running again as Marco did express an interest in hearing it.
    Indeed. I would love to hear the Kenwood in its various 'guises', so we'll need to do it sometime

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #17
    Join Date: Jan 2009

    Location: Norwich

    Posts: 2,810
    I'm Hugo.

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    The US postal service is obviously on the ball, as the VTAF arrived this afternoon. So, an evening on my knees in front of the rack is in order
    Last edited by Ammonite Audio; 04-03-2010 at 14:58. Reason: Spelling

  8. #18
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Oooh... We can't wait to hear the verdict!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #19
    Join Date: Jan 2009

    Location: Norwich

    Posts: 2,810
    I'm Hugo.

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    I'm sorry Marco, you'll have to wait a bit for the verdict! There is a bit of an "Arthur Scargill"* in that the VTAF adjuster wheel is too big, and fouls the Jelco's lift/lower device. I've sent photos to Pete Riggle, and I'm sure he'll sort something out. I did set it up without the lift/lower device, and the sound is notably full in the lower registers, but that's as far as I can comment at this point. Anyway, here are a few phots:

    The VTAF bushing in the custom armboard, showing the vertical guides that stop the arm from rotating:



    The Jelco/VTAF on the deck, minus the lift/lower device:



    I'm sure it will all come good eventually!



    * Minor problem.
    Last edited by Ammonite Audio; 04-03-2010 at 20:32. Reason: Punctuation

  10. #20
    Join Date: Jan 2009

    Location: Norwich

    Posts: 2,810
    I'm Hugo.

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    I'm pleased to report that Pete Riggle has already replied to me, and is making up a smaller adjuster wheel. That's good, reassuring service. Having replaced the other armboard with the Jelco mounting collar onto the Technics, I sense that the deck is sounding less 'free' than with the VTAF; indeed it sounds relatively 'matter-of-fact'. Far too little time to make conclusive comments, of course, but encouraging for the VTAF nevertheless.

    So, for those interested in following this little experiment, please be patient for another week or so.

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